

つぐもも
In Japanese folklore, a "tsukumogami" is an object that has gained a soul, becoming alive and self-aware. There are two types of tsukumogami: the mature "tsugumomo," who have developed through long years of harmony with their owners, and the aberrant "amasogi," premature spirits that are only born to grant the destructive wishes of certain people. Kazuya Kagami has never gone without his mother's obi after her death. Be it at home or school, he keeps it safe with him at all times. One day, he nearly loses his life when a wig amasogi attacks him. When all seems to be over, his treasured obi defends him, transforming into a beautiful girl. She introduces herself as Kiriha, a tsugumomo owned by Kazuya's mother. With Kiriha's arrival, Kazuya enters a reality he has never seen before, a world with gods and tsukumogami. [Written by MAL Rewrite]
In Japanese folklore, a "tsukumogami" is an object that has gained a soul, becoming alive and self-aware. There are two types of tsukumogami: the mature "tsugumomo," who have developed through long years of harmony with their owners, and the aberrant "amasogi," premature spirits that are only born to grant the destructive wishes of certain people. Kazuya Kagami has never gone without his mother's obi after her death. Be it at home or school, he keeps it safe with him at all times. One day, he nearly loses his life when a wig amasogi attacks him. When all seems to be over, his treasured obi defends him, transforming into a beautiful girl. She introduces herself as Kiriha, a tsugumomo owned by Kazuya's mother. With Kiriha's arrival, Kazuya enters a reality he has never seen before, a world with gods and tsukumogami. [Written by MAL Rewrite]
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Shingster
June 20, 2017
Tsugumomo which is adapted from the manga of the same name is an interesting anime that has a rather unique premise and story behind it. Very few anime these days actually have names that relate to the subject matter of the anime itself and in this case Tsugumomo is probably the first example I actually seen. Tsugumomo which is something that actually exists within Japanese traditional legend are essentially objects that after long years of use and cherishment by its owners have gained sentience and their own bodies and through the use of magic spiritual abilities. Tsugumomo combines this premise with a traditional exorcist storylinethat works similarly to the likes of Twin stars exorcist which pairs the Tsugumomo with someone that has with a bond with the Tsugumomo thus creating a team that can be used to deal with hostile enemies that have been possessed by evil miasma. Story and setting The main story for Tsugumomo largely takes place within the town of Kamioka and the surrounding areas and takes place in the modern time period. The story follows the life of Kazuya Kagami a normal high school student that one day is confronted with the fact that the obi that he had inherited from his mother had somehow become sentient and thus introducing him to the world of Tsugumomo’s and malison cleansing. The story behind Tsugumomo is essentially a fusion of comedy and action that is derived from both the everyday lives of Kazuya and his duties as a malison cleanser. The unique nature and setting for this series story means that apart from having a rather unique story and setting it also has many interesting enemy types that are tied with the theme itself. With the enemy’s in this series I liked the fact that in going with the theme they tend to revolve around the target’s inner desires which also affect how powerful they can be. One of the things that are present in each episode that I particularly like is a short introduction of the enemy type that is to be featured in each episode. I thought that these were informative and useful to the viewer. Kazuya Kazuya voiced by veteran seiyuu Yuuko Sanpei of Boruto Naruto Next Generations and 3 Gatsu no lion fame is one of the main characters of the series and is the main protagonist of the series. In the beginning of the series Kazuya was an average teenage boy that attends the local high school. In the beginning Kazuya as a person did not have much personality traits that made him really stand out. In the beginning of the series Kazuya’s chief personality traits was that he was honest, understanding and kind hearted but tended to get scared easily. These starting traits of his though weren’t completely removed as the series went on but stayed and were improved upon as the series went on. As the series progresses Kazuya as a person also starts to improve thanks to the challenges that he and Kiriha overcome as well as the results of the bonds that he forms with people that he helped. Because of these improvements Kazuya becomes more dependable as he comes to understand the role that was given to him and more determined to help those that need his help. More importantly because of his new-found determination Kazuya