Tekkon Kinkreet

After a 5 or so hours of a losing streak in DoTA2, I’d gotten tired of it and decided to watch something. Tekkon Kinkreet, also known as Black and White, was the first thing I saw in my anime folder so I went that. By the end of the hour and 50 minutes movie, I was glad to say that my fervor for anime has been revived. It’s kind of weird that the only reason I had downloaded Tekkon Kinkreet a long time ago was because I had found a song titled ‘Aru Machi no Gunjo’ by Asian Kung Fu Generation which I loved to bitand then discovered that it was the ending credits song for Tekkon Kinkreet. It’s a rule of thumb that if an anime has an AKFG song somewhere playing during it’s run-time then that anime is bound to be good. And, by God, Tekkon Kinkreet sure was something. 3 minutes into the movie, I had realized very quickly that I was in for a ride of surreal exposition when I looked at the very doodle-ish character designs over highly detailed eccentric backgrounds. Ping Pong The Animation being very high on my list of favorite anime, I had readily recognized that Tekkon Kinkreet was the brainchild of Matsumoto Taiyo – a mangaka whose art is considered to be akin to that of a Kindergartner’s but brimming with life and whose stories have that sublime to feel it that remind of you of a mild acid trip. The story is pretty simple. The synopsis covers it all so I’m not going to go into it. What I will state is that I liked it very much. It’s just that I’m not sure how much I liked it. Sometimes it’s a lot and sometimes it’s like a ‘meh’. I guess you could say my feelings for the movie are kind of like the movie itself: moody. The characters are the selling point of Tekkon Kinkreet. If you have seen Gintama then you would know that the life of Gintama is it’s city called Edo where the entire cast of the show mingles with each other both negatively and positively giving the city a solid shape. You could say that the city is alive. This is the same case with Tekkon Kinkreet’s Treasure Town. For me, Treasure Town is one giant character who has its many different moods displayed by the cast. The real defining treat for many when it comes to characters is Black and White, older and younger brother respectively, and the relationship between the two and the town itself. Sure, they are the main point of Tekkon Kinkreet: balance and chaos and how it affects everything around us. But, for me, Tekkon Kinkreet’s side characters are what make the movie so special. If we only talked about the scenes regarding Kimura and his boss then I would quickly tell you that those scenes are the defining moments of the movie – well, besides the last 25 or so minutes of the movie when Black’s crossroad moment where he has to decide whether to plunge himself into his dark nature or back to his brother White who keeps him in check. The animation is just… wow. The backgrounds are fantastically detailed and incorporate symbolism from many different cultures. There is a giant clock-tower that has Arabic calligraphy painted all over it. When the big-hand strikes 12, a statue of the Hindu god Ganesha comes riding out of the face of the clock. Some people, who probably aren’t aware of Matsumoto Taiyo’s art style, claim that the character designs are bland and lazy. I, and majority of those who have watched Tekkon Kinkreet, heavily disagree with them. The loose doodle-like nature of the designs is what makes the characters stand out, quite literally, from Treasure Town’s own quirkiness. Michael Arias, the director (Animatrix), and the key animators and background artists have done a phenomenal job with the animation and cinematography. Kudos! The voice acting is as Japanese as it gets. Sounds just like how your average Japanese person would on the street. To be honest, it doesn’t even seem like voice acting. Nevertheless, it works quite well with the art style. The background music is simple yet cozy and quite energetic. Acoustic and electric guitar strumming accompanied by bells and soft drums at times. Plaid has done a neat job with the music. And, of course, the ending song by Asian Kung Fu Generation is awesome as well. To end, I highly recommend Tekkon Kinkreet. I don’t really know what to score it but all I know that it is obviously above or equal to a 7. I’m going to have to spend the next few days recalling scenes from the movie and trying to justify a proper rating for it. Help me…

