Maou 2099

A solid 9/10. I want to say this confidently that i enjoy and Maou 2099 is the most underrated, low exposures and low anticipation Anime of this season! I’ll break it down. Like the review before me had said, quote “Maou 2099 is a solid show with a familiar setup: the demon lord is defeated by the hero, vows to return, and gets resurrected in the distant future.” Why did i score a 9/10 for a premise that similar to some of few anime that has aired in recent years? Because it has different type of approach to the story from the begining towards the end. “Waitisn’t it like Maou gakuin that people didn’t believe that hes the actual demon lord and ends with him teaming up with the Hero like the other series?” Yes, it is indeed a familiar setup that many must have been judge in the first few episodes. But, have you ever even watch or imagine a cyberpunk city that on a constant lifeline by making the demon lord’s servant as fire woods? maybe imagine, but definitely haven’t watched. So, in conclusion its a fresh twist on a plot that has a familiar set up that makes it reasonably not that predictable. The twist of this story is what makes it different and fresh. Its not as simple as any other similar set up has done. The MC is getting power because of the subscriber of his streaming account? thats modern af LOL Decent character writing and development, i can’t really say much about the development but the character writing and design is already pretty good for my standard. Because of the straight forwardness of both the character personality and backgroud. Hey atleast we got a Maou that become a streamer and play soulsborne, isn’t that already some funky character writing? lol. The only noticeable character that being developed is Hijiki… i mean Hizuki, the main point of the 2nd Arc of this series adaptation. Btw, i didn’t rate this anime with an “underrated scoring”. I reviewed this anime as a solid produced anime. Why? because Aniplex and Kadokawa made this. Thus the 9/10 is a honest upcoming anticipated score and it does fit my standards. Aniplex and Kadokawa as always, never fails to bring smooth edge and light fineline type of adaptation. This is what Kadokawa and Aniplex type of projects usually are, so if you are searching for similar art style you should check more of their works! I genuinely hope theres a season 2 of this anime and if it did get a 2nd season. I hope this anime is much more exposed to create anticipation for it to air. So there would be more budget and work done toward this anime. I think it would be an even better anime if theres more enthusiasm! Fyi, how did i even find this anime? Because i saw a clip on idk where, a clip of towa-sama-san stream clip appears on this anime. I was watching this anime only to confirm and see if tw-sama-san appearance is real or not. And then i stay because of Veltol resemble picture perfect zura and machina is just a cute humanoid immortal female elizabeth from gintama. And finally i stay because i enjoyed the anime.

-Maou 2099 is an anime that shines in some aspects, particularly its visual style and character design, but stumbles with an underdeveloped narrative and a sound department that doesn't quite stand out. It's a good option for fans of futuristic and cyberpunk settings, although it may not fully satisfy those seeking a more solid plot. With an overall rating of 6.8, the anime offers an entertaining but not essential experience- -Design- Audio: 6 Visual style: 8 Quality: 7 -Story-History: 5 Characters: 8 (ES) Maou 2099 es un anime que brilla en algunos aspectos, especialmente en su estilo visual y en el diseño de sus personajes, pero tropieza con una narrativa poco desarrollada y un apartado sonoro que no termina de destacar. Es una buena opción para los fanáticos de los ambientes futuristas y cyberpunk, aunque puede no satisfacer completamente a quienes buscan una trama más sólida. Con una calificación general de 6.8, el anime ofrece una experiencia entretenida pero no esencial.