also become much more brave and willing to take a stand against a terrifying opponent and end it there before it can hurt anyone else. Kazuya’s defining trait is without a doubt his kindness as though his role as a malison cleanser means that he will have to deal with hostile creatures that are born from evil malison such as the various types of Amasogi Kazuya always tries to understand the reason that they were formed from and understand what led to them being formed. This trait of trying to understand the reason behind how they were formed puts him in good stead as though he must deal with them eventually Kazuya at least tries to understand them and determine what the reason behind them was before exorcising them. This trait of trying to understand your foes I felt was nice to see. The bond that Kazuya shares with his partner Kiriha is without a doubt one of the center pieces of the series. In the beginning of the series we can see that though Kazuya was grateful to Kiriha for saving his life that he didn’t fully trust her and indeed did not really know who she was other than the fact that she had materialized from his mother’s obi. At this point Kazuya often finds himself being abused and taking advantage of by Kiriha who takes advantage of his kind and honest personality. Often Kazuya is forced by Kiriha to serve her by getting things for her. Though their bond started off on a wrong foot as the series progresses however the trust that Kazuya and Kiriha develop with each other starts to manifest more with Kiriha more willing to listen to him. Though still lording over him a result of the trust that the two have built up means that both Kiriha and Kazuya have developed a partnership between the two that shows how much they care for each other. Notably in later parts of the series Kazuya tries to ensure that he doesn’t use Kiriha’s true self in his attacks as this will affect her life. In overall, I felt that the character of Kazuya was a well-rounded character that was well designed. Though at first, he was a rather average character with few distinguishing characteristics I felt that the character development for him was well done and seeing the character gradually transform from an average Joe to someone that has both conviction in his duties and compassion and understanding that enables him to understand the events that led to a amasogi’s formation. I felt that his seiyuu Yuuko Sanpei really did a great job portraying the character of Kazuya. Kiriha Kiriha voiced by veteran seiyuu Naomi Oozora is one of the main characters of the series and is the series main heroine. A veteran Tsugumomo that has lived for a long time Kiriha is the manifestation of Kazuya’s mother’s obi and had previously served her. A feisty and mischievous young woman that’s boastful and has a lot of self-confidence Kiriha has a personality that can be said to be a direct contrast to the one that Kazuya has. In addition to being feisty and mischievous in the beginning of the series Kiriha also had a rather self-centered personality that when combined with her feisty nature really made her hard to deal with for Kazuya as he often become victims of her impulsive nature. However though lazy and slothful when she’s at home when dealing with hostile forces Kiriha adapts a more serious nature that’s more serious, cautious and focused on dealing with the enemy using the best way possible. Similar to Kazuya Kiriha is one that doesn’t like to destroy Amasogi entirely proving that she too detests mindless destruction if it can be avoided. Kiriha has a number of running gags within the series that help define her character. Firstly, is Kiriha’s love of fooling around with others that comes from her teasing nature. Although not harmful these episodes of fooling around which most often targets Kukuri is a sign of the trust that she has in the people that she teases though this is something that she wouldn’t like to be found out. The other running gag of the series regarding Kiriha is her love of pudding and her desire to have one every day. When she doesn’t for some reason get what she wants Kiriha tends to be more impulsive than usual with a notable exception when she created a song for not getting one. Kiriha’s bond with her master is one of the main aspects of this series and also serves as a means for her development as a character. In the beginning Kiriha did not really have a high opinion of Kazuya both as a person and as a fighter. As a result, she often treated him harshly and in turn created a sort of master slave relationship that only she believed in. As the series progresses however and as Kiriha sees how determined Kazuya has become in becoming a malison cleanser her attitude towards him changes and she begins not just advising him on the various Amasogi that he must face but also in training him as well. By the end of the series Kiriha’s trust in Kazuya has become strong and that she really respects the strength that he has