

終物語
A peculiar transfer student named Ougi Oshino has just arrived at Naoetsu Private High School. She is quickly introduced to senior student Koyomi Araragi by their mutual friend Kanbaru Suruga, in hopes of obtaining advice regarding a strange discovery she has made. After taking a look at the school's layout, Ougi notices that a classroom has appeared in an otherwise empty area—a place that should not exist. Unsure if this is the work of an apparition, Araragi and Ougi attempt to unravel the truth behind this enigma. But Araragi soon discovers, after finding himself locked in with Ougi, that the room holds the memory of an event he had long since forgotten. [Written by MAL Rewrite]
A peculiar transfer student named Ougi Oshino has just arrived at Naoetsu Private High School. She is quickly introduced to senior student Koyomi Araragi by their mutual friend Kanbaru Suruga, in hopes of obtaining advice regarding a strange discovery she has made. After taking a look at the school's layout, Ougi notices that a classroom has appeared in an otherwise empty area—a place that should not exist. Unsure if this is the work of an apparition, Araragi and Ougi attempt to unravel the truth behind this enigma. But Araragi soon discovers, after finding himself locked in with Ougi, that the room holds the memory of an event he had long since forgotten. [Written by MAL Rewrite]
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Artrill
August 14, 2016
(9.0/10) A pure, distilled version of what made both Season 1 and Season 2 so fascinating, Owarimonogatari works on almost every level. If I were to write a review of the entirety of season 3, i'd include Tsukimonogatari, however, that's a separate review, so feel free to look at my review for that if you haven't before. That being said, I will be factoring my enjoyment of that arc with my overall enjoyment of the third season. This will be my wrap up before i delve into the OVA and the movies. _____________________________________[PART 1] : Extraction The shows first three arcs serve as a big overarching story about an anime cliche done well. With Oikura Sudachi playing the role of the "forgotten friend" or perhaps "forgotten love-interest" that is seen so often in anime and i'm assuming light novels. However, much like every other cliche this show addresses, its both addressed bluntly and flipped on its head. She plays a tragic character that is used expertly to subvert every expectation I had going into the arc. But i'm getting ahead of myself. This comes after a wonderfully exposited story delivered by Ougi Oshino; the shows most mysterious character. Although i'm disappointed we don't get to know more about her, in a way, its nice to see this show leaving room for more stories to tell. With Ougi, who has a spectacular character design may i add... using flat colors and completely darkened eyes, she never feels like she belongs in a very alien way. ... Her arc leads us, as i said, to Oikura who serves as a good exploration into both Araragi and herself as a new character. The arc reveals a darker backstory and elaborates a lot on Araragi's increasingly compelling character. ... While I wasn't huge on Oikura's initial character design, what with her Hachikuji-esq pigtails (except grey) and general lack of uniqueness. The more I thought about it, the more I appreciated the juxtaposition between her entire symmetrical self and her entirely crazy backstory. Without delving into spoilers, this arc doesn't go where I expected it to. This subversion really served to create a fascinating story. __________________________________ [PART 2] : Combination When I said that this show is akin to a distilled version of season 1's positives and season 2's positives, I meant it. If Oikura's story played out like something out of season 2, and Tsukimonogatari played out like something from Bake or Nisemonogatari, the final arc was a different beast. With Shinobu Mail, there's the sense that this show has a total direction to follow. It deals with Shinobu's past and relates her story with the overarching themes that this show's entire structure has been built upon. Romance. A lot of people mistake romance for an ideal. Like, "I've been feeling romance", or something stupid like that. Its not "love", its not a metaphoric object that you can have... like love. Its a feeling of mystery, as well as a feeling of excitement that comes from this mystery. Yes, it relates totally to love, but its a concept from that metaphoric object. That's the true beauty of this final arc, and honestly, the entire show. It reflects the feeling of romance in almost every way. What makes this even more obvious is my initial confusion towards this show in my rambling first review of Bake and Nisemonogatari (All in one post under Bakemonogatari). This show makes you feel, essentially, the emotions one could feel in romance. The excitement from seeing something you shouldn't. The mystery of an unfolding story. The fact that this unfolding story relates to something you shouldn't be seeing. The very idea that another definition of romance is "a quality or feeling of mystery, excitement, and remoteness from everyday life." Now tell me that doesn't reflect the entire concept of this show! The feeling of mystery from a conversation that goes nowhere! The feeling of excitement from seeing your sexy classmate. The feeling of remoteness from locations completely devoid of people! This makes me love the idea of Kanbaru, the shows more overtly