Hikikomari Kyuuketsuki no Monmon

A vampire girl of noble lineage is all but destined for a life of greatness, except that she does not want to get out of bed to achieve anything, much less greatness, and is instead dragged and coerced out of bed to fulfill her newly acquired and important role in society as a Crimson Lord acting as a general-figure, presiding over a number of vampiric forces. The story is simply haphazard. It is not an exaggerated claim to suggest everything was made up as it was going along. There is one clearly defined narrative promise made and kept to the viewer: the protagonist is the stuffthat will change the world. Every narrative plot development and advancement simply comes out of left field, not a lot of groundwork being laid to introduce new developments as they occur, and this only worsens towards the end of the anime. It is immediately apparent in the last 3 episodes specifically. The pacing is poor. The tonality of the show has a very broad range and, as the scope of the full narrative becomes apparent, a lot of that range and the alleged stakes introduced to the cast of characters along the way seems marginalized by the way the story was written. This was a point that was hard to get a bead on, as the anime is surprisingly adept at building up drama and tension at certain points. It is the underwhelming resolutions that follow that put a nail in the proverbial coffin of why a particular moment of adversity was important in the first place. The characters are inoffensive, some of them even being likable and reasonably written. There is enough nuance that every character feels important until they suddenly stop being so and are relegated to being a background character that makes some kind of episodic appearance. Music scoring of the show is good. The animation plays to a wide range--most of the time it is fine, sometimes it is good, a handful of times it is great, and then there are some certainly questionable frames that occur towards the end of the show that invite the question of when exactly budget was running out during production. Thematically, it leans very heavily into being yuri-oriented and dabbles in lite suggestive tones. The show is, in a word, vexing. It did a lot right, but the lacking narrative framework and the poor pacing upend its finer qualities. It is an instance of biting your nose to spite your face. The concept would have been better off picking a lane and sticking to it as far as genre placement is concerned; it is not carefree enough to be an enjoyable slice-of-life, there is not enough in the way of stimuli for it to be a serviceable ecchi anime, it is not particularly funny, sometimes it is more ugly than cute, and narratively it falls completely flat at being anything remarkable as far as a action-drama entry is concerned. It is not bad, but it is not good either. Overall, this is an anime that no-one expected anything from and it delivers just a little bit more than what was expected of it. I cannot recommend it, but I do not believe it is unworthy of being seen by anyone either. If you have the time, watch an episode or 2 and determine for yourself if there is anything it is offering you that may be worth your while.