developed over the series. I felt that Kiriha as a character was a pretty well-designed and that her seiyuu Naomi Oozora really did a great job portraying her. Kukuri Kukuri voiced by veteran seiyuu Yurika Kubo of Urara and High school fleet fame is one of the main characters of the series and one of Kazuya and Kiriha’s allies. The goddess that is charged with watching over the area that Kazuya and Kiriha and their allies live in Kukuri is a contrast to Kiriha’s feisty personality in that she is a friendly young woman that however has a tendency of being overly proud of her status as a god. At the same time, she is also rather dutiful and serious about her duties as well. Kukuri’s most prominent trait is no doubt her humble nature as despite her status as a god she never looks down on people and always treat people with respect whether they are fellow gods, humans or Tsugumomo like Kiriha. Kukuri is also very diligent and willing to help in performing small tasks which is also another contrast with Kiriha’s lazy nature. Like Kiriha Kukuri also has a running gag within the series with her being not being taken seriously by others despite her status as a god. This little byplay is most often seen when she’s with Kiriha and is always a funny thing to see. The character of Kukuri i felt was an interesting character and was perhaps the last image that I had when picturing a god. The byplay between her and Kiriha was funny every time I see it and her humble and diligent nature actually made her pretty cute. I felt that her seiyuu Yurika Kubo really did a great job voicing her. a notable trait of Kukuri is the fact that she speaks in an accent that’s very peculiar and uses words not often seen in conventional Japanese. This serves to make her even more charming though. Chisato Chisato voiced by new seiyuu Noriko Shibasaki is one of the main support characters of the show and one of Kazuya’s allies within the series. A childhood friend of Kazuya’s Chisato is also the class rep for the class that Kazuya is in and as such is often the one that chides him when he’s distracted by something. A cheerful, upbeat and positive person that’s also kind and caring it can be seen quite easily that Chisato cares a great deal about Kazuya. As a result, her first meeting with Kiriha was a nasty shock to her as she now must contend with her for Kazuya’s attention. Despite that as the series progresses their relationship soon turned to respect instead. Though a mere human being when compared to the likes of Kukuri and Kiriha Chisato like her fellow human ally Osamu can assist Kazuya by using their intelligence and reasoning to help determine things that he might have missed. Though only a support character I felt that for her first role Noriko Shibasaki actually did a pretty good job of portraying the character of Chisato and I hope that she will continue to improve her skills and get more roles and establish her career. Sunao Sunao voiced by veteran seiyuu You Taichi is one of the main support characters of the series and is a plot central character for the latter part of the series. A fellow malison cleanser like Kazuya Sunao is a confident, determined and passionate person who unlike Kazuya wanted to become a malison cleanser by choice. Apart from her desire to become a malison cleanser what really sets Sunao apart from Kazuya is how she perceives the Tsugumomo. Unlike Kazuya who sees tsugumomo’s as partners and treats them as such Sunao however sees them as nothing but tools that should only act when she commands them to and not be treated as anything else. In a way, the contest that erupts between the two is as much as a contest of strength and techniques and one that pits their perception and views of Tsugumomo. In a way Sunao really isn’t really a bad guy in truth but they were forced to be on opposing sides because of their vastly different views regarding Tsugumomo and how they should be treated and used. Unlike Kazuya whose role as a malison cleanser was forced on to him Sunao willingly accepted her role as one and as such her abilities as one far outstrips Kazuya’s skills. Never less seeing Sunao go up against Kazuya and seeing them go straight out against each other was interesting as was seeing the techniques that she used which is very different to how Kazuya usually fights. I felt that Sunao as a character was a well-designed one and introducing a character that was like Kazuya but views Tsugumomo differently was a good move. The clash of both ideology and might between the two I felt was nicely done as it highlighted the strong bond that Kiriha and Kazuya have forged over the battles that they have been through and proves that friendship and trust can beat even people that are more powerful that you are. Arts and animation Arts and animation for the series I felt was pretty good. The character designs for the characters I felt were done pretty well and was largely faithful to their counterparts in the manga. The