

X−エックス−
In the fight between the Dragons of Heaven and the Dragons of Earth, the dream seer Princess Hinoto predicts the end of humanity. A central entity, 15-year-old Kamui Shirou, is to choose whether to ally with the Dragons of Earth and destroy civilization to protect the planet or with the Dragons of Heaven to save mankind. Following his mother's last wish, Kamui returns to Tokyo after six years of self-imposed exile. There, he attempts to steal the Sacred Sword from the temple protected by Kyougo Monou—the father of his childhood friends, Fuuma and Kotori. However, after Kamui's venture fails, a mysterious person manages to obtain the sword instead. Believing Kamui to be the man in her prophecy, Hinoto sends the Dragons of Heaven after him to rally him to their cause. Although Kamui first rejects his destiny, the incessant attacks by the Dragons of Earth against those he holds dear push him to decide whether the lives of his friends should prevail over the fate of the Earth and finally pick a side. [Written by MAL Rewrite]
In the fight between the Dragons of Heaven and the Dragons of Earth, the dream seer Princess Hinoto predicts the end of humanity. A central entity, 15-year-old Kamui Shirou, is to choose whether to ally with the Dragons of Earth and destroy civilization to protect the planet or with the Dragons of Heaven to save mankind. Following his mother's last wish, Kamui returns to Tokyo after six years of self-imposed exile. There, he attempts to steal the Sacred Sword from the temple protected by Kyougo Monou—the father of his childhood friends, Fuuma and Kotori. However, after Kamui's venture fails, a mysterious person manages to obtain the sword instead. Believing Kamui to be the man in her prophecy, Hinoto sends the Dragons of Heaven after him to rally him to their cause. Although Kamui first rejects his destiny, the incessant attacks by the Dragons of Earth against those he holds dear push him to decide whether the lives of his friends should prevail over the fate of the Earth and finally pick a side. [Written by MAL Rewrite]
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kiriska
September 4, 2008
This series highlights some of the wonderful reasons why you shouldn't make an anime for a manga that isn't finished. STORY - Honestly, X has a pretty decent story, even if most of its themes are far from original. It is, essentially, another battle between humanity and the planet they live on, of man against nature. This conflict has been addressed over and over again throughout history in century-old novels and vintage films, in addition to a wide splattering of anime and manga. Mostly-unexplained supernatural powers and angel/demon parallels, both rather characteristic of CLAMP, aren't very new either, and really, even combining the two doesn't adda particularly intriguing angle. Nevertheless, X's story is solid. It has everything a story needs: a clear theme, a clear point, a clear hurdle, and a clear goal. And actually, the final, deepest concept may even be controversial enough to be original. So what then, went so horribly wrong? My main issue was pacing and bad storytelling in general. Despite having tons more time to deal with themes, issues, and characters compared to the disastrous X OAV, the anime still doesn't seem able to utilize this time effectively. The first few episodes are heavy and fast-paced, tossing the audience into the crazy complex details of the conflict with little preamble. Then it cools noticeably and a lot of the macabre and shock is diminished. You kind of wonder what all the hubbub was about. The entire middle of the series seems to slow to a snail's pace. There are frustratingly long scenes depicting nothing more than a man walking down a path. We really don't need to watch Subaru walking in silence for five straight minutes and passing the same shrine multiple times. At least the Lucky Star girls were talking about something for five minutes. Those slow episodes were attempts to delve into the individual backstories of our fourteen plus relevant characters (seven Dragons of Heaven, seven Dragons of Earth, plus supporting roles), but they fail to give much attention to these characters' connections to the overall plot and theme, making them pretty useless in the grand scheme of things, especially since many of these personal struggles are never resolved. The story used to be clear and have a point, but after trudging through a half dozen of these character-centric episodes, you stop caring. Oh, right, we were concerned about the fate of the earth right? Morals and stuff, what about that again? The last few episodes are forced to pick up speed again, but it happens in that disorganized and rushed way where nothing really makes sense; they explain very little, and the ending leaves you more confused than anything else. And being a non-canonical ending doesn't help either. Personally, I prefer the X OAV's ending, even if the rest of it sucked. Clearly, the anime isn't much better. CHARACTER - I never did like Kamui much, even in the manga. Like many other things in the series, his backstory seemed uninspired and recycled to me. Typical cute childhood. Typical teenage sobstory. He is oversensitive, and all attempts to shape and transform his character never seem to go very far. The ruthless demeanor he tries to put on for the first few episodes doesn't