The iDOLM@STER Movie: Kagayaki no Mukougawa e!

I recently had the pleasure of watching The iDOLM@STER Movie: Beyond the Brilliant Future!, bringing my experience with this franchise back to the ensemble that started it all. It was an unexpected round trip due to my checkered history with this franchise, not being terribly enamored with the original TV series--let’s save time and call it “Classic”--falling in love with the Cinderella Girls TV series, trying to get into the SideM TV series to no effect, and peeking back to the closing chapter of Classic out of curiosity Perhaps my on and off relationship with this franchise disqualifies me from quantifying this film’s place among itsco-branded relatives. I know not whether I can speak for iDOLM@STER fans, idol fans in general, or even anime fans. I can only speak for myself, but the disparity between Classic and Beyond the Brilliant Future! despite sharing the same ensemble, makes for an emotional core that eludes description But to be honest, my first impression with this film was rather pedestrian; simultaneously enjoyable while starved for a sign of incoming narrative catharsis. But as the curtain fell on the film’s first act, I realized what this film was about, and from there I knew I was in for something a little special Beyond the Brilliant Future! is a film dealing in experience, walking side by side with enthusiastic aspirations and tangling with tangible insecurity. At the center of it all is Haruka Amami, thrust into the role of leader as she guides her peers to their first arena concert. Along the way, a group of aspiring idols is taken under Haruka and co’s tutelage. Though the gap in on-stage performance ability between the established idols and the idols in training is obvious, it’s soon clear the established idols, and especially Haruka herself, still have a lot to learn themselves This is Haruka’s story through and through. Her bestowment of experience and the experience she gains is the canvas through which her character is expressed, painted by scene and song alike. Rain or shine, there are many moments where a certain frankness permeates her feelings. The whimsical fluttering in the early morning sun beyond her cheerful demeanor in the everyday. Her emotional maturity in confiding with her closest friend despite her role as leader, the only visible expressions mere reflections off a nearby window. To the very songs themselves, encapsulating everything from when she was a new idol herself, to the heights she’s reached and the triumph’s she’s had But where Haruka’s character is most realized is through her relationship with a certain idol in training named Kana Yabuki. The plucky Kana adores the idol Haruka, her nervousness and fervor apparent but never a caricature of either shyness or admiration. At the same time, Haruka’s response to Kana’s intensity never elevates her to being above Kana, but sets them as equals from the outside looking in. At once, Haruka is elated and embarrassed, flattered and flustered, happy to be mentor and nervous -as- mentor, learning as much as Kana is along the way. The balance of humors between them perfectly grounds their relationship. The story understands what being starstruck is while the film understands how admiration acts Through it all, Haruka runs through an emotional gauntlet as she juggles leading her peers while guiding Kana and the new idols. Throughout the film, the story slowly builds an escalation of tension on palpable worries and fears. But rarely does the story overstep anything it ever establishes; it’s clear their problems are a major obstacle for them, but the film scarcely draws attention to it with manufactured musical moments, instead preferring to punctuate high drama with low ambience. The film has -confidence- in itself enough to let the writing quality of its story come through in its deliberate pacing, to let the character writing express its depth for itself than to cue in for when it’s being expressed But in committing so heavily to one main character from a cast of characters that was a true ensemble, the film runs afoul of having too many characters that contribute nary a much to the story. Remember how I said I might be disqualified from quantifying this film? I wasn’t terribly enamored with Classic in the first place, so where the film would go in terms of its focal point would be irrelevant to me. It might be safe of me to assume you’d really like movie this if Haruka was your favorite character from Classic, but Kana is the deuteragonist. I’d feel a bit dishonest if I didn’t disclose where I’m approaching this film from That isn’t to say all of the characters got lost in the shuffle from Classic to movie. Chihaya Kisaragi has the same role to Haruka as before, being a close friend to confide in and be open with. The Producer and Ritsuko Akizuki are also more or less intact, but now distancing themselves from Haruka and her peers as they become the mentors for Kana and the new idols. Most pleasantly surprising, however, is Iori Minase, who imparts a few words of wisdom for the competitive Shiho Kitazawa While Shiho felt like an antagonist who only expedited what would’ve happened eventually, she’s at least understandable, owing much to the preamble set in the early parts of the film that build to more drama as the story goes on. But the biggest problem with Shiho’s storyline, and Kana’s by extension, is the disconnect between what underlies their aspirations and the cinematography of the arena concert. The story is focused on Haruka and Kana, but the arena concert emphasizes Haruka and her peers. I know this is likely due to what The iDOLM@STER is as a franchise, but the disconnect between them is still noticeable That’s my biggest issue with that storyline, but it’s overall just a nitpick that’s amplified because of how much I bought into that thread in the first place. Putting that aside, the arena concert song itself, M@STERPIECE, is, well, worthy of its title. It’s a tour de force of the Classic ensemble, as each of their voices stand out when they need to before harmonizing to perfection. The overall feel is nothing if not triumphant, emblematic of their accomplishments. Some of the insert songs are also nice callbacks to when Classic was the only anime The iDOLM@STER had. Definitely a nice touch of the past to accentuate the story-driven songs of the film’s present But what I found more pleasing than the music were the visuals, and not solely for how good they look in and of themselves--high polish and budget can fade over time--but the direction within them. The film has a knack for communicating in juxtaposition between characters where dialog would be redundant, from the idols in training to Haruka to Miki Hoshii to Chihaya to Iori. And at its best, the film expresses some emphatically poignant epiphanies with nary a line of confirmation. This is part of why the film is often so confident to let the character and story writing express itself, because it can still speak volumes without uttering a word. And I just realized how ironic that is for a franchise rooted to characters who dance and -sing- Regardless of what the core of the franchise is, I’m glad the original iDOLM@STER anime had this chapter and I’m highly satisfied I checked this out. This was the entry the original series needed, and the film the first face of the franchise in Haruka Amami deserved. Beyond the Brilliant Future! isn’t quite the M@STERPIECE to end a Classic, but if subsequent entries in the franchise can stick to this level of care, then that’s just one more step to a Brilliant Future