various environments that the cast fight in was also well detailed. The animation for the series I felt was pretty good with the fight scenes between the various types of Amasogi being of high quality. However, I felt that the final dual that took place in the anime had the best animation in its fight scenes though compared to earlier battles. Music The music for the series I felt was reasonably good in regard to both the scene music and the opening and ending themes. The combat scenes in particular had some pretty good scene music that changed depending on the battle is going and I felt that this was well designed. The opening theme for the series which in this case was METAMORISER by Band Ja Naimon I felt was pretty catchy and helped convey the comedic side of this series which is helped by the visuals that is shown during the opening song. This is contrasted by the ending theme which is I4U which is sung by veteran singer Michi that seems to convey the bonds and friendships that Kazuya has formed with his friends and allies. Of the two I would say that the ending theme was actually one of my favorites because of the message that it conveyed and the visuals that were used there. Voice acting The Voice acting for the series I felt was pretty good with particular praise going to Naomi Oozora and Yurika Kubo who voiced the characters of Kiriha and Kukuri who I felt did a great job portraying their characters and making them stand out. Other seiyuu that I felt also did a great job was Noriko Shibasaki who despite her thin role managed to portray the character of Chisato reasonably well. One seiyuu that really surprised me in this series was You Taichi who voiced the character of Sunao. Though I have heard her voice before most notably in Owari no seraph in which she had a minor support role her performance here I felt was excellent as she managed to portray the character that she had been assigned to here pretty well. Indeed, after Kazuya and Kukuri Sunao is my third favourite character which is largely due to her hard work. Overall conclusion In overall, I felt that Tsugumomo was an interesting anime that’s main advantage was the fact that it had an interesting theme, story, characters, fight scenes and capable voice acting from a young voice cast. The theme of the series which is actually derived from a commonly held belief that states that if you treat an object with care over a period of years that it will eventually gain sentience. This theme itself I felt was pretty interesting and served to only enhance this series and make it more interesting. The overall story of Tsugumomo can be said to be a fusion of a comedy and an action anime and in this I felt that it succeeded as the series itself had plenty of good comedic moments as it has in good fights. The overall story I felt was reasonably interesting and seeing how Kazuya and Kiriha grow in power as they forge a bond that is formed from executing their duties of clearing malison from their area of operations and confront increasingly powerful enemies was really enjoyable. Though the series itself did make use of a villain of the week troupe that is most often seen in tv shows each of the enemy types that was featured in the series apart from having great fight scenes where they were exorcised also features a period where the cast investigates the nature of the enemy which in this case is often a Amasogi and from there determine what was the true reason that caused it to form. This aspect of finding an aberration and then trying to determine the reasons that caused them to form before ultimately fighting them after understanding the reasons for their formation I though was well done and gave the impression that malison cleansers are not just heartless exorcists that only live to exorcise Amasogi without trying to understand the circumstances of their formation. Of course, without a good cast of characters in the series this anime wouldn’t go far even with a great story but in this I felt that the series also did well in. The main character of Kazuya though a rather average person at the start of the series was developed pretty well as the series went on and seeing him forge a strong bond with the main heroine Kiriha and seeing them both increase in power was something that I liked seeing. Seeing and understanding the motivation for Kazuya’s actions and seeing how determined he is with is line of thinking was also something that I appreciated. Though he obviously didn’t want to take up the mantle of becoming a cleanser at first it was nice to see him eventually grow to like the role and also develop the understanding that Tsugumomo are not merely tools to be used in battle like weapons but are living things that have their own personalities like that of a human and should be treated with the same amount of respect. The character of Sunao though a support character also had a large role within the series and was a pretty interesting character that