Arslan Senki (TV): Fuujin Ranbu

I wonder what I expected out of this season. When I read that there were only going to be 8 episodes of content they originally planned on skipping, I didn't have much hope left for the anime. And somehow, it still managed to disappoint me. Arslan Senki introduced an interesting, while not all too new, story. It's a low-fantasy, presented somewhat cartoonish - the story was kept interesting with exagerations and unexplained magic and a mysterious antagonist, Zuk- I mean, Hilmes. In this second season, they decide to delve a little into Hilmes' past - we get some character development, and given incentive to care about him.And that's really nice... if it weren't the ONLY character development throughout this season. The other characters from last season fall - no pun intended - completely flat. They are reduced to a mere herd of animals following and obeying their leader, Arslan and are pushed completely to the background. Arslan himself seems to be stuck at the character he obtained throughout last season, as well. There are some new characters, but besides those that are part of Hilmes' backstory, there isn't much development either. The characters are the only thing that could have carried the story. So that falls flat as well. A lame, minor antagonists and an overall uneventful plot are the main focus this season, while all the interesting stuff is happening in the background - which is mainly the only reason I kept watching. But for the most part, all I heard and saw was a run-off-the-mill story, with one-liners you could have probably found in a book called "Clichéd Dialogue in Fantasy Animes". Narsus apparently knows all the enemy plans, as usual, but doesn't tell the viewer that he knows this, making all of his counter-plans seem like mere dei ex machina. If the art and animation had been good, I would have probably enjoyed this as an average anime, but the staff only seemed to have the budget for low quality shots and still images. The CGI was bad, but, with the exception for some fights and the finale, the best animation troughout the season. The voice acting decided to follow the this trend and all the characters spoke, beside for some returning characters, without emotion and only decent intonation - it was bland. The music, however, was good; it fit the atmoshpere and knew how to hype up scenes. The sound effects, as well, were on point. As we reach the end of the season, the story that had been unveiling on the background culminates, the animation gets back some of its life, and the characters some of their depth, giving me at least some hope for next season.

