Black Clover

Black Clover, Asta, Yuni, Noelle, Yami. A family.. A story of 2 orphans living in the darkness of the corrupt Clover Kingdom with a goal. A goal that many shows use, a goal that many would say is just like naruto or one piece and my hero academia. Asta and Yuno don’t just want to be like every other shonen. They don’t just want to be the #1 of their universe. Asta and Yuno want everyone to change as they change the world and it’s history. Asta and Yuno want to be accepted and want everyone to accept each other for who they are notby a social class or a ranking. Labels don’t mean a single thing to them... Black clover a show that was hated by many but many grew to love. A generic story about the protagonist and his rival trying to make it to the top. But something is different... Black Clover was different in a way that it knew it was generic and it worked with it. People tend to compare it and shit on the show but never really give it a chance, No it’s not a show to watch when you’re brain dead, No it’s not trash and No it’s not a clone. Black Clover is a show that worked for its name, it worked harder than any show and it will continue to fight for its name. Just like Asta and Yuno, black clover grew to be loved. Thank you Tabata and thank you black clover for this series. Story: I gave black clover story a 9 as it basically built up the villains for 100 episodes with a great amount of dedicated development for every cast in the Bulls and then it had a perfect foreshadowed turn of the devils being behind everything. The dark triad, they are what they war is all about, anime fails to adapt that war is not slow and that war is out of the blue, shit happens and you can not change it. Yami got taken in an instant for example, it felt real, in a real war situation stuff happens and you can’t change it. Most anime give the protagonist time to change an outcome which shouldn’t be changed. Black clover is a 9 for tan amazing executed story. Art: I don’t even want to explain, black clover has its ups and downs and clearly everyone knows the downs are stronger. Sound: Best openings in all of anime Character: every character in the Bulls got their own dedicated development and it was not rushed like other mangas or anime’s like My Hero or Naruto. The watcher grows to loving every Bull and gets sad, mad happy when they do. The Bulls are more family than any other cast, they lean on each other and fight and cry for each other like no other. I find it funny how many people don’t talk about how good Tabata is at writing female characters. Noelle has better development than most female protagonist and its shun solely by the fact that people think this show is a joke. Enjoyment: I would’ve gave this a 10 but the animation really does kill the mood sometimes. But I don’t think the animation ruins how fun it is watching Asta try his hardest, Asta at his lowest and Asta inspiring people to be better or just like him. This show really does have a way of making you feel for characters who may not even be that important. It was a great ride and black clover was fun to watch.

No long running show and fanbase has got as much disrespect as Black Clover(ok, Boruto probably has got more). Yet, the fans have stuck by it for years and as Black Clover’s story continues to surpass its limits, their loyalty is finally paying off. Black Clover is a show that is in many ways the literal embodiment of its protagonist’s struggle. Asta goes from being the laughingstock of town to the literal saviour of the kingdom. During that internal journey, we also watched the anime gradually evolve and get better as time went on. Production qualities seemingly increased as the popularity increased as well. Asta’s journeyis extremely satisfying and well written. It’s done so well in fact, that it feels like we’ve been on this journey right with Asta. Everyone loves a feel good underdog story. There’s been no bigger underdog than Black Clover. For me, the mark of a well written series is how well you’re able to immerse yourself and truly feel apart of the story. When I first got into Black Clover a couple of years ago, I was easily able to binge the first 99 episodes which were out up to that point in the span of a few days. Episodes went by in what felt like a breeze. I found myself in awe at the quality of writing and the magical concepts used. For the life of me, I couldn’t understand why so many people shit on the series or rated it lowly. I’ve said numerous times that if Black Clover went seasonal, it would be one of the highest rated Jump Series. The story is better than MHA and JJK. What has unfortunately been the big bump in the road for BC is the inconsistent production quality throughout. At points, Pierrot have literally had to beg on Twitter for people to help out with episodes. Fortunately, the series is going on hiatus due to how close its getting to the manga, and I really hope Pierrot use this opportunity to make it a seasonal show after the movie. The long running anime model is dead, and doesn’t give animation staffs the time they need to make high quality episodes. If you’re on the fence about watching Black Clover, do it. Yes, it has some inconsistent animation at times, but the story is genuinely the best in shonen. Loveable characters, an immersive world and amazing action sequences make Black Clover one of the only ongoing shonen that I enjoy. Black Clover gets 10 grimoires out of 10.