I felt was well developed and acted. In terms of both personality and skill Sunao served as a contrast to Kazuya in that she treated her Tsugumomo very differently to Kazuya while at the same time both her skills and motivations that she has is vastly different to Kazuya’s. As a result, the struggle between the two was as much as a contest of strength as it was a contest against conflicting beliefs and ideologies which made the struggle between them even more interesting to watch as I was curious to see how it would play out. Though the main cast I felt was developed and used pretty well in the series I felt that some of the support cast could have been used more. The character of Chisato I felt didn’t really have much of a role in the story and could have been used a bit more. The same could be said of Kazuya’s older sister Kasumi who was played by veteran seiyuu singer Ayana Taketatsu. As a result, I felt that their roles were a waste of their talents and I wished that their characters were more fleshed out. As a fight anime, it was important that the series have excellent fight scenes that make good use of the setting and theme and in this I felt that it succeeded. Each of the fight scenes in the series I felt was well designed and thought out that though of a layout that we have seen in other series before was also unique in just enemy types but also determining what their weaknesses were and how their true desire could be factored into the fight as an advantage. The struggle between Sunao and Kazuya that took place near the end of the series notably had some excellent fight scenes that I particularly enjoyed watching.
AwesomeAlfie27
June 19, 2017
Real Score:6.5\10 Tsugumomo, an adaptation from the homonymous Manga, which got a discrete amount of success. A simple story seasoned with basic yet entertaining characters, some clever ideas and a fun variety of situations. No Breakout whatsoever, but a fun experience overall Story 6\10 The Story is generic and it doesn't have anything interesting to offer, but it has some really clever ideas and good episodes, especially during the parts of the Malison Cleansiment, with interesting twists and ,just a little bit though, a serious tone and sense of resentment of the main character, who questions if he's really the good guy, but it's not explored enough though,and that's a colossal shame because it could have been an amusing mix of comedy and seriousness, even if the result may have been silly. The comedy is funny at times but the Ecchi kind of ruins everything:Ecchi, if used in a clever way or if dosed correctly is humorous, but here it's just too much, it feels forced, out of place and puts the overall tone of the story into childish territory, becoming almost a teenage guy wet dream(Maybe i exaggerated a bit) and damaging the characters that the show is trying to establish Characters 6\10 The characters are bland and have little to no development, even though in some episodes are surprisingly well-written and with amusing lines and, well, character; this hurts the show even more, it could have been so much better if they stayed on that path, without trying to appeal to the lowest common denominator and if they tried taking some risks. The best part is hands down the banter, the interactions between characters, that on their own would have the same personality as my bedside table.When they're together, they're actually fun, hilarious and entartaining: the relationship between Kazuya and Kiriha, despite being a bit clichè, is fun and has the biggest progress of them all:on their own they're nothing, but together they feel like partners, they feel like friends;same for Kiriha and Kukuri, which are believable rivals\friends when they're together, but alone they seem like different characters.If only the show focused more on the individual, not even much, just 1 episode, even 2 at maximum Sound 6.75 The Music is weird: the opening is catchy, fast, energetic and perfect for the Show,the OST are strangely flooded with a Naruto vibe, they're not bad, but they're repeated too much and they get tiring really fast, they're not the best pieces, but they're somewhat enjoyable nevertheless. The music shines in the action battles, this shows how they were made for action scenes, and those scenes alone. It's a ity they did not want to go any further, the soundtrack had potential Animation and Direction 7.25 The Animation is pretty good, rocksolid for the most part of the anime. Some of the CGI used it's pretty remarkable and pretty, but, like the music, they could have done more with the expression of the characters, the lack of detail of some drawings, and,well, increase the value overall, not just being pretty and flashy in action scenes.The direction is solid, good cuts, good corners, the action is easy to see and recognize and some the frames are pretty amazing, especially during battles. Enjoyment 7.25 Despite the Overflowing of the Ecchi, the bland characters