I have to admit, I was probably testing my luck a little with this one. But to this extent? Yeah, The Vexations of a Shut-In Vampire Princess wasn't the best showing. Story: The Vexations of a Shut-In Vampire Princess introduces us to Terakomari (Komari) Gandeblood, vampire princess who was basically given the throne to her country, evening though her mother knew her tendencies. One of those tendencies is to shut her self away - hence "Shut-In Vampire Princess" so that she can do away with any of her royal responsibilities. Her supreme commander assigns her a maid, Villhaze, to try and getKomari to cooperate, but there's so much resistance each and every time. A lot of those responsibilities come down to keeping a good reputation and showing their prowess on the battle field, and unfortunately, a lot of the story just doesn't come off as exciting. There's just not enough there. Let's start out with what was strong first. One of the early arcs includes an old time rival, Millicent, and I actually enjoyed the story throughout this arc. The basic idea is that Komari has a bit of a history with this particular vampire because of how she was treated by her. Millicent's story arc revolves a lot around trying to get back at Komari, and she's dead serious about it too. It's believable, and she puts real obstacles in the way of Komari. It's really well done, and even does a good job at revealing Komari's true powers, otherwise known as her Core Implosion. There's some good setup there for future arcs and the final episode of that arc is what got me excited for the rest of the season. Sadly, it doesn't follow up in any real way. The story starts us our with Komari introducing herself to her army, and they're insanely unlikable, outside of Belius, who I actually really liked. They constantly make a mockery of themselves and you can easily tell that they're going to get involved in the plot, even if you don't like it. After the conclusion of the Millicent arc, there's a lot of needless running around for the rest of the season, and even if they attempt to make you care about the characters along the way, their backstories kind of just mold into one because they're so similar. Meet new person, gain they affection with very little effort, make your maid jealous, and then go back to being useless while these new "allies" protect you. One of the themes discussed constantly in this series is World Domination, and for such a serious topic, you'd think there'd be some serious backstories about how you're going to obtain this. There is... sort of. It all feels really rushed and doesn't really get aided by the fact that Komari's kind of useless. This series is likely suppose to be a comedy series, but it was never really funny, and even then, seems like a weird genre to include in a series that has as much (lackluster) fighting like it does. It doesn't mesh, even with the somewhat cartoony look that it gives its characters sometimes. Not only that, but since we're dealing with vampires here, they don't really die. It really cheapens the effect that "death" has. Getting to the end unfortunately is a bit of a chore, just because of how much the plot tries to overstay its welcome. It's all about trying to give power to one country, but it ultimately feels rushed in the end. Add to the fact that they kept introducing way too many characters along the way, this series tries way too hard to impress on a macro level, when the smaller scale encounters weren't even good to begin with. (5/10) Characters: Komari is really an unlikable character, even if she has brief moments in times when she can actually act like a decent person. Her core implosion might be her most interesting part of her, but she uses it thrice in the whole series. It's not even that it's an impressive ability, but she gets super serious when she uses it too - why was this part of her ability? The fact that she "forgets" what goes on while using it also does the story no favours. Villhaze is better... but not by much. She's very dedicated to her master, which is fine, but outside of being jealous a lot, she doesn't really stick out for any reason. She's just... there. It's obvious what she's trying to do, but doesn't very little on try and accelerate it. Sakuna, Nelia, Karla and to a lesser extent, Delphine, all kind of mesh together as being similar characters because they don't do a ton to impress during the course of the season. They all got a bunch of screen time and did basically nothing with it. Sakuna specifically was around the series a lot and even if her arc concluded in a nicer way, where did it leave her? I'm not even sure. Now she just kind of clings to Komari for affection. I really don't understand it. Karen Helvetius is Komari's supreme commander and even though she's pretty smart, she doesn't really do anything worth noting in terms of physical actions. I'm trying to remember if she does anything but talk, despite the fact that she got a bunch of screen time. She basically acts as Komari's guardian by telling her what to do and how to do it - as well as talking to her allies about Komari - but that feels like her only purpose here. One of the problems, as mentioned earlier, is that this series adds way too many characters as a rate that really isn't necessary. This series was already having issues with giving our characters a role to begin with, but adding so many from the world building that this series attempts to do is just way too much. (4/10) Art: So this is one of Project No.9's lesser projects, right? This series had minor moments where it looked fine - mostly in the three Komari fights - but aside that, it looks pretty boring. It didn't do anything to make the more "down" moments look bad, but that hardly feels like a compliment to a studio of this size. (6/10) Sound: Nothing terribly to impress or disappoint here, which might be the highpoint. I swore off fripSide ages ago because I always felt like their music all sounded the same, but the OP, Red Liberation, was legitimately good. So there's something. Voice talent seemed fine too. (6/10) Overall: The Vexations of a Shut-In Vampire Princess was boring and bland with not a lot going for it, outside of the Millicent arc. It clearly "can" have okay story moments if you take your time and focus on a smaller-scale story like hers, but after that, it feels like the story falls apart, especially with a character as boring as Komari. She doesn't do anything to amaze and it makes this series really difficult to recommend. (5/10)

A tough decision to make. This anime is clearly not for everyone from the start . It started out promising, and i got a laugh out of it quite a few times. But sadly, it really devolved towards the end. The animation quality also didn't do it any favours. Not to mention the world building is really sloppy,barely anything is explained, and titles are just thrown around for the hell of it. And those dark cores really play against the whole setup, since there's barely any sense of actual danger . Honestly this one would've been 10 times better if they just gave ita 18+ rating and went full in on the yuri harem fanservice. As it stands they tried too hard to deliver an intresting plot and tripped over it. It's a watch mostly to kill time if anything. In that regard alone i guess it's worth it.

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