romantic character, being Araragi's companion in the final arc. Its something that fits so well I didn't even realize it until Kanbaru and Shinobu's big conversation. Its perfect. The shows more romantic character addressing romanticism in a show about romance. Its so hilariously blunt, especially with her characterization involved. Much like Araragi and his romantic view, she sees the world through a lovers glasses. Everything she sees and experiences is out of impulsive romance. There's even this big hilarious detour into romance-driven light novels. This show is the embodiment of romance. It takes every idea and feeling given from romance and puts it on screen for you to experience. Araragi can be kind of like a surrogate for yourself, but also serve as a more fleshed out character than he was back in season 1. With this shows final arc, this feeling has never been more obvious to me. People hate romance, people love romance, people have a feeling of uneasiness towards the concept of romance. I've seen every reaction to this show before. ___________________________________ [PART 3] : Misunderstanding Now this is why i'm baffled by the amount of reviews I see of this third season saying that this show "lacks developement", or more audaciously, "has no more action," all the while touting the quality of season 2. I feel like a lot of people are missing the point. This show isn't supposed to be some action-packed rom-com with quirky characters and an eccentric harem-having lead. Sure it mocked that concept with Bake and in a way, with Nise. But i don't think i'm giving it too much credit when I say that that's not all it is. Much like real life, and much like romance, a lot of this show acts like a subversion. A subversion towards what it means to climax is prevalent throughout the shows run-time too. This is even stated multiple times in multiple different occasions. But who knows, maybe it will be that in the future. But i'm sure its not what it is now, at this point after Owarimonogatari ended. I'm left with the feeling that the writer and director created and adapted this show to portray that feeling of romance. How to address romance, how to live with it, the situations it can put you in. How seeing everyday life can be a romantic experience in a way. One day your going to school, the next day your bitten by the most highly regarded vampire ever... and just continuing with school and living a regular life. Its a romantic way of looking at a mundane life, no? A romantic way of looking at nonsensical interactions and absurd progression. ___________________________________ [PART 4] : Reflection In a way, i'm rating this show in its entirety right now. The way I watched season 1 directly influenced the way I saw season 2. Those two seasons and my opinions of them undoubtedly determined my final thoughts on the third season as well. That's how television works. Every episode builds on another and creates an overarching view of the show. You remember the good and the bad. What this final arc did in Shinobu Mail is the unbelievable, by making my most despised arc, Nekomonogatari (White), somewhat more bearable and understanding in context. This is because the entire structure of the show often feels like a puzzle. Once again, the characters do address this, so trust me, i'm not pulling it out of my ass. Many times in its second and third seasons, Monogatari skips time and tells its stories like pieces of a large puzzle. Although we've gotten a lot of the endgame, we are still missing a few pieces making up the base, which is what the movies will deliver I believe. This exquisite puzzle slowly forms in front of us and missing pieces just appear. So it only makes sense that it helps the disappointing Nadeko arc become just a tad bit better. _____________________________________ [PART 5] : Conclusion All of these thoughts are coming from someone who not only has a negative opinion on anime, but went into this show wanting to dislike it. So whether everything i'm saying was something planned by the writers, or simply the ramblings of a pretentious film student; I can't help but be slightly amazed at the result. Season 3 of Monogatari does what i've wanted to see in the show. It takes the heavy romance-inspired themes and the comedy of season 1 and mixes it with the well-written plot-heavy storytelling of season 2. While my favorite arc of the show is still most likely Hitagi End from season 2. There is no doubt in my mind that the most solid and truly great season is season 3. Starting from Tsukimonogatari and going through Owarimonogatari. ________________________________ EPILOGUE Its very difficult for me to come to terms with what this show means for me. I feel like it did a lot with helping me come to terms with my enjoyments, and perhaps cheekily even gave me a romantics view on storytelling in some areas. It means a lot though. I feel like everything it delivered to me was confusing at worst and eye-opening at best. There's no doubt in my mind that I will remember these characters in the future, whether there's more to watch after the trilogy of films air. I feel like I remember every character now. Going all the way back to my first review written about Monogatari. How memorable these characters are. Or how distinctly cool the show feels in so many ways. I audibly said, "Man, this character is so fucking cool." More times than I'd like to admit. This is something i'd love more anime to take note of. There are so many shows