Armitage III

Armitage III is a good example of how important execution is now matter what concept you're working with. At the core this is a standard cyberpunk romp about the complex role of ever improving technology in human society, in this particular case it's about incredibly advanced androids that are not much different from humans in their make-up and functions. I don't think there's much wrong with the plot since story is not the highlight this time and more of a vehicle for stylized action that's occasionally mixed with some noir and drama. Art\animation - I'm not quite sure who did the character designs for this showbut sometimes it felt like it was done by two different people. The show is not entirely consistent with its style so some main characters fit this archetype of 90s fashion with sci-fi elements, particularly strong on the titular Armitage but a lot of side characters kind of dress like normal people. Same with world design, even though there's a lot of future elements like floating city blocks, abundance of neon signs and such there are also pretty normal looking bars and offices so I'm not sure if there was one clear vision of what the world of Armitage should look like. If there was a clear distinction between what's futuristic and advanced and what's old and decrepit then it would contribute something to world building and atmosphere but as is it just feels like another part of the show that creators didn't much care about. Also even though Armitage looks solid for overwhelming majority of the run it also has some moments where characters looks so out of proportions that it hurts to look at. As far as animation goes it's about as good as you'd expect from a 90s OVA, lots of detail, pretty fluid too but it lacks flare and style to be really memorable. So, it's not exactly bad but without proper direction it won't be impressing anyone. To be a single action scene from Mezzo DSA overshadows all the "sakuga" moments in Armitage because of this. Direction - this is where I want to kind of continue talking about the art while also bringing up music and some of the story though this will be spoiler free. The direction is probably the biggest flaw in this OVA, as I mentioned in the beginning, I don't think there's much in terms of plot that keeps this from being an entertaining sci-fi action OVA but all of the potential is squandered thanks to bad direction. First of all the pacing is too slow, even action scenes feel dull when the director and editor don't care to depict urgency, intensity or danger involved. It's horribly mundane and unexciting and music is only making it worse. While on its own it's not necessarily bad, when paired with scenes where it's used I felt like someone just looked at the scenes and thought it's getting too quiet so they just randomly slapped the first bleep bloop track they could find. It doesn't fit the mood or action so what's the point? My next issue with direction is editing, I started paying more attention to it towards the end where the flaws became too bad to go on unnoticed and sometimes the choices made were flat out baffling. Like in episode 3 I think there's a relatively important action scene with higher stakes than most other fights prior but we cut away from it to boring investigation work, just why? Other time the faults were less egregious but there's still plenty of amateurish cuts that disrupt the flow of action as well as spacial continuity. The last complaint is that it's just not interesting to look at. There are too many shots with boring framing that give you nothing to look yet they linger on as if you're shown something important. One shot stood especially stood to me when it was like a 2 or 3 seconds long still shot of an almost completely brown back alley with 5 inches of some neon sign in the upper left corner. That scene was so dead and boring that it took me out of the show. It might sound like a nitpicks but I'm only mentioning it cause it's bad and it's common so stuff like that builds up. Writing - no surprises here cause pretty much all you need to know how this is gonna go is in the synopsis already. The show doesn't get too deep and it's better for it cause otherwise they'd be encroaching on the territory that's already been covered by far better written sci-fi classics like Blade Runner and Ghost in the Shell. The script is kind of cheesy and very much in your face at times but I don't think the show pretended to be more than it is and wrapped it all up in the end, can't say it was entirely satisfying but when you got a show that can't offer and interesting story, doing as little to create more problems is fine. Fun factor - this is the part where I'm supposed to justify why I still gave it a 5 cause so far it seems like a bunch of negatives and not really anything to justify it. No matter how underwhelming the execution is I think it still works as a cheese little sci-fi romp that can be a fine casual watch. It's not good but it's not offensively bad either so if it peaked your interest in one way or another it's worth to have a go at it.

The story is focused on two cops, Ross and Armitage as they try to discover the reason behind all the chaos. At times I was under the impression that it is maybe too much influenced by Hollywood movies such as Blade Runner or AI but in the end, the story is well constructed and presented through the 4 OVA's. This is well explained with the use of the great animations. This came out in 1995 and it looks amazing for its time. The high amount of details is very impressive and you can see another anime that influenced The Matrix with the now famous greendata line flowing down the visor. The faces of the characters are a little sharp and maybe needed a little polishing but that's a minor detail. The sound was awesome. Industrial and some metal riffs fit any cyberpunk anime like a glove. As far as characters go, only Armitage is worth mentioning. Ross is ok to see as the tough (yet soft on the inside) cop but Armitage is the real star of the show. She's sexy, badass and an attitude that would even make Alucard shit his pants. You don't mess around with her. In conclusion, Armitage III is awesome. Any SF/cyberpunk anime lover should see this. Great visuals, great OST and a memorable main character bring this anime a big well deserved 10.