last long, and he ends up seeming pretentious rather than complex. I just found him incredibly hard to sympathize with, which is never a good thing. Fuma further seemed like a cheap shot at tragedy, and after a while, he was nothing more than yaoibait. Kotori? How many other "girl from my childhood who I'm in love with"-type characters have you seen? Typical shoujo. The rest of the cast is a little more forgiving, if still despairingly typical. Of the Dragons of Heaven, Arashi fills in the role as priestess girl. Sorata is the endearing comedic. Karen is your religious character; Seichirou, your nice guy. Nekoi filled the cute school girl role, and Subaru was crossover material because CLAMP loves crossovers. Of the Dragons of Earth, Seishirou is also crossover filler, Yuto was amusing, and Satsuki reminded me of Lain. Nataku did not interest me at all -- a clone just seemed unnecessary, but it was yet another archetype. Kusanagi, another nice guy, and Kakyo... eh. I'm indifferent. Hinoto and Kanoe are more of the same. All of these characters, more than anything else, seem to represent dozens of anime and manga archetypes, which limited my general interest in them. Their personal stories were intriguing at times, but were never explored to the depths that they were in the manga, and it was difficult to become attached. They were okay: not good, not bad. As morals play a huge role in the series, each characters' personal views and beliefs are the most interesting part of them. Those whose views come to shift and change, those who grow to question things, and those who have complicated relationships with others are the ones that are fun to watch. Nekoi's relationship with Kusanagi. Subaru's relationship with Seishirou. Kamui's with Fuma. Seichirou's with Karen. All the crossing of relationships over enemy lines was fun -- like one giant, strange concoction of Romeo and Juliet-esque drama! Including all the sudden love! Sadly, while a few of the characters do manage to develop a little (read: Kamui), most don't. They just don't have enough time between when they're introduced, when their backstory is explained, and the end of the series. Abbreviated depth when translating characters from manga to anime is nothing new though, sadly. ART & ANIMATION - It seems to me that there are a lot of series weak in story and character, but strong in the technical aspects. X is beautiful. One day, I'll figure out why CLAMP's style of noodley bishounen and wide-shouldered biseinen is just so damn appealing. All the characters have wonderful and memorable designs, many of which highlight their clear personalities. Kanoe and Karen are both confident women. Kakyo and Hinoto are fragile and delicate. There's a very clear connection between a character's visuals and his or her substance. Backgrounds are impressively detailed, and I'm always enthralled by animated cityscapes. Rooftops and bridges all looked great, as did all the explosions and magic, all of the blood and macabre. For an anime series, X is definitely full of eyecandy. MUSIC - I. Love. X's soundtrack. It's what I like most about the entire series, hands down. All of the music in the series is beautiful and distinct, especially the leitmotif. There are beautiful piano themes and much wilder, energetic battle themes, including a few very chaotic mixes charged on adrenaline. A lot of the sounds are reminiscent of more traditional Japanese music as well, giving a unique sound. There are also a few tracks that remind me of Native American and perhaps even African tones, adding even more to the blend. Seriously, X's music is worth listening to even if you don't see the series. The opening and end themes are both relevant to X's themes and echo the kinds of sounds that present in the soundtrack. Good, good music all around. VOICE ACTING - The change of cast between the anime and the OAV was disappointing in general, but the worst of it was trading Tomokazu Seki for Kenichi Suzumura as Kamui's voice. It wasn't so much that Suzumura did a bad job though, so if you haven't seen the OAV (don't), then it probably doesn't matter very much because there's no benchmark. As most of the characters fitted nicely to archetypes, most of the cast just seemed to give a generic voice. Tough guy sounded tough; cute girl sounded cute. Nothing special. Nothing to critique. Nothing to praise. I haven't seen the dub for X, but I don't imagine that it'd be much different. OVERALL - In general, I dislike the idea of trying to make an anime out of a manga that hasn't finished, but it is possible to do so without failing utterly. Fullmetal Alchemist is probably the best example, at least up until the last few episodes. So the fact is that X could have been handled much better. Trying to explore more than fourteen characters in twenty-four episodes while still orchestrating a main plot is hard. Instead of that, I think it would have been better to compress some of the smaller storylines or to get rid of them altogether, especially the ones that never got close to any sort of resolution. The main story was about morals, priorities, and the fate of humanity and earth. They never seem to explain that very well though, and things got confusing as a result. I, personally, didn't like the ending, but I think that's more because it was poorly executed than because it was actually a bad conclusion.