that simply try to over-do the "coolness" factor and end up making everything very same-y and boring. However, with every jolt of action or creatively designed character that's introduced, I feel an air of excitement and mystery. An air of romance? If we're going by its very dictionary-defined meaning. Whether its Ougi's mystery, or Gaen's hipster know-it-all-ness, or Episode's completely bonkers weapon, or Kagenui's menacing and spectacularly original character design, or Ononoki's special power... everything is delivered with the idea that its cool but it doesn't need to rub it into your face. There's no need for dramatic monologues about how badass a character is, or how scary the villain is... Its just delivered. I wish more anime did things like this. Its refreshing subversion of something that's old and tired in the anime format. But i'm rambling. Point is, this show is extremely unique. Its something that can be endlessly read into but equally surface-level. Its a dangerous amalgamation of something I can't help but romanticize when I go to bed and think about it. To hearken back to my first review; Monogatari is exploitative, gross, sleazy, sexist, beautiful, fascinating, memorable, and confusing. It's romance.
Supporting
RackyJackie
October 7, 2020
Honestly I shouldn't be surprised anymore on how good Monogatari can get. Owarimonogatari is probably my favorite season thus far; It's honestly comparable to Bakemonogatari in terms of quality. There wasn't a single moment in this season that had be bored, even when episodes were just two characters having a discussion. But at this point into the series, that's not that big of a surprise either. The characters interactions and writing were superb, and the humor was just fantastic. The jokes in previous installments had me going with a nice chuckle, but the gags in Owarimonogatari made me actually laugh out loud. The story gets quitedarker around this season, as I and other's have noticed. There's also a lot of character building for Araragi in Owari, which is nice seeing him be the focus once again. Owarimonogatari is just truly amazing. From the much more mature tone of the story, to the compelling music, SHAFT and NisiOisiN have really put in their heart and soul into making this season stand out.
FalseShepherd13
January 8, 2017
::Alright here's a quick summing up of my thoughts. Consider it a short review. No need to waste your time with long-ass pretentious writing that doesnt cut to the chase:: So I just saw Owarimonogatari. And it was quite the fun time. The writing is just as impeccable, and it goes without saying that the franchise still is able to maintain my undivided attention despite 65 episodes of conversations stretched across several cours. Ougi Oshino proves to be a surprisingly interesting character. Back when I first started Bakemonogatari and I saw the front cover for Owarimonogatari, I thought Ougi would just be another member of Koyomi'sharem, who would essentially be "the Weird and Quirky one". Ougi is a surprisingly intimidating character for someone who looks so unassuming (for lack of a better word). Her (or His) words cut pretty deep, and everything Ougi says has this ominous undertone that I find unsettling. To say any more would be to cheapen or spoil the experience, so sit and watch as she (or he) talks your ear off About things you'd never normally find this interesting (as is common practice in Monogatari). The other standout character this time around is Sodachi Oikura, a childhood "friend" of Araragi who, unlike all the other girls, hates him with a passion (talk about a departure!). Her short time with the cast has proven to be quite powerful, and her presence felt just as strong as any of the other cast members (as Ougi would likely call them). Sodachi is easily my favorite character in this particular title of the franchise. Not only is she not involved with aberrations, but also is a spiteful and hateful ball of depression and resentment. Her connection to Araragi's past means she's very important to his development as a person, and is even a catalyst for how Araragi became the man he is. Sodachi's seiyu does a fantastic job at portraying her to be snobbish and unforgiving. She's quite the hottie to boot. The arc called Shinobu Mail takes up the second half and is told by Araragi as a flashback to what he was up to while Hanekawa dealt with a rather troublesome Tiger in the Tsubasa Tiger arc. I mostly consider this arc to be a follow-up to Shinobu Time, and what happens in Shinobu Mail is pretty relevant to a lot of the strange occurrences in Araragi's hometown, which i was very satisfied to see. Needless to say, it began about as engaging as the rest of Monogatari. The renewed focus on Shinobu was very nice seeing as I really like her character, and Kanbaru being around was also really nice to see, because she's also a big favorite of mine. It answered a lot of questions, and yet, despite being a part of Owarimonogatari, Shinobu Mail feels more at home when compared to Monogatari Series Second Season. Nonetheless, for some inexplicable reason, this arc felt a little less engaging than usual, as it went on. The likelihood that this is my fault is pretty high, considering I was getting pretty tired by the end of it. Regardless, I still enjoyed it immensely. I give Owarimonogatari a 9 out 10 Oh yeah, as usual, the show looks amazing and distinct, and the music is pretty great, blah blah blah. It's monogatari, what else would you expect?
