

Miss Kuroitsu from the Monster Development Department
怪人開発部の黒井津さん
On the outside, Agastia is a firm specializing in entertainment, well-known for the theme park it operates. However, beneath such an exterior lies a monumental secret: Agastia is one of various highly advanced evil organizations that aim for world domination. Despite its true nature, the company boasts enticements that make it worthwhile to put up with the work environment. Led by its great leader Akashic, Agastia has recently become a frontrunner in reaching its fellow groups' common goal. Working for Agastia's Monster Development Division, Touka Kuroitsu is a researcher who primarily does fieldwork due to the eccentricities of her seniors. Kuroitsu's everyday jobs also include giving abrupt presentations and proposals, meeting ridiculous expectations for monster designs, and accompanying said monsters to face inevitable defeat by Agastia's enemies. Nevertheless, nothing will stop Kuroitsu from doing her best if it means getting the promotion she desires! [Written by MAL Rewrite]
On the outside, Agastia is a firm specializing in entertainment, well-known for the theme park it operates. However, beneath such an exterior lies a monumental secret: Agastia is one of various highly advanced evil organizations that aim for world domination. Despite its true nature, the company boasts enticements that make it worthwhile to put up with the work environment. Led by its great leader Akashic, Agastia has recently become a frontrunner in reaching its fellow groups' common goal. Working for Agastia's Monster Development Division, Touka Kuroitsu is a researcher who primarily does fieldwork due to the eccentricities of her seniors. Kuroitsu's everyday jobs also include giving abrupt presentations and proposals, meeting ridiculous expectations for monster designs, and accompanying said monsters to face inevitable defeat by Agastia's enemies. Nevertheless, nothing will stop Kuroitsu from doing her best if it means getting the promotion she desires! [Written by MAL Rewrite]
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AlexPaulLEWZ
April 2, 2022
Watching many anime over the years, I have come to the conclusion that there are two types of hidden gems. One type are hidden gems that should remain hidden for people to dig up and come across their value themselves. The other hidden gems need to be exposed so that everyone knows and appreciates them as much as possible. In my opinion, Kaijin Kaihatsu-bu no Kuroitsu-san, or in English, Miss Kuroitsu from the Monster Development Department, belongs to the latter. It is clearly one of the most, if not the most underrated anime this Winter 2022 season. So the story is about Touka Kuroitsu, a monsterdevelopment researcher for the evil organization Agastia. Alongside her senpai Hajime, she, well, develops monsters to fight against "heroes," and in Kuroitsu's case, she fights against Blader. When I tried recommending this to other people, some of them kind of brushed it off as a mere Kamen Rider parody, which it is, don't get me wrong, but of course I'm not reviewing this anime if it's only just that. Moreover, we also have mahou shoujo, so to dismiss this as a mere Kamen Rider parody is not good and it totally undermines this anime's true potential. To be totally honest, my childhood is more on Power Rangers, which is basically the same series, but I'm not really a big fan of either so this anime's connection to Kamen Rider is not that significant as to why I loved Kaijin Kaihatsu-bu no Kuroitsu-san. We don't have an exact story or a deep plot that involves something like Agastia totally ruling over the world, even though that's their ultimate goal. Instead, we have a slice-of-life story that still manages to fit in an episodic story, like your regular superhero series back then, that totally captures the essence of what "Kamen Rider"-esque series should be. But it's not all just fighting. There are also wholesome moments that, once again, make this anime deviate from being just a simple Kamen Rider parody. Yes, people dismissing this anime like that makes me salty. Very salty indeed. Then there's the comedic parts that make this anime stand out and in my opinion is its strongest point. One of the things that I would especially like to point out is that while I do not think that the trope about "evil organizations" actually being not really that evil and sometimes even law-abiding not uncommon in fiction in general, I think it's really rare for anime and no matter what, I do not find myself getting tired. Most of Kaijin Kaihatsu-bu no Kuroitsu-san's comedy stems from the fact that Agastia, dubbed as the leading evil organization, is actually a pretty chill company. They pay their workers well with good benefits, and the work environment is comparable to normal jobs. It's written so well that I wouldn't mind another anime with this kind of trope in