belsammael
January 1, 2009
X was a pretty interesting series, which had pretty much all of the ingredients needed to make a classic, yet at the same time the ingredients sometimes don't seem to mix properly, making it miss just that last little edge. Still, it has become one of my favorites, because it has exactly those things that appeal to me in an anime show: a good storyline with enough twists and changes, excellent animation, a great soundtracks and amusing and diverse characters. Of course the series has CLAMP all over it, which shows mainly in the characyer design and story, both of which are on par of the averageCLAMP series, meaning they're good. The animation in action sequences is fast-paced and intense, and the soundtrack accompanies each scene well, drawing you in even further. As I stated in the beginning of this review, the plot is decent and there are enough twists and turns in the plotline, with the most important one taking place halfway through the series; I usually see these things coming, and while all the clues were there, spread out very obviously, I was still surprised. What follows after that is a dive into the various main characters backgrounds and pasts (heroes and villains alike), and while that could've been drawn out a little more, it adds a bit extra..though not much. The ending is... a bit less intense that I personally would've hoped for, but it still fits the series; still, it's a non-canon ending, and I wonder how the actual series will end now... A nice series to watch; if you like action with a touch of fantasy in a modern setting, then X is a nice show for you to watch.
night-hawk01
June 24, 2008
X is a very mystyrious and drama-heavy anime, coupled with nice action scense's. The Story focus on the first episodes on Kamui who wants to get a sword that belongs to him, passed down from his mother, but gets drawn into a fight of the destiny of the earth. With him as the key to it apperently. When put like this it doesn't sound like much but add to that some very interesting twist and turns that can glue you to the screen and you get something that you want to see the end of no matter what. The art is done very well, with nicebackgrounds that don't draw to much attention away form what is actually happening and very nice details which together make this anime very nice to look at the music in my opinion is chossen very well in the dramatic moments, but the fight music is at best anticlimatic and sounds like your playing some videogame sometimes, but only when you have a fight that hasn't some kind of drama in it. again drama-moments are very well done in this one. The characters are split in two categories: in one can we put the to main chara's... with development, emotions and all that portrait so realitic and believable that it can overshadow the, rather poor, suppourtcharaters that the authors were trying desperatly to give some dept but faild half way through. All in all the anime is really worth it to at least watch once in your life, even if you aren't a fan of emotinal animes and such.
Eka
August 20, 2010
Ah, X. It's definitely one of those 90's anime classics that deserves more credit now than it deserves. This series was another complete impulse buy by me. I had heard that it was rather enjoyable, and after reading the description of the plot on the back of the Box Set that I saw, I was at least mildly interested. It seemed to focus heavily on the fantasy genre, which I greatly enjoy if the show is paced well enough. Anyways, let's venture on over to my take on the story. In the beginning, much is not explained. The viewersare introduced to Kamui Shiro, a young high school teenager who has supposedly 'returned' to Tokyo after six years in order to take a legendary sword from a shrine, and disappear from Tokyo. His reasons are unclear, but apparently two siblings who were his good friends when he was younger and lived in Tokyo take an interest in him (as they haven't seen him in a long time.) Kamui tries to push them away from his life, believing that they should not get involved with him. Angsty selfless main character? Check! Anyways, basically a larger plot involving the end of the world with the 'Dragons of Heaven' pitted against the 'Dragons of Earth' is revealed, and the plot thickens moreso. I found the story to be refreshing, and CLAMP's vision of a ruined world was believeable and well-put. The ending left a few side problems unsolved, so I will give the story a 9/10. The artwork was based on CLAMP's designs, as they made the original (and for some reason unfinished) manga. Now CLAMP always does nice jobs on their art, but I found this anime to have somewhat bland-looking characters. There was very little color involved and a lot of characters (especially the men) looked similar. Now despite this, I believe that the animation itself was very well done for its time. Thus, art gets a 7/10 from me. Onto the sound from the anime! Personally I decided to randomly watch this in its English dub, and found the dub to be fitting and very well done. I did check out a bit of the sub and I will admit that I found Suzumura's Kamui to be a bit more emotional than Steve Cannon's Kamui (which would be a good thing. I think Cannon needed to really grasp the character's situation more at Kamui's most emotional times.) So overall the voice acting was superb. The music was composed by Naoki Sato, and with that beign said I originally had high expectations for its soundtrack (as I am a fan of Sato's work.) Luckily for me, the soundtrack did not disappoint in the slightest! In fact, I would label it as one of the greatest anime soundtracks in existence. My only gripe would be how often its theme ('Destiny') played in the most unfitting of times. It is a piece designed for an epic sequence, and though many epic sequences were utilised with it, they also used it for smaller and less important scenes. This threw me off a little bit. Regardless, sound gets a 10/10 from me. The characters in X are nearly all loveable: even the villain(s). Many characters grow on you as you watch, as well. There were some I didn't love, but when they're CLAMP-esque pasts were revealed, it was hard to dislike any of them. Character gets a 10/10 from me. Overall, I enjoyed this anime thoroughly. I liked it so much that I decided to start reading the manga (for comparison and out of sheer intrigue.) X had really great pacing and had my attention nearly the entire time (give or take about three episodes in the middle.) Enjoyment recieves a 9/10 from me, and overall a 9/10. If you enjoy fantasy, undecided futures, epic music and the option of the end of the world, I suggest you look into this!