Apdo1
March 1, 2016
Many people who gave this monogatari series or owarimonogatari a lower than average rating, let me say this. The meaning of "owari" or the prefix name of this monogatari means the resolution or the end of something. By this sense, many of the monogatari that we saw with its prefix name tells you, and predetermine what you are about to see, within those monogatari series that will entails as its main theme or topic of the anime's discussion or introductory standpoints, until it meets it resolution or the end of that specific monogatari series. And if you notice something about this owarimonogatari series. Both shinobu'sproblem and Araragi problem are resolved when the story meet its ending or the last episode of the owarimonogatari. For Araragi it's the realization or understanding about his forgotten past. In which later helps him to deal with his contemporary problem with Oikura Sodachi (not spoiling, it's what he planned to do when she returned and was exposed in episode 1). Is it out of context of the story? No. Is it not related to the main arc? No. Is it meaningless to the development of the story? No, liked i said before. It helps with Araragi's understandings to unravel and resolve his past problem with the way he does or thinks things logically, to his contemporary time's problems with Oikura Sodachi. A filler episode tend to have no meaning to further the progression of a story and holds no relevance towards the goal of achieving it. Conversely, the not really a filler or rather the detective game that Ougi tries to resolve or rather helps Araragi to resolve it, are just a style of the author's story telling where you, the audience can think and theorize along the points that were given visually or verbally through its dialogue and visuals, about the answer or the act of using deduction by Ougi to further the understandings related to the happenings at the current topic of discussion or whether or not. With your guess or theory is being right or wrong at Ougi's deduction about the case of rationalism in human's actions and causation of it. That's the whole point of a detective game in Owarimonogatari or deducing points or rationalizing the reason for each character's actions with its possibilities in mind. By this sense, it was an extremely a well done job for Nisio Isin (the author) to organized and formalize these argumentative ways of deduction and rationalizing assumptions in this monogatari series. Incidentally, in some cases, Ougi ask Araragi to give an ending statement on the very near end of the episodes to shows the end of the deduction in theorizing Oikura Sodachi's reasons for her particular actions. If you go to law school or study philosophy or any argument related subject then you'll get how it's done. My enjoyment for this is 9, the sound is 9 (Oikura Sodachi voice acting was top notched lmao) with a fitted OST for a specific scene or talks in the anime, while the story is a subjective matter whether you like this kind of story with its premise given in the prefix of the "-monogatari" while ending the show with the conclusion of how the prefix it, is exactly what it's. But i'll give it a 9 since I enjoy it hella lot. And i like how they make the random text that usually pops up sporadically alot more noticeable and easy to read thanks to the cool and slightly bit slow transition into those random texts, so you have enough time to read all of them or possibly pauses it. Despite the shorter amount of dialogue for this. There are plentiful of westerner's references like "monty hall" (and some other ones) and uses of english words like, "field work", " Do your best" etc. And some indication of the fallacy that the character is committing like the ,"red herring" that was mentioned by either Ougi or Araragi in a certain Episode. The cutted in short dialogue did a hell lot of job for the audience to follow onto the story and understanding the happenings much easier than the previous monogatari series. Plus, their ways of smooth talking through the same topic or premise over and over again, while adding new info in over the extended period of their dialogue is pretty interesting as well. It's kinda clever to see this around. Nevertheless my overall is a 9, It's the best monogatari series so far in my subjective opinion.