For this review I'll cover the twenty five episode first series and the eight episode follow up, Fuujin Ranbu. Arslan senki is based off of a novel series that came out from '86 all the way until '17. That's even longer than Claremont's amazing run writing the X-men. And it's not completely over. There's still a manga going. The novels were the brain child of Tanaka Yoshiki, which makes me somewhat wary since he also wrote the brain dead, rubbish series Ginga Eiyuu Densetsu. In any case, the series had an OVA in the early to mid 90s and this two series anime from 2015-2016. It washandled by Liden Films, the same studio that worked on Terra formars, which was also not good. Who knows, maybe this one will actually exceed my expectations and not be awful. In spite of having a name that sounds like the shit version of Narnia's protector. Story: The narrative is simple enough. The Kingdom of Pars is prosperous with a strong king to defend it. It also has a strong contingent of nearby nations that would love a piece of that prosperity. Including the borderline Theocracy of Lusitania. During his first foray into battle, Prince Arslan finds himself separated from his father while things around him quickly turn bad for the Parsian forces. He finds himself separated with only the loyal Daryun to rely on. And it seems like the only one who can unite what remains of Pars' military and drive the Lusitanian forces from the royal capital is Arslan. The biggest problem with the narrative might just be that it drags a bit. There are a bunch of episodes where Arslan and his group sit back and do nothing while we witness the siege of the capital. And it really shouldn't take as long as it does since the way it'll end is obvious. Another prominent example is in the shift from the end of the first series to the beginning of the second. We see our heroes about to take a huge step only to rapidly back-pedal in what feels like a cheap ploy to get more content out of the concept. As much as it surprises me, I do have a lot of aspects of the series I'm going to praise. In a far shot from that other Tanaka written anime, the strategy in this is actual well thought out strategy. It doesn't rely on one group being composed entirely of idiots. It relies on misdirection, terrain advantages, figuring out ways to rattle the opposing troops and other various things. I don't know if Ginga Eiyuu was just adapted badly or if Tanaka just doesn't know how to apply strategy to a sci-fi setting. In terms of political aspects, the primary issue is a lot more morally one-sided since it deals with slavery but Tanaka does a good job of writing it from the perspective of a culture where that's been their way of life and it's just starting to shift. Which is a big improvement over that other series that presented a more morally grey conundrum, but presented it very ineptly. The narrative actually somewhat reminds me of Nintendo's classic Fire Emblem series. With the way the prince has to flee while things go wrong in his nation and then has to find strong allies while dealing with intrigue from multiple angles. Except this started coming out before that franchise existed. I can't deny that the story unfolds in an intriguing way, even with the detours. And this is one of the few anime I've seen that has a narrator and uses them effectively. A lot of the narrator's purpose is to show the passage of time between significant events while keeping the audience caught up on what the important characters have been doing. Thereby allowing the series to have greater scope without a huge amount of filler. Characters: One thing I really appreciate about the major characters is that they aren't just blind followers. Pretty much all of them start out with some kind of relatively weak reason to go to his side but then their dynamics start developing and they find stronger reasons to follow him. Which both shows a nice character progression and creates some powerful dynamics. The characters themselves are quite strongly written with enough background details to illustrate how they were shaped into who they are and complexity to them. That goes for the antagonistic characters as well. Especially Silver Mask & Guiscard. Which is another huge difference between this and that other Tanaka anime where the cast was massive but also very boring and one note. The only dude I remember vividly from that is toga guy and that's only cause he was so over the top. Art: The artwork looks fantastic. No awkward posing that no human would ever use. The character designs are well done. The armour and costuming looks good. Although Falangies' might be overly fan-service oriented. The action sequences are phenomenal with amazing swordplay, quick arrow shots and just very dynamic movements. The backgrounds are strongly detailed, to top it off. Which is another huge difference from that other anime. Sound: The acting is really well done. Kobayashi Yuusuke, Hosoya Yoshimasa, Sakamoto Maaya, Namikawa Daisuke, Numakura Manami, Uchiyama Yumi, Koyasu Takehito, Kaji Yuki and pretty much everyone else does a great job. The only performance I can really single out as lacklustre comes from Sakurai Toshiharu who voices King Innocentis. His performance feels a bit out of place since he sounds a bit like the typical "comedic fat man" in a series where that doesn't really work. Iwashiro Taro's soundtrack is fantastic in both series. Ho-yay: There's a bit. Elam comes across as having a bit of a crush on Narsus at times, and vying for his affections against Alfreed. There are also moments where Daryun and Narsus come across as more than friends. It's not the case in the majority of their shared screen time, but it's certainly an ongoing thing. Areas of Improvement: A More Focused Narrative. While the diversions are entertaining, it would be nice to see the story get on with it a bit more quickly. Proper Clothes for Falangies. I get that she's supposed to come from a warmer climate, but it might help if she was properly dressed for combat and the weather. A less comedic performance for Innocentis. If this were a more comedic series, he would sound fine. But since it's not, a more nuanced performance would work wonders. Final Thoughts: I'm actually flabbergasted. Given my previous experiences with both this writer and this studio, I expected to have a terrible time. I expected this to be a slog I had to force myself through to finish the review request. But I really enjoyed the series. It's the type of fantasy that reminds me of a Fire Emblem story in the best way. I would actually love to see it given a third series to finish things up and I'm definitely going to chase down the manga to see the conclusion regardless. I'll give this one a solid 8/10. If you're a fantasy fan, I recommend it.

Thirty minutes ago I wrote a review about Arslan Senki S1 now here I am, back to rant about these idiots. Originally, I gave this season a 5. Now that I'm looking at it scrupulously, it's more of a 4 or 3. Let me explain. My expectations are completely different than before. In Arslan Senki, I wanted to be introduced to the characters and their goals, to know more about the setting of the story and also the main conflict. Which was all done relatively well. Now for Arslan Senki: Fuujin Ranbu, I wanted to delve into the minds of these characters and see them evolve. Sadly, again,they do not grow. Our main cast is still the same as before, they do not learn from their mistakes -- they don't make mistake to begin with. Arslan is still an innocent white snowflake without any awareness of the real-life dangers being overprotected by Daryun-oka-chan who's reduced to be the mindless brawl of his 'Highness'. I swear if I hear him yell 'denka' again I destroy the internet. But, pals, I had hope! When we've met Narsus' old friend, I thought I would finally get the development I've been longing for. Some backstory as to why Narsus is the way he is and how two friends parted on different journeys. Jokes on me, that conflict lasted two episodes with no explanation nor flashback about their relationship to show us how deep the betrayal was. And even when Alfreed's brother was introduced, I thought we could see some nice frictions between the siblings or even Alfreed revealing more about her past, anything that would have shown us her struggles or the reasons she ran. Something to make me care, ffs. They can all die, I would literally give no shit because they overlooked that emotional development. I cannot connect with this series because characters aren't real. They're funny and lovable and sure looks good but there is nothing more to them. I'm not as much engaged in the story as I was in Fullmetal Alchemist, for instance. Of course, the rest of the bunch is lessened to their previous role with no active participation in the advancement of the plot whatsoever. Everything in this series is freaking shallow. It's there for sparks and glitters, for cool moments that would make great AMVs. Nothing is deep, the characters are never challenged externally and internally. As a grand poet would say; they have the emotional range of a teaspoon. The only one that gets a little bit of backstory is our Zuko/Shouto boy. That makes me want to root for the villain, honestly. The animation found a way to become even worst. I didn't think it was possible but the overuse of dark contrast made it impossible for my screen to distinguish the dark tones from the light tones. The 3D still looks awful but now I'm used to it. Good news is: characters aren't legos anymore! They're freaking carton boxes. Fluidity was lost in favor of better background visuals. I don't know if it's a good thing though. I noticed nothing different in the OSTs and despite being sung by the same artists, the OP and ED have less impact than in the first season. If the eight-episode season didn't tip you off, you can still feel this season was rushed and is nowhere near the quality of the first season. It's not even a whole cour! There is little chance for a third season, at least not in the close future but I do hope we put all this overdramatic plot aside and focus on the characters. Because Arslan's epic journey is about him, not the super goody fights. I got to care if you want me to root for him or I'll go pray to that Yaldabotthing (bless you, dear) for all of them to die painfully. Yeah, I'm a resentful viewer.

