

オリエント
Freed from the rule of samurai 150 years ago, the people of Hinomoto live peaceful lives and revere their liberators—demons whose true forms remain elusive—as gods. Fated to mine rocks for the demons to feast on, Musashi knows the grim truth: humanity is enslaved by these otherworldly beings and the samurai are the last bastion fighting for freedom. Hiding his true opinion from his peers and growing distant from his childhood friend Kojirou Kanemaki, Musashi lives in angst until the day of his graduation. When the fresh graduates arrive at the mine, they are horrified to see the inhumane treatment of miners and the uncanny physical appearance of their overseers. However, Musashi manages to endure thanks to Kojirou's help. As the demon leader wreaks havoc on the quarry, Musashi is saved once more from certain death by the Takeda samurai clan. Recovering from humiliation and yearning for adventure, Musashi embarks on a journey to become a samurai and form his own clan! [Written by MAL Rewrite]
Freed from the rule of samurai 150 years ago, the people of Hinomoto live peaceful lives and revere their liberators—demons whose true forms remain elusive—as gods. Fated to mine rocks for the demons to feast on, Musashi knows the grim truth: humanity is enslaved by these otherworldly beings and the samurai are the last bastion fighting for freedom. Hiding his true opinion from his peers and growing distant from his childhood friend Kojirou Kanemaki, Musashi lives in angst until the day of his graduation. When the fresh graduates arrive at the mine, they are horrified to see the inhumane treatment of miners and the uncanny physical appearance of their overseers. However, Musashi manages to endure thanks to Kojirou's help. As the demon leader wreaks havoc on the quarry, Musashi is saved once more from certain death by the Takeda samurai clan. Recovering from humiliation and yearning for adventure, Musashi embarks on a journey to become a samurai and form his own clan! [Written by MAL Rewrite]
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KANLen09
March 23, 2022
If I have to sum Orient in one sentence, it would be this: A prolific mangaka's fall from grace, and what worse than karma to make a horrible adaptation out of it. If you have absolutely no idea who mangaka Shinobu Ohtaka is, go do yourself a service to read and watch Magi: The Labyrinth of Magic series. For anyone whom has even heard and/or seen Magi (yours truly included), most of them would consider the series to be the her crème de la crème, pièce de résistance of a work, and to think that it has been almost 10 years (as of this review) withMagi's anime adaptation starting in 2012, wow, life must feel so long. And let's not forget her first series of Sumomomo, Momomo in the mid-2000s, that only now exists as a footnote in her biography work that's completely overshadowed by Magi. Come this year, and we have her newest series: Orient, which started in 2018, and features the same Shonen tropes as per similar counterparts like Hiroyuki Takei's Shaman King (which the recent complete adaptation of a reboot is more rushed and boring than the unfaithful-but-better 2001 adaptation) and Yuki Tabata's Black Clover (which I admit that it has the same problems as Orient at the very beginning), all with the same unchanging beautiful art style. Except...let's repeat Black Clover's problems with Pierrot and make it "double the trouble" with outdated studio A.C.G.T which produced the horrible, lambasting and lamentable Dies Irae done from 2017-2018! For such a dated studio whose work on the Freezing! series during the early 2010s is the best that it could muster, that says quite a lot. But let's not speedrun our way through Orient. There's gotta be a place to start, and that's with the ludicrous story that is just a copy-paste from Black Clover, change some things here and there to make it look more Magi-like, and why not incorporating stuff like a motorcycle to make it feel modern at least! Honestly, reading this in manga form just felt so awkward, and finally watching it in anime form only solidified the fact that for such a series to have a bad start, this to me, just feels like Black Clover all over again. I mean, for a story set in the Sengoku period with demons/Oni called "Kishin" and samurai called Bushi that travel in groups called Bushi bands lead by leaders with their family names on display, it's pure expected typical Shonen that rests on its execution to deliver, and oh boy, the execution...let's just say that it doesn't exist at all. Even when the anime is following the manga's first few volumes to adapt, which is really a rough start for investment values because of time constraints, I'd say that Black Clover has the edge overall from broadcasting in the same TV station (TV Tokyo) but on the more suitable Shonen dinner timeslot that everyone can watch (6~7 p.m.) as opposed to airing this at midnight in Japan, much less working with only 12 episodes to boot. The characters feel so dated, and that's not for the lack of trying. The worst offender of MC protag-kun Musashi feels like Asta but doesn't have the likability of Aladdin, Kojiro Kanemaki is a more depressed and downcast version of Alibaba, and Tsugumi Hattori like Morigana, is cheerful and forgiving, but has severe personality issues when faced with adversity. Couldn't even bother to name the other characters because they are so one-note-ish, and taking Tsugumi's oppressor Hideo Kosameda for example, he's leading his Kosameda Band of what looks like a population of retirees with children, only to be a manipuative asshole to the people serving under him, including Tsugumi to instill fear within the people that both Musashi and Kojiro would ultimately save them from his fear