MatheusSantos
December 22, 2015
Owarimonogatari 1/Formula Ougi/ Sodachi Riddle/ Sodachi Lost: Surreal. The premise is intelligent and greedy, because it presents a new character at the time of 45 seconds — even with the arc coming a bit before the start of the Second Season. The run begins, someone is shown and someone that has already been shown must be presented as a beginner now. Really interesting, the mysterious mood, the subtle air, it’s all part of a little mystery’s set that hasn’t even been mentioned before and that it's now featured — or so it has seemed. The insertion of said Ougi, the memory of said Oikura. It’s mentioned like a dichotomy,or rather, “convergence”, even if both of them havn’t ever met, they had a relationship in common, the said protagonist. However, in a courageous way, Oikura is inserted in the story, having, until then, the weapons to be a character of weight, which she doesn’t only accomplishes to become one in the end, with the vague idea of a return (which has already been confirmed), as she have a very solid representation in the protagonist. The pace isn’t slow, isn’t weak, isn’t without desire. It’s intense, gradual and even ominous. The said formula it’s a practical lecture of human relationship, the majority rule, the pure representation of mankind’s ugliness as an inventor. The said riddle, as insinuated, it’s a solid question, the warning in the end saying to check the beginning again, the pure representation of human forgetfulness, of its ugliness as a defect. The said lost one, the mystery, the engaged, the prideful promise of a closing to the whole riddle, to the whole formula; it’s indeed a truth about human frustration. In the end, Owarimonogatari 1 it’s a promise of mystery, which only tends to grow and become better, where the end it’s satisfactory and surreal, where the three works as one and three at the same time, therefore, it’s great (9.0 in a whole). ------------------------------------------------------------------ Owarimonogatari 2/Shinobu Mail: End, the closing of said arc, what’s there to say about it? What can really be said about it? In a cruel way, the word “boring” could be used in a brutal and even condescending way, but, this would be said just envisioning the usurpation of the arc’s focus to one character in particular, and that would be unjust. Being that way, no, because it is that way, it’s necessary to quote the divergences and convergences until the end — or rather, from the start. Beginning with a suggestive presentation of the plot, the tale, passing through a roller coaster of quality, goes from the momentary fun to the cumulus of tedium, but not in a sequential order, of course. With the apparition of a new character, the interesting Seishirou, the first oddity-slayer, the first servant, the first love, maybe? The relationship between he and the said iron-blooded, hot-blooded and cold-blooded vampire, Kiss-shot, it’s indeed intriguing. In certain point, it’s understood that the exchange of feelings between the two it’s almost the opposite. In the end, their relationship it’s like any other, of any kind, therefore, it’s something good. The closing events, like the duel, the devouring, the consolation, everything fulfill a emptiness of almost three 1/5 of the arc, which occults it with a speech that’s even irritating. Even so, the end, the said summary, the pay-off it’s really beautiful, therefore, it’s something good. The connected dots and the ones that are left at the end of the protagonist’s report to the coadjuvant Ougi are really well-made; more so with the collaboration of the “chat” between said protagonist and the said coadjuvant Yotsugi. In the end, Owarimonogatari 2, Shinobu Mail, it’s a well-presented arc that screw its way to its beautiful end, which leaves a great tip and close other ones. We can catalog everything as a whole as being great (8.5-9), but, the bad use of explanations in the filling of this cake leaves it tasteless, therefore, good (7.5-8.0 for the end). ------------------------------------------------------------------ Owarimonogatari/As an anime altogether. Good adaptation, great display of scenes and metaphors from the book in form of frames, frameworks and even the ending. If both parts are to be divided, like in the books, it would be a 9 and a 7 in sequence, but, as they’re put together, I risk myself at giving it a 9. There’s no meaning in despise the first part for the slouch of the second one.
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