Black Clover is not for everyone, I’ll admit. It’s the trashiest to mid-tier Shounen series out there that manages to gravitate to a certain group of viewers with its cliches, tropes, and generic power fantasy. It lacks anything substantial or impactful. It doesn’t reinvent the Shounen wheel or elevates it. It’s a lackluster written series that exists purely for entertainment for people like me--who self indulges in battle shounen without a second thought--even if it’s the same type of blueprint that I’ve seen before, but with its own modifications. Thus, I don’t have any hate or resentment directed towards this controversial series. I simply can’t.I’ve been following the series since its inception. I’ve read and re-read its source material and, I can say it does improve--for a Black Clover standard, that is. This series received hate, backlash, and terrible reception since the onset of its TV anime. And to nobody’s surprise, it’s the most hated series of modern Shounen--2014 and onwards, right after the era of the big three. If there’s any advice I can give for people interested in watching this series, it is to go into it for pure entertainment. Be open-minded, have low expectations, ignore the hate, and watch it for yourselves. Black Clover anime started ugly. The pacing, sheer predictability, genericness, and the dreadful usage of Shounen tropes turned off people--understandably so. But for me, I loved it. I loved it not because it was good, but because it was the purest generic anime that was not afraid for what it was. It knows its production was constrained. It knows its plot and characters took “inspiration” from previous works with few tweaks here and there, and most importantly, it knows its target audience. With this, once the show solved its pacing issues, it quickly flew from arc to arc with hype moments after hype moments, and all I did was to turn off my brain and enjoy the shit show. To provide some examples, after the dungeon expedition arc, Asta, Noelle, Yuno, and some other magic knight squad members were summoned for recognition medals. In that banquet, the show introduced more of its supporting casts. It demonstrated its power system, characters’ abilities, showcased some of its societal structure and prejudices, and then jumped straight to the Clover Kingdom’s invasion. Throughout this invasion arc, it entertained me by never letting go of its accelerator. All the Magic Knight captains that were introduced previously got their moments to show off. Whether be their magic or personality, it showed all of it. The show then exploits each of its newly introduced characters to the limit by having them interact and fight alongside each other. The dynamics between characters such as Fuegoleon and Nozel, Asta, Yuno, and Noelle, Yami and Jack, provided the fun. It’s cheap, it’s lazy, but it worked so well for a braindead like me. The other aspect of Black Clover’s storytelling is the seamless transition from an arc to another. If some terrorists brutally wounded a beloved character, the most logical route is for the main casts to go after them. And they do. If the vice-captain of the Golden Dawn is acting out of character, the most logical thinking is to seek out the true identity. And they do. How do they do it? They do it by the classic shounen way: Tournament arc--my favorite aspect of mindless battle shounen. But along the way, the show plants some seeds of suspicion--there’s something more sophisticated with the adversaries that the Clover Kingdom were up against. It’s these careful hints here and there that made the grand finale of Black Clover’s first saga a memorable one. And it is in my humble opinion that the first saga of Black Clover is one of the best of modern shounen. The finale wrapped up every plot point presented up to then, it concluded characters’ development until that point, and it answered every question along the way. Not to mention, the final plot twist was a phenomenon to be held. Yuki Tabata’s writing isn’t anything revolutionary. He takes inspiration and does his own twists. He utilizes whatever skills he has got at his disposal and tells his own story within the Shounen genre’s confinement. And I enjoyed every second of it. I have no regrets. As I aforementioned, Black Clover’s production was severely constrained. From the start, the anime lacked staffing--specifically, key animators and animation directors--and had an unsustainable schedule. Before the first episode of Black Clover even premiered, the Black Clover anime production team was given only 5 months of pre-production, for a long-running battle shounen. To put it into perspective, a 12 episode regular anime usually takes a year of pre-production. Thus, it’s no surprise that the animation in Black Clover declined significantly soon after it began airing. As that happened, it’s also reported that some of the staff working on the anime had gone through physical and mental exhaustion, which they eventually fell ill. Now, why does it matter? Well, it doesn’t--at least from a show’s quality standpoint. But then I don’t want to clown on Black Clover’s animation either because of this information. I know the animation and art are inconsistent; the consensus is that Black Clover’s animation is inconsistent. It can be mindblowing for a single episode, and then for the next 10 to 20 episodes can range from unbearable to mediocracy. I can list every single flaw of Black Clover’s art and animation, but then that would be repetitive since I’m sure those aspects have been talked about over the years. Lastly, I’m fine with it. I’m okay with its inconsistency in art and animation because I love this series. I grew up with it, I enjoyed it, and I’m willing to forgive its flaws. If you have read this far, I just want to thank you for taking your time. Score: 5/10