the future. Next up would be the art. While I can't say that the art has been consistent throughout, the art from each new monster and character per episode clearly checks out. Perhaps you can call me out for having a little bit of bias towards anime waifus because it's very true. The best thing I can praise this anime for is for its character designs that are most oddly the most emphasized. For example, Kuroitsu is somehow still too pretty despite her job in a laboratory—especially in a laboratory where literal biological monster… uh… things are developed. Just imagine the stress and the complicated chemicals that are involved in the process that are almost guaranteed to have a negative effect on a person's face. Nevertheless, real world logic doesn't really apply to anime, so I'm not going to cry on spilled milk much further. In terms of character design, some of the "monsters" like Wolf Bete and Hydra are just so cute and endearing. The same is also true for Agastia's CEO, Akashic, (fbi open up) and the magical girls. As for the Kamen Rider parody characters like Blader and other evil organizations' nemeses, their variations are actually quite good to see, reminding me of the sheer number of Power Rangers and Kamen Rider variations within its years of existence. While I say that I don't like people dismissing this anime as a mere Kamen Rider parody, I still give props to how it pays homage to it which contributes to this anime's goodness. For sound, I'm only going to critique the opening and ending themes, which are so good that I keep singing their tunes. The opening theme "Special Force" by AXXX1S reminds me of your usual shounen theme, but still hits hard. Not to mention that banger of a refrain! "itsumo BA-RI-BA-RI-BA-RI tachimukatte GI-RI-GI-RI-GI-RI kuishibatte kimi wa “zettai akiramenai” sore ga chikara sa taisetsu na Special force kyou mo BA-RI-BA-RI-BA-RI tsukisusunde GI-RI-GI-RI-GI-RI norikoete ikou yo Stronger kimi no utsukushii Special force" Utterly splendid. The abrupt one-and-a-half beats between the lines are so hard to keep up which makes it even better to sing. Moreover, I never thought I would be hyped up with a boyband like this. As for the ending themes, there are two, both by the idol group Maybe Me, which alternate between episodes. First one is "Destiny," which kind of sounds like an opening, especially with its very upbeat introduction to a mellow strophe, which is staple in J-pop but still is nice. "Tomose yuuki wo sono yaiba de Kotae naki michi wo ittou ryoudan mirai he Ano koro yori mo tsuyoku natteru hazu Hashiridase yo fuan wo kette" Then there's "Aimai Identity," which I feel is better than the other because of its easier and clearer lyrical structure. There are almost no accidentals that force the singer to speak an excessive amount of syllables within a set amount of beats like the previous song. Moreover, that refrain! It's the best out of the three songs! "Doyagao de TRY Ponkotsu de CRY Riaru wa choppiri sechigarai Kiseki wa matsu mono janai Jibun no te de tsukamu mono Akiramenai maketakunai Dakeredo ganbaritaku ha nai Konna watashi mo watashi na no Aimai IDENTITY" Time to become a Maybe Me fan! The main character, Touka Kuroitsu, is a hard worker whose goal is actually to become an Agastia executive staff member, so she does all she can to impress them. This actually allows her to have a motive to be such an impressive and quite sassy character which makes it hard to get annoyed by her potentially annoying personality. Instead, it draws you in, because not only does she have the confidence, she has the skills and kindness to back it up. Ironic for an evil organization to have a majority of kind and caring staff, but once again, that's what makes Kaijin Kaihatsu-bu no Kuroitsu-san a good anime in its own right. I'd also like to mention Kuroitsu's right hand, Wolf Bete. She, well, he was supposed to be male, but was given a female body. As such, her, uh, his interactions with other characters are more interesting which really gives me a laugh whenever it comes up. But out of all characters, my favorite one for this series goes to "Camula," the head of Agastia's Pluripotent Cell Department. Her dominant personality was enough to hook me on her from the first frame she appeared, and the fact that she has her gap moe of being an idol fan is truly adorable. Also, Ayana Taketatsu as her voice actress? No surprises there. Like I said earlier, this anime is a hidden gem that should be known to everyone. This anime is simply not a Kamen Rider parody, and it is utterly preemptive to just dismiss it as that. It is a unique anime in its own right and is an unexpectedly enjoyable masterpiece. Watching the ending episode was also one of the most hyped I have been that not even Fantasy Bishoujo Juniku Ojisan to has given me. And like many anime that preceded it, I want a second season of Kaijin Kaihatsu-bu no Kuroitsu-san.