The great continuation of our freeloader prince Arslan and his demigod friends who are able to bend the plot at their will. I’ll keep this review short and will include some minor spoilers. The second season of Arslan was a relief, mainly due to the fact that they shortened down the runtime of the show to a measly 8 episodes. The reason why I continued with Arslan Senki and decided to watch the second season was to get a sense of completion and a sense of fulfillment, knowing that this train wreck of a series has finally come to an end. I was wrong as ArslanSenki: Fuujin Ranbu did not have any sort of resolution. The second season of Arslan Senki is below average as it has too many shifts in the narrative that make it hard to watch. In one episode we see the prince get exiled, and in the very next we see the prince being a human rights activist. Moreover, this season was so baffling, it had the audacity to manipulate its viewers into believing that anything interesting would happen in the 8 episodes. Nothing particularly interesting happened. The fundamental issue with Arslan Senki: Fuujin Ranbu lies within the structure of the show. Its runtime was reduced by 2/3rds and they tried to jump over their heads with the amount of content put into the show. Some parts that can be considered great setups are immediately ruined in the next episode, removing any sort of tension that this setup could have. For instance, at one point in the series, the king of Pars – tyrant Andragoras the third – returns to the remains of his kingdom, only to exile the prince. In of itself, this was a very interesting turning point as it could have explored themes such as banishment, starting everything from scratch and so forth. This great setup was almost immediately ruined in the next episode, where our demigod cast of superheroes can’t leave the prince behind and decide to escape the tyrant Andragoras the third’s regime – they’re loyal to the prince after all. The tonal shifts of this show are something out of this world and may lead someone to the brink of insanity. As mentioned before, these tonal shifts or shifts in the narrative completely direct the story in a different path which creates a feeling of inconsistency and a fragmented narrative. We have a subplot about some old artifact that can be used as a credential, we get to see the antagonist’s past and his love story, we can see the king returning from being imprisoned in Lusitania and we also see the prince being a human rights activist fighting against pirates; all of this somehow fit in 8 episodes. A better solution in my opinion would be to focus on one story and tell it from start to end. The first season wasn’t the best but season two could have concluded the story in better fashion. The characters are all the same, with the exception of some new and equally stupid characters being introduced. One such example is Narsus’ friend, Shagard – whom Narsus has been a friend with for a long time. Shagard is said to be a clever character and someone who has the same intellectual capacity as Narsus but unfortunately we never get to witness any of that. Shogard is just a greedy person who has made a business on slavery – which our protagonists do not agree with – because all people are equal and slaves are bad! Horrendous writing, that’s all I can say. As for the other characters, they’re the same. Arslan is still the same lenient and naïve child but they’ve decided to give him some philosophical inner monologues at times which honestly come off as pretentious. The other characters are exactly the same, and no one has changed in the slightest manner. Hilmes is an interesting character but he barely gets any screen time. The technical aspects of the show haven’t changed much, the animation is slightly worse except for the fights. The fights are honestly what give this show any merit of being watchable. They keep replaying the same medieval.mp3 soundtrack every time a fight happens, very lackluster and uncreative in my opinion. Some characters are off-model but who cares at this point? In general, it was good that Arslan Senki: Fuujin Ranbu was only 8 episodes. It was at least more entertaining than the first season despite being 2/3rds shorter. I hope they don’t continue with this train wreck of a series. It could have been good but was ultimately ruined by poor direction and plot armor among other things.

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