of oppression. Sorry for the spoilers there, but I could not for the life of me, fathom how shallow the character writing has gotten to this stage, and to experience it TWICE from reading the manga and now watching the inferior anime adaptation, that's kinda of a low-blow. I've already gushed how absymal the animation is, heck, I'd rather read the crappy story and experience it with Shinobu Ohtaka's amazing art style, which is something that she is very consistent in the manga. But to think that High School DxD and Seireitsukai no Blade Dance a.k.a Blade Dance of the Elementalers director Tetsuya Yanagisawa is directing this adaptation, that honestly cuts the knife deeper for me to see that how did such an esteemed director like him could go off the rails THIS BAD. Honest to god, I'd expect at least he would do some changes being in a directorial position, but he didn't do much to save this god-awful adaptation. Even with series composer Mariko Kunisawa whom did a fantastic job with Honzuki no Gekokujou a.k.a Ascendance of a Bookworm, she did some things that made the watching experience better, even if by a tad bit. What in the world... The music fares no better either. J-Pop boy band Da-iCE isn't a remarkable group to say the least, and their Oricon singles charts since their debut in 2014 only peaked best at No. 2 since then. Even so, their OP here is just typical Shonen one pony hat-trick fanfare, it gets old really fast, and I REALLY mean it. Also, it's weird how Wataru Hatano's ED song just doesn't fit at all, being yet again like a song meant for disposition use when nothing works. Don't get me wrong, I love it as a standalone song, but incorporating together with the anime just...felt so strange and off-putting, not to mention the RGB influence on a PowerPoint slide show of a lazily-put ED. Not every Shonen anime these days needs to come close to Demon Slayer or even Jujutsu Kaisen levels of treatment for enjoyment, just a better execution and a better staff team (not to mention a better animation studio) could've just worked things right. And sadly for Orient, as much as I would want to say that Shinobu Ohtaka kinda shot herself on the foot for the basis of her new manga, it just feels so out of touch with the modern Shonen juggernauts these days, and I would like to have you believe that her best days are certainly behind her. Even as a work just to earn enough for a rice bowl, it'll only take another season for Orient to really show off what it's capable of, and this prologue just didn't cut it at all. Magi, until the absurd final moments, at least it was a good ride. But for Orient, you could have been a good post-Magi effort...but this is what we got. Just an immeasurable disappointment that could've been much better being in the hands of capable people. See you again in Summer with the The Battle of Awaji Island arc.
AyemAFK
March 25, 2022
It was 8,98 for me with my own aspects of review. Story; 9,12 At first I thought this anime was quite unclear because it seemed that many plot holes were left behind, including the power system that people often talk about. But in my opinion, the execution of the last few episodes managed to change things, from Plot Hole to Cliffhanger which will keep you glued to see what happens next, and I think this is a good thing. Characterization; 8,97 The MC attitude that not everyone thinks about, but worth it and manages to make a good first impression. Finally came the MC whose problem was not whetherhe was naive or not, this anime MC was presented with his intelligent and sensitive nature to the situation which I appreciated. Character Design; 8,86 The modern concept of samurai edo, a unique and difficult concept to digest. Good looking and waifuable characters make me feeling enjoyed watching this anime. Visual; 9,20 A clear visual presentation that not many people talk about. Where are the visual team people?? sure you missed watching this anime? geek hypocrite. Let's watch this anime, guaranteed not to regret. Also blehh for people who forget about visuals when trying to rate this anime. PUCEK MENN Audio; 8,76 Good sound quality above average adds to the enjoyment aspect of watching this anime. Nice songs to listen to, appropriate voice actors for each character, etc. I respect people's opinions and I hope you guys also respect my opinion of defending this anime as a good anime. CHEERS MATE,RESPECT!
ESER10
March 23, 2022
I like to think of Orient as a fast food shounen. It has those things you may want from your shounen: bit of tragedy, some back stories and flashbacks, a couple fights and situations that make characters come out stronger. But in the end, you know damn well it isn't really that good. Can it potentially hit a spot if you’re desperate? sure. But um. Anime isn't fast food. You have options here, so there isn't much of a point to watch this. But to actually explain what this even is, we have a world where demons exist and are thought of as gods, and theSamurai that fight to protect people from them are shunned. The MC is a miner who's friends with the son of a samurai, the only one in town, and he has a dream of being a samurai himself. There's nothing too special about the premise or it's execution. Sure, I won't pretend everything that happened was obvious, but that doesn't necessarily mean it was good. The world is not particularly interesting either. Everything looks the same, and it's all desert-like and boring which doesn't help. But all that being said, that doesn't mean this is bad. As I said, it does have the basics that you would more or less expect. The issue is that that is all this has. It feels more like the show is trying to hit a checklist of what this should be, rather than actually provide an interesting story.