and the basic story, i'm just a normal guy after all, and i enjoyed almost every episode, i found the comedy pretty good at times and a nice ride overall. For one episode a week, they've always been 20 minutes of mere rest and some laughs. I loved the characters interactions and the action was enjoyable So this was Tsugumomo, nothing fancy, nothing too special, just a 12 episodes fun ride, with some sull moments, and other very good ones, some interesting ideas, some forceful comedy and questionable situations. See the recurrence?Tsugumomo is part good, part bad, it has some really clever topics, but they're overshadowed by childish comedy and a really poor character development. Despite all of this, i'm hopeful for a future second season, especially if the staff learns from their mistakes and take that amusing route that they've shown in some episodes. Thanks for reading this review, May Our Sweet and Merciful Madoka be with you and let's hope for improvement, or Kiriha-san will probably punch our balls and eat all of our pudding(#SAVETHEPUDDING)
Whoahoho
June 25, 2017
Koko ni itai Doko ni itai kotae wa kikanakute mo shitteta doko ni itai koko ni itai! minna ga omotteru kara seeno de kotae wa onaji kotae wa onaji tsunagari wa keshitakunainda uketotte? uketotta!Man, that opening them alone was funny, never mind if it's in Nippongo, as long as I like it, ok, so going back to business, this anime may not be much, but it did fine by my ratings.........: Fair 6, story: Ok, so it was a usual supernatural themed story, with something naughty, where it leaves us audience in such imaginative conclusion of some of the things that were being hinted by writer Ryōichi Kuraya, but the plot itself rely heavily on the main character getting his ass kicked by a cute yokai where at the same time , she also does some perverted acts that we guys can only imagine. Fair 6, Art: In one point it was decent , but in another it was something where illustrator Tajiri san seemly was just to reluctant to go all the way with the fanservices , Panchira was only limited to Chisato at first and then to Tadata and to kiriha in her chibi form, but the full boob flash with Kyouko and everyone else was a disappointment, nevertheless it was fair enough were we were left with a lot to be left in our imagination. Very Good 8, Sound: well the opening theme " METAMORISER " was really good for the anime itself and so as the ending theme " 14U" did match well with the anime. Also the voices of the characters really did match well , were it can simply tell the characters themselves, so..................... Koko ni itai Doko ni itai kotae wa kikanakute mo shitteta. Good 7, Characters: Ok, so we have a yokai, Kiriha, who kinda like this domineering wife material were the guy, Kazuya, like a dog, thought I kinda hate Kiriha for being this perverted/ spouse abuser , she kinda makes things funny for this anime and Kazyua himself being this victim makes the comedy genre of this anime add more to it, now add the others like, Chisato, Kukuri and Kyouko, makes this anime much of a competition for the guy's affection, too bad , Kazuya will never be Chisato's husband and so as Kukuri. Very Good 8, Enjoyment. Well the comedy, supernatural and the ecchi may not be much , but it was Kazuya's relationship with his Yokai slave, where she is suppose be was basically something that this anime relys on, and very good that they pick one thing and made it real good. Good 7, Overall But in it's overall, this anime is only as good as it gets and another season would be boring, if this anime/ manga relies a lot on the guy getting his ass kicked. OUT!
BriefEd
October 18, 2017
If you find grossly under aged girls in sexual situations objectionable you're gonna have a bad time. I had a great time. For a veteran anime watcher there will be almost nothing in the entire season that hasn't been seen in other animes: a typical weak teen guy protagonist that mostly coincidentally ends up surrounded by females and the accidental nudity scenes just keep raining all over, there is also of course a great threat that forces the weak teen guy to step up and try to become less weak. This is such a stereotypical ecchi harem setup that it's practically a classic. While the charactes are ahuge parade of stereotypes they still manage to feel very true to their natures and their interactions very often end up being absolutely hilarious. Perhaps an intentional side effect of using large volumes of extremely stereotypical content is that when something completely unexpected happens it has far more impact, often resulting in ridiculously potent comedy. As for the art and sound it's just quite good and leaning more towards a robust experience than something noteworthy, except just how crazy far some ecchi scenes go. While I'm not giving the show full marks I can't really think of much that could have been done to make it even better, rare situation for someone who loves pointing out flaws!
