Senkaiden Houshin Engi

Okay, before I get into the nitty gritty, I’ll make it clear that I won’t be wasting time by recounting the series, so if you were hoping to get a better squint into the plot- sorry but there’s no juice. None. Based on Ryu Fugisaki’s epic manga series Houshin Engi, Soul Hunter had all the potential to be a master piece in itself. But the constraints of condensing over 200 chapters of vivid narration into 26 episodes of animation not only forced the title off to an entirely different plot tangent but also off the leader boards of great anime. STORY: The story is your typicalshounen in which the protagonist is made to face a myriad of powerful oppositions and does so with the aid of a growing group of allies each with distinct and varying abilities. With that said, Soul Hunter doesn’t differ all that much from the conventional, but (also as a side note for those you’ve read the manga) Soul Hunter initiates rather faithfully to the base plot of the manga, though given the constraints of only 26 episodes, it’s no surprise that the series much conclude on an alternate route. However, this is where the anime really falls short, because in its attempt to replicate the manga, the anime instigates a range of big ideas and concepts about humanity, history, immortality and the prospect of a greater omniscient power- which the ending never got around to address nor justify. In short the anime grind on slowly with minor development per episode, while the ending was to a large extent very ironically rushed. ART & SOUND: Soul Hunter is not a new anime and with that I hope to have justified my stance on its lacklustre animation and odd assertions of elevator style background music. There are numerous occasions where the animation was limited to the panning of a still image and though limited screen frames are really no fault of the anime itself, it’s common occurrence was (at least to me) a serious impairment to the overall quality of the show. Sound in general was mediocre throughout the series, with low emphasis on both diegetic and non diegetic sounds, the anime suffered greatly in its attempts to capture and create ambiance. CHARACTER: For a 26 episode series, to incorporate the full cast of its manga predecessor would be highly unlikely, though the anime did make an effort. But that’s just the problem, the show attempts to give air time to a range of major characters (or rather, the key ‘fighters’ of the series) and neglects the fact that in showing them all, none of those characters under go any major development, there was no learning curve for the characters and everyone just conveniently reaches an epitome in the time of need. Indeed, this may be a reflection of episode constraints, but realistically speaking, you can take this as a warning to just postpone watching this show. ENJOYMENT: Having read the manga, I acknowledge that I may be biased in saying that the anime really didn’t amount to much for me. The fight scenes are mediocre, the emotional scenes aren’t sad, the humour is forced and the while it’s possible to get a laugh or two out of the series, that’s really all there is. For those who’ve read and enjoyed the original manga, you WILL be disappointed, especially since none of Fugisaki sensei’s genius will be evident here and none of depth, emotion and characterisation that made the manga great can be found here either. For those who haven’t read the manga, then yes, you’ve guessed it- this is not the place to start getting into the series. Period.

I would like to give this show a 4/10 because the characters became enjoyable overtime even though they didn't flesh them out much. The main character is made out to be fool throughout the show but it is also shown that he is actually observant and charismatic, which everyone gets to realize eventually. The comedy was only decent at times IMO. What was wrong with the series is that i found the plot to be lacking and boring, maybe even confusing whilst it was also being shown in poor animation. with that and how the fighting was implemented I could get zero enjoyment outof the fight scenes, it looked like it was jumping from picture to picture (like they were teleporting) making it not at all fluent.