From what I've seen of the iDOLM@STER anime series so far I quite like the whole series overall. The TV series was generally a fun watch and this movie basically feels like more of the show. While I liked this overall, I'd be lying if I didn't say it was kinda lackluster. And I'll keep this spoiler-free as can be. The movie starts off pretty well introducing us to the girls following the end of the show. They're all accomplished, experienced, and established idols to the point where they're basically superstars landing all sorts of big gigs. The beginning of this movie has everyone unite onceagain to prep for a huge gig the producer lands them and that first 40 minutes or so until time for the ending performance was this series doing what I feel it does best, and that's being casual. iDOLM@STER hasn't necessarily been great when it comes to being dramatic, but it's had some situations that were handled better than others. And the entire movie past that first 40 minutes until that last performance has everyone suddenly hit with two big cases: Producer revealing bad news to the 765 girls and then 765 being tossed into the turmoil of another group's struggles. I actually think Producer has earned the right to act as a plot device in this final showing of the 765 branch of the iDOLM@STER series as he's been developed into a notable figure through the anime who keeps the girls afloat as idols as well as striving to do a good job in his role for everyone else's sake opposed to his cookie cutter portrayal in the games. But then the main issue with this movie lies in that other group I mentioned. I didn't really mind their presence per se, but they introduce a degree of tension that you could say isn't enough to carry basically an entire movie on it's own, and then it's not entirely something we hadn't seen already. Now onto the second group. They kinda squander the potential screentime members of 765 could've gotten because they're given a bit too much focus IMO. I actually like their inclusion in general because I thought we'd be getting some kind of passing a torch kinda moment with 765 to them, but we're thrown too deep into their issues and it affects everyone because a good part of the movie becomes more about them than 765. Don't forget, 765 already consists of 14 main members (15 if you count Kotori), so it doesn't help that they added 7 more people for them to share a screen with so a lot of characters still get screen time but their presence is subdued. I was definitely disappointed that the majority of the 765 girls didn't really have any individual moments to look back on. Of everyone thrown into the shuffle here, Haruka gets elevated as she's put in an important role that sees her bearing the most responsibility on behalf of everyone, so if you're a fan of her or like her you'll be pleased there just as I was. It felt like an appropriate role for her because it challenges her to make decisions for problems that other members would've either had less difficulty dealing with or couldn't have done so with the same degree of tact. I also liked her interactions with another member of the other group as Haruka is seen as a role model for her but the two are very similar in many ways. When it comes to general aspects such as animation and music this movie does just as well in those areas as it did in the show. Guess my only small complaint for music would be the execution as I would've liked it if there were more moments where entire songs were performed rather than used for brief transitions. Overall I'd say I liked this movie, and if you were a fan of the main show or the series in general you'll probably be content with this. It does unfortunately have a lot of the same issues as the show though. The drama is…considerably typical for an idol series and it felt more like a side story for the show than a plot to carry a movie that would've been better served as a farewell for 765 given this is the last main anime entry. Wouldn't say this is a must watch entry, but it's a decent conclusion to their story even if it isn't actually satisfyingly conclusive enough.

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