iSuckAtWriting
May 22, 2015
Around 2007, I watched a few episodes of this show before circumstances pulled me away from it. I always meant to watch it, but it faded from memory until recently when I had an urge to watch something older. Much of what I felt from that brief glimpse back then, is the same as my full gaze right now. Despite how unbelievable some parts of the story are, I still knew I was watching something a little special. X is mostly Kamui Shirou’s story, faced with the decision to become a Dragon of Heaven or Dragon of Earth. Should he become a Dragon of Heaven, oneof the Seven Seals, he will fight to protect Earth. Should he become a Dragon of Earth, one of the Seven Angels, he will fight to destroy the world. With the exception of one character, nothing is forcing anyone to fight. There are few dramatic turns pitting them against each other in twists of fate, and the Seven Angels have no reason in and of themselves to destroy the world. They fight simply because it is their Destiny to do so. I would’ve preferred more nuance with the premise, but the show takes itself seriously enough to where it’s usually a non-issue. It does this partly with a soundtrack that can be ironically playful in its disposition, playing to the ‘Encounter’ between an Angel and Seal as dutifully opposed but with no reason to despise each other. In other moments, a ‘Hyper Battle’ shoots off a fearful feeling for a formidable foe. But perhaps THE theme of themes for X is ‘Destiny.’ It always delivers a rare confluence of despair and hope, and especially captures the essence of friends on opposing sides. As perfectly as the music lends itself to the show, the cast it stands for varies considerably. For all the time we see the outgoing Sorata and the aloof Arashi together, it’s only near the end when Arashi suddenly drops the cold shoulder for a warm smile. Then there’s the breezy Seichiro and the jaded Karen, who are beautifully realized characters despite so little screentime. Then there are guys like Kusanagi and Nataku who are mostly ‘just there,’ while Yuzuriha is reasonably well-written on her own but crumbles into someone annoying around most other characters. But there’s almost a sense that few of them matter compared to Kamui, which gets into one of the biggest problems of X: Kamui himself. Kamui, and his ‘counterpart’ by extension, often display tremendous feats of power, such as both scrapes against the facetious Seishirou, that makes me wonder just why exactly they need six other Dragons on their team. On the other hand, Kamui’s gradual loss of attitude for amiability, the extent of his motives, and his ultimate choice are handled spectacularly. He is a believably flawed character, bringing intrigue to one who can so easily be boring. Unfortunately, boring is a good way to describe quite a number of X’s episodes. In fairness, over half its episodes solidly realize its cast. Not all of them are developed before a certain point, and some sagas wouldn’t fit anywhere else (the easygoing Yuuto comes to mind). But when the show is mostly building its setting or story, it drags. Not slow, but drags. For every new revelation or plot point the show introduces, the episode around it is essentially coming up with different ways of saying ‘the end of the world is approaching,’ and ‘you must choose.’ It’s repetitive padding in the worst way possible. Despite some of the negativity I’ve lashed out with, though, I do think that when X is good, it’s fantastic. It’s lackluster narrative is bolstered to emotional crescendos by not only a well-orchestrated soundtrack, but highly vibrant visuals. Studio Madhouse demonstrates artistic work that makes colors that shouldn’t pop out, pop out to great effect. The use of cutaways and jump cuts during many fight scenes can prove distracting, but a number of battles also show the full brunt of every impact to brutal effect. X’s aesthetics have kept their splendor as they’ve aged gracefully. It’s those aesthetics, especially the music, that have made X stand out in my mind before I recently watched it in full. But what makes it a little special for me isn’t its presentation or writing, but how they work together for raw emotional impact despite its problems; despite some characters; despite its pacing. It’s not everyone’s destiny to feel what I feel for X, but then again, neither me nor the story’s prophets can fully see the future.
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