“I wish I had no brain to think and worry.” — Naomi Armitage Ah, the age-old dilemma of being human (or a robot emulating a human), that which separates us from the animal kingdom — namely being, our superior cognitive abilities — is the same variable that alienates us, as well. We have the capability of creating fantastic technological instruments to ease our lives, yet those same instruments have the ability to “replace” our intended “purpose” of existence. From a biological perspective, we tend to believe in passing on our genes to future generations in a process known as procreation. The senseof “fulfillment” gives us great pride, yet evolutionary theory does not adhere to a designed “purpose,” nor does it care how genes are passed on, or if they are passed on at all. Faced with the prospect a diminishing/stagnant population, the Mars colony deems it “necessary” to hasten their biological development by means of using advanced robots (otherwise known as: “thirds”). The ethical/sociological dilemma’a comes to the fore when job displacement becomes an issue, and feminists begin to protest as their “woman-hood” is supplanted by the female “thirds.” The absence of purpose is evident from the outset, as numerous people define themselves — and take great pride — through their job, or their capacity to start a family. Think about it: how many times does a person ask you what you do for a living, and you responded promptly with, “I work at [fill in the blank.]” We tend to believe we have a life outside of our job, but the fact remains: without a job, we cannot live as we please. As of writing this review, our very own society will be facing this same predicament as automated cars replace truckers, robotic arms replace surgeons, and artificial wombs (potentially) replace human conception. The political easement of the people’s woes through the faux slogan, “one world, one nation,” as they eliminate their enemies with, “coincidentally” enough, their own robots, highlights the hypocritical nature of politicians and national governments. The Earth Federation Chairwoman, like many politicians, appears before a crowd with a sense of dignity and virtue, but behind the scenes, loose ends are being “taken care of,” for the “betterment” of society. The characters of the show are fairly interesting, as we get some useful insights into their motivations and their uniquely distinct characteristics. Armitage, while being a robot, struggles with the same basic questions that plague the majority of humanity: why do I exist? There are no easy answers, but it sparks the audience to ask the question themselves, and where the line between robot and human should be drawn? Ross Sylius, in a weird way, represents the anime public, as he falls in love with an “artificial” girl, someone who is not “human.” Think about it: he married, and impregnated his waifu. Well done, sir. Well done. Final thoughts… A fascinating anime relic from the past, Armitage III resembles the highly popularized Ghost in the Shell, but, interestingly enough, its first episode predates the latter’s release. Coming from the mind of Chiaki Konaka — who would later write Serial Experiments Lain, several episodes of Texhnolyze, and Digimon Tamers — it’s no surprise the series deviated from the high-paced action sequences, to a philosophical view of the human condition. That being said, it suffers from a surface level approach to its own philosophical themes; thus, leaving the viewer yearning for something more substantial. Also, the story seems sporadic, at times. Giving the impression of poor planning on the staff’s part. But given the brief nature of the show itself, it did a fine job of accomplishing an entertaining action-drama with philosophical musings, and sociological ramifications of proliferating technology. In addition, that opening theme song is fantastic. I understand it’s not everyone’s cup of tea, but I absolutely love it. Perhaps you have to be a 90’s kid to understand.

Conceptual merit is probably the only positive of Armitage III, but that’s entirely by virtue of the cyberpunk themes. It’s simply half-baked, inept at forming an identity for itself as it meanders in its lackluster plot and world. Mars has developed a civilization advanced enough to develop Androids physically and intellectually indistinguishable from humans, and it leads to an insurgency from the human populace that fears they’ll snatch opportunities away from them. Armitage (an Android) and Sylibus are designated with the task of capturing the terrorist D’anclaude, who murdered a Third (advanced Androids), propelling the majority of the show to operate as a police procedural.The direction is downright awful, with nothing of worth occurring throughout the show as it insistently surrenders itself to a barrage of asinine retcons. It wastes potential by emphasizing the chase (in a tedious manner) instead of examining the Androids’ reception to political strife and intolerance. A significant amount of plot points go nowhere, which could be a product of the short runtime, but I’m rather inclined to believe this is due to the production being severely mismanaged. It is most evident from the egregious last episode that suddenly features overdue exposition in hopes of wrapping things up quickly. Even the action segments are uninspiring, with dreadful editing playing a significant role in how scenes are strung together, constantly switching focuses. The show also lacks stylistically, with only Armitage having a chic and risque fashion sense, while the other character designs and the world layout are disappointingly humdrum. The Techno music tracks don’t fit most of the scenes, with the show’s opening being the only exception; in hindsight, Armitage III would’ve been better if it had ended right after the first opening had concluded.

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