Excellent! A return to form of classic anime! Great animation, a refreshingly unique plot, and callbacks to anime of similar aesthetics make me question how it's possible that this show is not more popular than it is. It's like Bright meets Ghost in the Shell with a heaping scoop of Blade runner with a bit of The Witcher's "Conjunction of Spheres" thrown in for good measure. Furthermore, if you pay attention in the first few episodes, there are several direct nods to GitS in the dialogue. While there is comedy, it's not goofy, trope-ridden, or "dad humor" (though being a dad myself I can certainly appreciatedad humor). There is betrayal, regret, mysterious people/groups moving behind the scenes for unknown reasons, begrudging respect, and even a bit of love and friendship sprinkled here and there to keep it from being total grimdark fantasy. The MC isn't afflicted with the modern trope of the goofy or misunderstood "Demon Lord" and has a believable backstory and personality, the Hero is exactly who you'd expect such a person to be given his particular stressful circumstances and avoids both the "complete benevolent idealist" and more recent "drunk on power" tropes associated with many heroes, and the side characters all have well fleshed out backstories and personalities and don't all fit neatly into various "-dere" archetypes like many forgettable side characters in modern anime; they're genuine personalities who have different moods that affect their character. The excellent writing, detailed plot, lived in world, stellar animation, imaginative mildly retro character design, and overall aesthetic combine to elicit a feeling of nostalgia for some of us older folks who grew up watching anime in the 80's and 90's, but it's still fresh enough to compete with many of the best modern anime. My only complaints can be easily explained by the time/content restraints of being limited by the standard 12 episode season format when it might have flowed a bit more smoothly as a 14 or 15 episode season, but maybe that's just me wishing there was more. 10/10 for me and I can't wait for a Season 2 should it ever come! And if it doesn't? Well, that's just a sad reminder that good things are not always popular things.