With the release of Hakyu Houshin Engi i was reminded of this old gem. I personally view it as one of the bests of all time and a rare case when anime straying away from manga's storyline is not a sin, but an actual improvement. Story: Excellent. The plot (which takes center stage in this anime) takes place in ancient China, where a vastly superior, more advanced and culturally deveoloped world of immortals co-exists with that of mortals. However the relation is neither of mutual friendship nor subjugation. The immortals for most part avoid influencing the moral realm and keep to themselves, out of reach ofnormal men. That however changes when an immortal demon fox Dakki bewitches the China's emperor and becomes de facto ruler of the empire. What follows is poverty, famine, misuse of power and hordes of immortal demons joining the ranks of now puppet emperor's army. The society of Immortals from mountain Kun Lun can no longer turn a blind eye to these events that are caused by an immortal, and dispatch a special emmisary to go down to world of mortals, defeat and seal the souls of all evil immortals that descended on the world under Dakki's rule, along with the final job of sealing her as well. However from the very first episode when our freshly baked ex lazy bum turned world savior Taikobo encounters the most powerful evil immortal of them all (and it's not Dakki!) you will learn things are not as simple as they look, and the mission may be way over his head and something different the any expected... What follows is an engaging 26 episode ride, where each character has it's own story and few can be labeled as pure good or pure evil, with everyone having their own agenda and not everyone getting the ending the deserved. However a strike is due, for the story being overly complex in certain parts without explanation. A lot of character's decisions and behaviours are based on their social standings, ethics and moral code of the era. However the show does little to explain to the viewer what the "rulebook" for this world and era is. Few western viewers would be well versed with traditions and customs of ancient China, which has huge influence over how things play out between the characters. Art: Great. It's the 90's and it shows...but in a good way. Anime of that time tended to be done with care, passion and it shows. If you compare it to 2018's anime adaptation...it's not even funny how this tramples upon the horribly designed and cheaply made "true adaptation". Much like Slayers, this is one of the animes that shows "how it's done" and not "look how old that shit is". With the current day anime "quality" of animation i feel guilty for recommending this one. It'll make you look at most animes you liked and loved and then puke out of digust at what you had to watch and thought it was well done. Once you tasted quality it won't be easy to go back! Sound: Great as well. Problem is the greatest gems in the soundtrack have the brutal habit of being played only once in the entire series during a particular badass moment! And then no more of that! Because of this scarcity of best pieces i give sound the 8 grade. Characters: Extremely likable and memorable bunch. No character felt bland or unncessary. Each one has their own story, and worldviews that save few cannot be easily condemned as absolute evil and made into "just die" type of villain or secondary character. Taikobo is a big fat slacker that would just want to eat peaches and sleep...ekhum...medidate in the world of immortals. His decisions are often...dubious and morals questionable. Yet when push comes to shove it's his unorthodox ways that find the truth hidden behind the obvious and bring out the best in people around him. Shinkohyo is the extremely powerful yet enigmatic "evil immortal" that due to being out of reach of anyone else, prefers the role of the story's narrator and ensuring things "don't get boring" on either of sides of conflict, rather then doing any actual "evil'... The rest of the bunch is also no lacking in charisma and character, with especially honorlable mentions to "neutral" characters such as Bunchu (Venzon) and Kou-Hiko (Fun Faze). And ofc no 9 would be granted had it not been for Dakki. A good story needs a villain that is just as memorable and emotionially powerful as the main character. And here the anime goes above and beyond the call of duty to deliver. Dakki is an adversary you will both learn to hate and admire at first sight, with each subsequent minute she gets only deepening the impression. While posessing extremely powerful abilities as immortal, worlds beyond Taikobou's, it's her unmatched abilities in deception and manipulation that push many of the series characters to their tragic end without ever having to lift a finger as far as her magical abilities go. She is the depiction of anime femme fatal that can display completely shocking levels of cuteness and feminity, only to push people to deaths, torture and insanity in mere moments when her plot comes to frutitionn and her true nature shows itself. Enjoyment & Overall: Epic. Something that stands on it's own, has not only loveable cast of characters in an excellent setting, but also a deeper plot that thickens till the very end and leaves you both satisfied and with something to ponder on once done with the series. I have read the manga till the end and viewed this till the end, and i dare say this is one case of anime straying from manga's storyline that does the show good. Not that i have any problems with manga's storyline - but i feel the anime adaptation went the more deep and complex plot route with less shounen, achieving something really unique in the genre.

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