ButtercupOreo
September 26, 2023
It’s just random stuff that works for other shows thrown together and it doesn’t work. CONS -Extremely predictable and basic story -Art style fits the story but it’s basic and not memorable. The designs left a lot to be desired. -The characters are your basic cool guy, hype guy, plus girl combo-A lot of the decision mid fight made little to no sense -Characters would often describe what was happening as though you weren’t watching it PROS -The voice acting was good in English and Japanese -There’s fighting in every episode (if you’re into that) Conclusion: I do not recommend. If you’re into anime with substance you likely won’t enjoy this as everything seems so fatuous and randomly thrown in. The characters are run of the mill and their actions easily predictable making them feel like boring rip offs. The show starts off building the world setting but it quickly falls flat by trying to stuff too much into so few episodes.
Stark700
March 23, 2022
Once upon a time, we were graced by the mind of Shinobu Ohtaka. She introduced us to the world of Magi, a fantasy adventure filled with mystery, personality, and of course magic. Flashforward several years later and here we are with her new work, Orient. It's another fantasy adventure taking place in a historical period. Even if you're not familiar with the author's works, Orient should hit no different for its elements of fantasy and adventure. We are dropped into a world where the lands is ruled by supernatural demons, known more commonly as Oni. Soon, we meet Musashi, a young boy who vows tochange the world by defeating the demons and becoming a Bushi, warriors who fights against the supernatural demons and perhaps humanity's last hope for survival. From the very start, it's clear that Orient decorated itself to be what it intended. From our main protagonists to its world setting, there's never been a time where viewers should feel caught off guard. Shinobu's ideas and personality are also infused with the two main protagonists. Similar to Alibaba from Magi, Musashi demonstrates a determined personality but also full of cheerfulness. It is because of his easygoing nature that allows him to make friends, such as with Kojiro and Tsugumi. As one of his closest friends, Kojiro's competitive nature brings out the best of both characters. Similar to Musashi, his kind nature also allows himself to earn friends. On the contrary, Tsugumi enters the show with a mischievous nature and in essence, one of the lesser trustworthy characters. Over time, she overcomes her inner demons thanks to Musashi and Kojiro's influence. At some point early on in the show, you're going to ask yourself if it's worth watching beyond the first three episodes. Ah yes, the universial 3-episode rule falls into this category because Orient itself can also be somewhat of an a niche anime. Watching Orient tells a fantasy adventure but some off its themes and characteristics can rub viewers in the wrong way. For instance, not everyone will appreciate Shinobu's style of cheeky humor. The way this show depicts its comedy often comes off as cartoony and almost childish at times. Then, we can't forget our main protagonists, who despite having some deep background stories receives minimal character developmet this season. With just 12 episodes, the anime only scratches the surface at characterizing our cast. Musashi and Kojiro are characters that really doesn't invent much to their basic personalities. It appears that Shinobu didn' take much risk at creating the two main leads. On the other hand, I do enjoy Tsugumi's presence in the anime, as she is much more unpredictable. She adds the context of being a vulnerable girl in a dangerous world but uses her own advantages to survive. And to add more flavor to the show, she has her own background story although the anime verson so far only scratches the surface. What it does show the audience is her important relationship with her sister. With this season, I would like to say that Orient is an example of being a show with a colorful potential. What holds the anime back is sadly, the length. Let's face it, 12 episode is far from enough to cover an ongoing manga that has been running over 100 chapters. The directors obviously wanted us to get hooked into the franchise with its cast, story, and mysteries. Speaking of which, we do meet perhaps one of the most mysterious character this season by the name of Shirou Inukai. What he seeks is a mystery and it makes us scratch our heads about his purpose. This season doesn't fully explore his character or story but he does make a prominent presence. As with the case of Orient, we want to learn how the pieces of this show fits together, like a puzzle. At the heart of this anime, the author wants us to embrace its story, set in such a mysterious world. I won't be the last to say it but A.C.G.T had a handful of mediocre projects in recent years. It seems the studio adapts various media but never lands into mainstream popularity. Orient is another example. If we judge by its art style, the show pretty much designates itself as an average production. Character designs does reflect well with its manga counterparts but there's nothing particularly flashy about them. Similarly, the supernatural demons in this show seems to be loosely based on Japanese folklore, but most of them fits into the realm of mediocrity. It's as if you've seen it once, you've seen them all. The action scenes are perhaps the best part of the show with its colorful chereography. However, Orient's animation style isn't exactly star caliber by today's anime industry standards. It has been a rather short journey for this season and 12 episodes won't cut it. Orient practically yells for the audience to check out the manga if you're hungry for more. Because when facing the verdict, this anime has potential but it's a far cry from anything of a masterpiece.
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Members
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Episodes
12