HajimeAmamori
August 17, 2018
Tsugumomo looks like a typical generic shounen action harem show, at least at first sight. You've got Kazuya, our weak and average male MC who has to get stronger to fight some supernatural creatures, Kiriha, the supernatural and strong female lead who helps him, some more harem cast, and some ecchi of course. But right after the first episode, I knew this would be different, and I would like it. And after finishing, I knew that I was right. Yes it uses generic elements, but many of them in a rather unusual way. But there is more to it than just generics. Tsugumomo has plenty of ecchi scenes, but more ina funny way. Not like for example Shinmai Maou no Testament which is sometimes borderline Hentai, and you see lots of detailed boobs, butts, and lewd SM stuff going on, to make you pitch a tent between the fights. Instead, you don't get to see any details, but plenty of lewd comments from the acting persons what's going on, or unambiguous visual substitutes of what happens. And there is definitely a lot going on, in fact his whole harem (including his childhood friend and even his big sister) at once gets him off multiple times, and there are quite obvious hints that even more has happend with some harem members, something quite rarely seen, although not really voluntarily from his side... You don't get to see many panty shots except those for some comedy, I think mostly because Kiriha does't wear any anyway, which is another comedic element here. Really, I laughed my ass off during these scenes, I liked very much how explicit Tsugumomo was without being visual explicit. Comedy has a big role in the show, be it stereotypical, lewd, or unconventional. Have you ever thought of a local goddess getting so weak due to lacking belief and overuse of her powers, that her body transforms to a very young girl? And of that literally poor goddess begging for money of another goddess, and a very lewd one on top of that? And Tsugumomo actually has a plot, though not the most innovative kind, but with quite interesting reference to Japanese popular beliefs. I mean, seriously, who ever thought of fighting with an obi (a kimono belt) as a weapon, but it works and you get some decent fights. It's just a little disappointing that not everything is explained, for example what exactly had happend to Kazuya in his past and why. That calls for a second season, but I think one has to read the manga... Character drawing is sometimes quite simple, but without looking lazy, and sometimes more detailed, mostly during any kind of action. The only thing I didn't quite like was Chisato's hair style, the high forehead without hair looks a bit awkward. Animation is fluent and nice to watch. I also liked the visual substitutes, like a bunch of hearts popping up, a massive telescopic crane, or the Rin (a cup gong), these always made me grin lewdly. You won't see any full front nudity, the most important parts are always covered with towels, arms, soap, blur or stuff like that. I'm fully ok with that, it fits the show very well, you don't always have to have massive boobs swinging right before your eyes (although that can be quite nice from time to time, too). Sound is nice and decent, all seiyuu voice their character very well, I especially liked Kiriha's voice with that lewd tone, and Kokuyou's deep voice and formal mode of expression. Character design is quite ok, the more important characters all get some sort of development, although that is not the most important part for that kind of show. I wished that Kokuyou had some more screen time, I really liked her dry comments... As Tsugumomo is a comedy show, character design can not work without using stereotypes, because it would be a waste of comedic resources. You just have to use the tropes in a clever way instead of showing the exact same template like the cheap generic shows. I'm sure we all have seen many different male-wants-to-take-a-bath-but-nude-female-is-already-there-scenes, and the female char screams, beats up the male char, or both. But when Kazuya rushes in, Kiriha just tells him to wash her back, because he as her servant surely is here to do that anyway. I liked Tsugumomo a lot, and even rewatched the most hilarious scenes, still laughing like the first time. If you are here just for some boobs, you will be disappointed. But if you like lewd humour, I think this is for you!
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