Demon Lord 2099 — Psycho-Pass meets Hataraku! Maou-sama, and it's legitimately good, interesting even. I have a legitimate question to discuss here: why don't people take the less-traveled road and do something that's worth the interest to talk about? This has been my gripe with consuming AniManga within the post-COVID era (in which series' delays (or even hiatuses) are STILL the norm): the number of authors writing stuff of interest has been nothing more than copy-pasting aesthetics of one another; you can't help but see predictability at every corner. This is especially so if the series is marketed in the Isekai genre, because good shows arefar and few in between, and for the case of one show in particular, it is so interesting that I just can't help but be mesmerized at how it's being done here. And that, my friends, is novelist Daigo Murasaki's Maou 2099 a.k.a Demon Lord 2099, the newest and freshest take on the reverse Isekai trope to come out of the anime spectrum. Think of your usual fantasy good vs. evil trope, but take the premise up a notch by bringing the traditional to the modern. This is the setting of the magical world of Alneath, where the battle of justice over evildom takes precedent through its Hero Gram defeating the villainous Demon Lord Veltol Velvet Velsvalt. But fast forward 500 years, with the "Fantasion" catastrophe merging the old fantasy world with the new modern industrial Earth to bring about change that's all for the better, it becomes a place where fantasy meets sci-fi cyberpunk, magic meets engineering, and wars are quelled to make way for peace between the old Alneath and the new Earth. With the help of a revival from a close friend, Veltol now finds himself being the same villainous Demon Lord but in a place where everything is foreign to him and must now navigate what to do to achieve what he's been called to do: achieve world domination...in the year 2099. On paper, I think that Daigo Murasaki coming up with this concept is pure genius to sideswipe the audience about the usual Demon Lord and fantasy tropes to give a different take on the matter, an "edgy" one if you will (that thankfully doesn't go full-on edge). This may be something that has been attempted before in different mediums, but as is for the AniManga industry, this is brand new and is an area never yet experimented with, so this already does hold more interest and should have your time investment well worth it (which it did for me), even though sometimes it falls back to standard tropes that thankfully don't take the immersiveness out of the entire series. For once, I truly vibe with a Demon Lord of Veltol's size. Veltol Velvet Velsvalt's character is so similar to Overlord's Ainz Ooal Gown, where he exercises his duty according to the situations and circumstances, knowing when and how to make the right calls (even though that puts his ego on the front out of his usual Lord personality), plus with his powers unexperimented in the new modern space and acknowledging that he has work to do not being the OP in the house, that IS the mark of great character writing to know that Veltol is not just all bark and bite as a Demon Lord who survived countless centuries of experience. Even the hero Gram also makes it into the modern world, but he's a disheveled person of his former self, being in a world where there's no need for heroes, just lazing with his Excalibur (well, it's not exactly called that) sword and passing every day with bats of eyes from citizens of the cyberpunk city (though he soon finds purpose of being one so as not to wane his experience from defeating Veltol all those years ago). As expected, the one who revived him, Machina Soleige, one of the Six Dark Peers of Veltol's trusted followers, gets him back on track within the new world and its developments to do the same he's always been... and also fall in love with him all the same? Yes, that's what you get for being the Demon Lord's most loyal follower, but also one of the remaining surviving ones due to the infamy of their own brethren, now being the tour de force of the industrial age: Marcus, leading a company on his own that fuels the city he's leading to extreme lengths of modernization through technology for the masses with a heinous plan that's just as ambitious as Veltol's did during their time. Also, I don't know why, but his secretary Kinohara just loves to splice some Engrish over normal Japanese dialogue just to show her range and boost her confidence that way, that's so weird. But the one good fact is that Machina's friend is the Super Girl Hacker Takahashi, who is born after the Fantasion, and despite being the typical high-school-looking girl as she is, she's quite the talent for her aether hacking that provides a way for Veltol in rather sticky situations. From the world-building to the characters, everything just feels fresh to the point that despite its predictability, there is a perchance of twists that gives the series some substance, and it really shows. Thus, it answers the question of what if authors were able to experiment with genres that don't quite fit together, but they do for some reason, and they do it smartly. It's safe to say that within the faults of J.C.Staff being chosen to do multiple projects within a single season, some have faltered (like DanMachi's remainder for Season 5), brutally survived from poor production (like Yarinaoshi Reijou wa Ryuutei Heika wo Kouryakuchuu a.k.a The Do-Over Damsel Conquers The Dragon Emperor), are "special" in their own ways (like Mahoutsukai ni Narenakatta Onnanoko no Hanashi. a.k.a The Stories of Girls Who Couldn't Be Magicians), and the most obvious case, have the budget to do so. The 7th of 9 shows for the Summer/Fall 2024 season, and clearly the best-budgeted series of the lot (thanks to the sweet, sweet Aniplex BIG bags money), the studio really has a lot of space to work on delivering scenes that truly matter. For the most part, the anime delivered, albeit with the typical studio production sacrifices that Demi-chan wa Kataritai a.k.a Interviews With Monster Girls director Ryo Ando and his staff team have to make, especially for the director that hasn't had a major directorial work since the Winter 2017 show, only working as both storyboarder and episode director for shows in and out. To say that this is a return to form for Ryo Ando would be a pipedream; it's clear that he's still got it despite being out of the chair for years, and it would be a gross understatement to say that he's still working on it, which I would be down to see what he does next. The OST is good, as expected from Dr. Stone music composer Tatsuya Kato, which gives a level of impressions to bring the audience into the cyberpunk aesthetic of the show, which, this being under his wheelhouse, is just great to experience. I'll admit that I was in the wrong to see both Shiyui's OP and sekai's ED as decent songs, but they proved me wrong the more I listen to them, and it's just so perfect for a show like this, with great visuals as a backup to hammer in the sci-fi element. Despite the anime only covering 2 out of the 5 LN volumes present (since the series is brand new that started in January 2021), Maou 2099 a.k.a Demon Lord 2099 has EVERY right to excel with its potential, and I believe that we're just only getting started to see what the series could achieve with so much more. If this show does get a Season 2, I'll be down regardless, but for the anime as it is now, it's honestly one of the best hidden gem shows of the Fall 2024 season that, while it garners the audience numbers (on MAL), more people should give this a chance, because it deserves every bit of attention for being innovative at the very least.

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