This is the first time that I'll be reviewing a long-running series, so spare the pardon if there's any for pleasantries. But without further ado..."Please marry me, Sister Lily! I won't give up until I've hit my limits!" "If you flip the 10, it becomes a 01!" - Some Jerk a.k.a remember how Black Clover was despised by everyone? Black Clover is one of the many myriad of Shonen shows that Weekly Shonen Jump has been banking on imitating the success Shueisha once had since the diminishing of the Big 3 (One Piece, Bleach, Naruto), alongside many other WSJ titles that have constantly received headlines for breakingsales and adaptations that make up the modern age of the anime landscape. Unfortunately, at a time when the Big 3 were all but fizzled out of the community's eyes, there was but one mangaka amongst the many other Shonen authors who were trying to get the attention of Weekly Shonen Jump to have their works publicized...his name is Yuki Tabata. Being a sophomore into the manga industry, his first work of the short-lived and then cancelled 3-volume long Hungry Joker was not received well, and if you know anything about the intense competition of Weekly Shonen Jump: "If your manga doesn't sell well, we will take it off indefinitely without trial. We have more titles that we are ever ready to sink our time and resources into promoting new material and publicity to the large population who are always ever hungry for more." OK, shame on you for the first try. But take a look at his second work...and yet it still doesn't sell when this came out in early 2015 when it was serialized in WSJ. But Shueisha at least had a good idea that while this work started off being blantantly and averagely similar to the Big 3 in terms of the story and plot, and so they released the first volume thereafter in June of the same year. And to say the rest is history is an understatement, because even in the Oricon charts, Yuki Tabata just couldn't do enough to maintain the growing popularity of his work, only selling within the Top 25 and not even cracking the Top 10, even after the anime adaptation came out (at least for the 1st year running). It's only through the sheer talent of director Tatsuya Yoshihara and his production team at Studio Pierrot that would propel this "then infamous, now famous" work into the greatest of great oblivion with the passing of time, that Yuki Tabata finally can breathe a heavy sigh and continue developing Black Clover into one of the many modern Shonen juggernauts that we know today, selling from the thousands to the millions. I'm not gonna say that what Yuki Tabata did here was plentiful, the story plot was rife of a roller-coaster ride of the usual Shonen tropes and cliches that quickly garnered attention as one of the worst series to be published and then through Studio Pierrot's infamous low-budget visuals, another strike as one of the worst modern Shonen shows that aired back in 2017. Heck, I probably would not want to include what Black Clover is all about, you can refer to the MAL synopsis or even Wikipedia to read it. In a nutshell, think of the Big 3 and the main MC's aspiration of "I want to be <fill in the blanks of the usual Shonen archetype>", add in a fellow rival, and there you have it. It feels just as awful as any kind of minimalistic story from the start, and the usual shenangians from some heavy power fantasy action to the occasional comedy that just doesn't feel as cohesive, and that's not to mention the immense boredom that quickly sets in if you're not the type to stick around for just "one more chapter". Not gonna lie, the first thing that everyone will remember is the crudely annoying MC that is Asta, especially in particular towards newbie VA Gakuto Kajiwara at the time when he first debuted with Asta. Try to compare the criticisms from Day 1 of the anime to now, and most people will say: "I still remember the days when people hated his voice days after his debut on Black Clover. Although I also wasn't very fond of it too, I found it very funny later, gotta love him and his voice acting now." or "I used to think that he (Gakuto Kajiwara) did a bad job with Asta...I take back what I said. His voice matches Asta completely and it's not bad at all, I've gotten used to it overtime." We've come a long way, friends. To see a rookie VA on his