SpRayquaza11
April 2, 2022
I love this show, it comes in my top 5 of the season! but the problem is this may not appeal much to the younger crowd, that is the only reason I think this is rated so low. Power Rangers, Gojira, samurai Kenshin's, old jap superhero shows if you loved any of these, this show is gonna be a great nostalgia trip. But that s not all of It, It does the fanservice the right way, the nostalgia trip is great and also has a mildly cohesive story on work-life culture and a good Workplace comedy. plot(7/10) The plot is mostly CGDCT, beach episodes, fanservice amusement parks occasional adventurerides with the cast but, mainly on Workplace interaction which are just special episodes on the pretext of the workplace. characters (8/10) The characters are best left experienced by oneself hence I won't mention them. Id says they are as quirky, distinguishable and genuine as they should be in a superhero show, BUT it's the evil org peeps that are the main focus which is quite the irony I must say since the Hero do it for PR and money yet the org is the innovator's xD. sound (9/10) The OP and ED are custom built for weeb Karaoke, Full of energy and emotions, love the 90 s vibe in it, and definitely singalong once or twice. VAs can do the screamfests that we remember from our favorite Pre DBz era live-action shows and they do a near-perfect replication and the screaming and power up stuff isn't as annoying as the standard shounen BS and is quite bizzare/quirky just like old times..... Art and animations (8/10) This is seriously something that is for the child that still remains in all of us. Now the animation may not be the best but the fights are done exactly how you'd remember (ridden with effects and power moves xD) them from your favorite shows, the character art is awesome and is a great throwback to the villains of yesteryears, the heroes are all REAL people! there was just so much love poured into this show which I sadly feel is being overlooked. this is a very niche anime, I know many will not be very blown away by this one Yet those who have been long-time fans of the old Japanese shows are sure to fall in love with the great recreations of the most memorable kaijin and heroes that we miss so much , a definite recommendation if you are into stuff like that!
Pyro81300
April 2, 2022
Tokusatsu anime are in general a pretty rare thing, and as a somewhat casual fan of the medium this caught my interest. Add on to that a show that actually shows the perspective of the typical evil group of monsters found in toku shows with a female mc from a comedic perspective? Conceptually it’s brilliant, but execution of it is…actually pretty decently good and surprised me in a few ways. Whether you’re a comedy or toku fan, there’s a pretty enjoyable show here. The story is relatively simple enough. Kuriotsu is a researcher in the monster development department at the secret, evil corporation of Agastia. It’sher job along with the main head of the department Shinya to create various monsters to tackle our hero of the story, Blader. Of course being a comedy, the story leans heavily into parodying the genre applying real life work culture, budgets, deadlines, etc. to making these monsters, which is in part where some of the humor comes from. The story doesn’t just follow her though, you’ll see side stories following some of the various monsters, a couple of magical girls that treat it more as a job than actual heroics, a girl just trying to live paycheck to paycheck via being a costumed goon for hire for various toku villains that aren’t Agastia, etc. Blader himself gets a good amount of focus too of course being the main hero, and even he has to work a 2nd job to make ends meet on top of being a hero in almost a Spiderman-esque situation. One minor note, I will say is that the series is full of references and cameos of various toku series both popular and niche. You get anything from Ultraseven being the narrator of one episode, or various animated appearances of real toku chars/heroes that are on air in Japan. You don’t need to know any of this stuff and the series certainly doesn’t rely on fanservice to be successful, but it’s a nice extra thing to have for hardcore toku fans. As a comedy, I found the jokes to be kinda hit or miss. I did enjoy the series overall as it doesn’t just rely on comedy, but the actual jokes sometimes rely too much on common anime tropes. There’s a solid dozen boob jokes in the series, and the milage you get out of Wolf’s whole running gag of having a guy brain but being in a girl’s body may vary. Largely, I don’t care about that kinda humor, but they’re not the only type of jokes the series does. The parts that did hit often were the parody of toku tropes, office humor, or just various one off gags that worked well. Something that did surprise me about this show was that it actually has a good level of worldbuilding. It explores considerably how society looks at monsters and how both Agastia and other evil corporations operate in the world, but never to the point it felt too serious, dark, or nonsensical. Y’know how I mentioned how the show doesn’t just focus on Kuriotsu and Blader? Well yeah, often those parts of the eps that focus on the other chars help flesh out the world, and I’d say it makes the series as a whole more appealing. The characterization is good enough. There’s definitely better characterization in comedies out there, but you’ll still find a likable cast here. Kuriotsu is a determined young woman, and honestly one of the better female protags I’ve seen in anime. She’s got great leadership skills, looks out for her fellow employees/comrades, is actually pretty strong combat wise, has plenty of tenacity, but still has a cute, relatable side to her. Wolfy is to an extent the deuteragonist of the series, but they have similar qualities to Kuriotsu with a somewhat more aggressive, tsundere side to them. The side cast in general gets alright development, outside of a few I’d say barely any are just one note chars that are just there for some gag. Blader himself gets a good amount of development too, though I’d say it’s sort of just your usual shonen mc development. I’m not sure I’d say its anything unique, outside of him technically being the antagonist. Animation wise, the show is above average. Characters are certainly expressive, and the visual gags hit well. Otherwise though, I’d say the animation is comparable to your average isekai. I guess one highlight is that I recall there being pretty much no or barely any CGI, so I guess that’s one positive. I think the character designs in general are pretty strong, even if some of the faces on the girls look a bit samey. Voice acting is fine, I don’t have any complaints here. Standard acting for these sort of comedies. Music I actually quite enjoyed. The OP is bombastic and gets you into the action, and you get 2 EDs one being a hotblooded theme song for Blader, and the other just being a silly ED about Kuriotsu. The general soundtrack I liked, but didn’t feel was very memorable. Overall, this was a good show. I wouldn’t call it great, but again I think it's highly enjoyable as a toku fan, and still a nice watch for comedy fans. Solid 7/10 series.