first debut getting flamed for all the wrong reasons, to now seeing the light that no one can replace Gakuto Fujiwara for the long-term investment. Overtime, we get to see the extensive character cast of Black Clover, and I'm still going to rely on my gut feelings here: each and everyone of them feels like cardboard cut-outs that are worth surmising to invoke the feelings of just blantantly plagarizing from other Weekly Shonen Jump works, and that's where Yuki Tabata can be faulted with trying to make do of the cliches and tropes of the Shonen genre that worked well at the time. The problem is with his way of execution of character traits that we've seen way too often to try lifting inspirations from one source to another, so much so that it becomes overbearing and full of cringe. Let's say Asta's rival Yuno. He's a skilled Wind Magic user, blessed by the gods to have magnificent power for OP prodigy powers, and as indicated by the magic books known as Grimoires: he's the four-lead clover magic user. Now tell me if any of those traits are lifted whether in and out of context of similar characters you might have seen throughout your read list of Shonen lookalikes. But as further evidenced, it's with the passing of time that helps distinguish each and every character to their types and whatnot, giving us the audience enough time to digest about what makes them tick and work, and appreciate them for their presence to the different progressing story arcs of the main series. You know me, I'm very critical when it comes to studio productions, and Studio Pierrot to me, stands as one of the worst studios to ever exist, even if they adapt works that often lose out on the quality of the source materials that fans so desired to see on the small screen. Black Clover is no different with the stigma that Pierrot productions tend to have, and for 1001 good reasons. But once again, like I've said at the beginning, it's thanks to director Tatsuya Yoshihara for helming this long-running project that has seen its fair shares of highs and lows. Black Clover might've started on the wrong foot for being the similar case towards Studio Deen at being decades-old studios with variable quality, for the test of time stands between the production staff team to stand in the gap and make their efforts worth it, and the payoff was certainly worth it in the long-run that was only destined to run for the full length of a year, that subsequently got lengthened and amounted to 3.5 years worth of time that increased the hype with some episodes having the Asta trademark of "I will hit my limits!" that expressively shared the experience of sticking in the long-run. AND BOY, DO THOSE EPISODES DELIVER with at best 9-turned-10/10 ratings that even trended on Twitter. YES, Black Clover IS BIG in both Japan and the West, and with Crunchyroll being the biggest benefactor that this show has garnered the No. 1 top spot in 80+ countries, you can't certainly lie at where Black Clover is now with the insane popularity. To that I say, great job Pierrot for making me love a show that I now endear as one of the many Shonen long-running series that I can recommend. Even the music can't be understated. For as many as 13 sets of OSTs within the 3.5 year long run of Black Clover, we've definitely heard some "diamond in the rough" gems that we've gotten used to overtime, with many songs that really stick out to be the series' representatives when it comes to recognizing that it originated from Black Clover. Sound director Hajime Takakuwa certainly did wonders at what he does best, but for this one I have to give props to the many artists that have contributed cult-classic songs, from the OPs: Kankaku Piero's "Haruka Mirai" to Vickeblanca's hit songs "Black Rover" and "Black Catcher", and EDs: Itowokashi's "Aoi Honoo" to Faky's "four". These are just some of my top favourite songs from Black Clover, but there's just too many to list them, because most of them are bangers in their own right (with some just being decent at best). Like what @Goober-fish has said: "Whatever the case may be, Black Clover is my ultimate guilty pleasure and I wave that 10 with pride." And I reverse the words of some jerk that said the sentence at the beginning: "If you flip the 01, it becomes a 10!" Black Clover may have started with being a score of 01, but looking at it now, it's definitely worthy of the 10 score in every possible way: the story that got better overtime with the characters, the insane Pierrot animation quality and right down to the fantastic OSTs that we are graced with to our pairs of eyes and ears. Never have I thought that I will return from a hatred of a stigma to loving them for Shonen shows, and even if I or you have never watched the Big 3 before, Black Clover is EASILY the best recommended entry show for anyone wanting to dive into Shonen shows...that's if you can last all 170 episodes in one go. Thanks Black Clover, now it's no longer just a guilty pleasure, and I'm an addition to wearing that 10 with pride.

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