Lost-Night
April 28, 2025
It's a comedy show with a fair bit of references to different media with comedy with its monster development. But one part of its comedy that leaves a distasteful taste in my mouth is the character Bete Wolf, a monster created with a male body and mind but was forced into a female body by the head of the facility's whims. My problem is that one of the show's primary sources of “comedy” is making fun of Bete Wolf's situation, and they do not understand what norms are for them regarding male or female standards. With that constantly being brought up, it ruins a majorityof the anime for me.
bboy_OatsnRice
November 2, 2023
I’m writing this from the perspective of someone who had no idea this series had anything to do with super sentai, tokusatsu, Kamen Rider, or local heroes. Hell I didn’t even know what any of that was until after finishing the show. So I ended up learning something from a show I thought I could otherwise turn my brain off while watching. And with that said, you don’t even need to know any of that stuff either to enjoy this show. Would it help further your enjoyment? Yeah sure, especially with the last episode and all the narrators/cameos for each episode, but not necessary inthe slightest. In short this show pays tribute, homage, and respect to shows of the tokusatsu genre, featuring live action characters and colorful special effects, and are aimed at children. Super Sentai airs alongside the Kamen Rider series in the Super Hero Time programming block on Sunday mornings. In North America, the Super Sentai series is best known as the source material for the Power Rangers series. Got that? K, good. Now local heroes are fictional Japanese superheroes created to represent a particular region of Japan, such as a prefecture or city. They are typically themed after the locale of their creators, and often perform in special martial arts stage shows, and serve to teach children about certain things such as road traffic and food safety. This show builds its identity and theme around those concepts. Again, all of which were foreign to me before starting the series. So my first impression was that this was going to be a comedy series that relies on being a monster of the week sort of deal, in the most literal sense. And I would’ve been content with that, as the first episode left me in stitches at a time I was really down on my luck. And also in an otherwise mostly sol, isekai/fantasy, romantic filled season. Now sure there were other comedies airing around the same time too, but I wanted something that was more comedically barebones and didn’t rely on the romance or fantasy aspect for the source of its comedy. So I picked up this series solely based on the poster and positive but small reception it was getting on /a/. And boy am I glad I did, this show was the highlight of my week. It was unpredictable but not lol so random, it had critiques of the japanese work environment without getting its head stuck up its ass, and it did the impossible and got me to genuinely fall head over heels for an idol character. Speaking of which, all characters in this series are a riot. Wolf-kun, Kuroitsu-san, Canon(a badass bird who can defeat just about anyone except for blader, despite his non-intimidating and feathered exterior), long ranged uncle, the jobber friends, mummy-chan, the magical ‘girl’ duo, and possibly the most awesome of all, Megustas! I could go on and on about the characters and what they bring to the table in terms of jokes and variety. I wish the series focused on certain characters more like spider-chan and the leader, with her room of maidenly conditioned love. But I admire how the series is able to have a large cast, yet retain its focus on the handful that matter. And it’s a good thing that these characters are as likable as they are. The story usually pertains to how they’ll be able to defeat their rival, local hero Blader! But will sometimes divert from the main plot to focus on other tasks such as job interviews, going to the beach, getting approval from other higher up executives to create a new monster, and even discussing work with other evil companies. The plot is interesting and more than serviceable as a means for the jokes. And while the animation is never stellar, there is a noticeable dip in the quality around the last few episodes, save for the last bit of the final episode. But the show isn’t trying to win you over with its beautiful and articulate backgrounds or animation, it just wants to make your day brighter and give props to all the heroes old and new. This series didn’t nearly get the credit it deserved and was probably my personal highlight of the season even if others seem to disagree, and if there were objectively more well made shows. If you liked Samurai Flamenco, you just might also fall in love with Kuroitsu San.>
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