Coming from the dream combination of the emphatically cool Studio 4C and much admired manga-ka Taiyou 'Ping Pong' Matsumoto, Tekkonkinkreet is a movie I've long waited to see. Based on those two names alone, you should expect several things - let's start with moody and stylish visuals; almost-surreal art that gleefully shuns fan-pandering anime conventions and embraces the meaning of creative freedom, and then there is Matsumoto's dazzling talent for empathetic story telling; his subtle use of natural dialogue and eccentric body language that's clearly intent on plumbing the darkest depths of the human soul. Tekkonkinkreet is also known as Black and White, and so namedare the two main characters; both being delinquent street kids who live out of a rusty old used car in the concrete city-scape Treasure Town. Despite being mere children, their gang, the (stray) Cats, dominate the violent underbelly of Treasure Town's yuppie society, their attentions feared by thugs, police and yakuza alike. As is immediately clear, Black and White aren't normal kids at all; for a start, they can fly, but mostly, they are defined by their emotional eccentricities. Black is just that; a black-hearted, blood thirsty thug who is constantly looking for a fight; his attraction to violence borders on sadism and often he can be seen with a giant crow perched on his shoulder, the meat-eating birds that feed off of human garbage aptly symbolizing his pessimistic views on life. His snot-nosed buddy White is the exact opposite; optimistic, innocent and constantly laughing, he has dreams of a future outside of Treasure Town; a vision of rolling blue seas and sparkling golden sand. Black and White live for each other; Black protects White from the city's violent undercurrents, while White's very existence anchors Black's true departure into darkness. The plot is simply a means to that end, and quite frankly, isn't so important. Treasure Town is being steam-rollered by an unscrupulous theme park franchise and hence, they need to get rid of the tourist-scaring delinquent kids. Unfortunately for them, Black sees the city as his town too, and his unrelenting intent on causing trouble begins what is a gradual descent into violent madness. The heart-rending characterisation extends to an entire cast of misfits, not least of all a scar-faced ex-yakuza struggling against the tide of violence to forge a better future for his pregnant girlfriend. Early in the movie, this same yakuza shows his professional streak when he gleefully removes the ears from one unlucky fellow. The tragic and emotionally intense characterisation is well balanced by extended sequences of brutal and kinetic action, not least of all an Akira style opening scene that sees Black and White chasing a group of rival punks across colourful roof-tops and moving traffic. The gravity defying jumps, flips and kicks are well complemented by an emotive electronica score courtesy of British dance group Plaid. Of special note is that the music really captures the beautiful and surreal elements of Tekkonkinkreet, whimsical dreams of a flower-laden future totally at odds with Treasure Town's overflowing urban metropolis. A truly three dimensional effort; the excellent Tekkonkinkreet is a rewarding and exciting movie that offers bitter-sweet moments of friendship and family, morals and loyalty, set in an unrelentingly violent and cruel world dominated by industry and capitalism. Animated with beautiful perfection and stylized to the point of surrealism, it's a great looking film that both exploits and cherishes the inherent contradictions of the human spirit.

Believe the hype. If you see "ZOMG TEKKON KINKREET IS LIKE THE COOLEST THING EVAR!" Believe them. I had heard the hype about this anime for a long time, and I know to never take what people say about stuff like this seriously. However, I decided to go ahead and watch it, it couldn't be boring right? And I had seen a recommendation from Mind Game (another terrific anime) and so...I watched it. At first I was a little sceptical, the director is Michael Arias. This is the first thing he has directed. He produced the Animatrix, whichfor me made this film just a little sketchy, but believe me, it is definitely amazing. Arias is not Japanese, but he believes very heavily in quality. Story: Black and White, Kuro and Shiro are orphans, and they're the "Cats." In a word they're street thugs and it's mainly Kuro (Black) who does the fighting. Shiro (White) is missing something in his head and he constantly "phones" outer space to let them know how he's doing. The main relationship is between these two and it's expertly crafted. There are two police officers who really do a great job of balancing the anime. Their presence really keeps the movie level. The antagonist is Snake, he's trying to milk Treasure Town for all it's worth, to do this his plan is to create an amusement park. Kuro doesn't want that to happen. I'm finding it very difficult to explain the story and I really don't think that I can do it any justice at all. The story is multifaceted and multilayered. There are no scrap characters and every conversation is important. There are absolutely no wasted scenes in this anime. I was getting a huge Steinbeck vibe, I was feeling that this anime was doing a great job of channeling his "Of Mice and Men." White's dream of going to the ocean is a lot like Lennie's dream of owning a farm and tending rabbits. Art: The art is amazing. Every scene is breathtakingly beautiful. The backgrounds are detailed so well that I occasionally paused the screen just to admire their beauty. The art is probably the best I've seen in an anime and the details are beautifully rendered. The characters style is slightly minimalistic. Compared to the backgrounds the characters are very bare, but this suits the feel perfectly. The characters fit in so well with the backgrounds and interact with the world so well. The art is absolutely beautiful. Every scene of animation is beautiful. There are so many sequences that took my breath away, there is never a choppy scene, no scene feels clunky. The animation is so perfectly fluid and I cannot express how amazing it is, it has to be seen to be believed. The one thing that I thought was perfectly done was how the art and the mood of the anime clash wonderfully. The colours are very bright and vivid, and if you really weren't paying attention you'd think that this is a very bright and happy anime. But the anime is dark, it's quite dark and the art only shows that darkness at certain intervals, but for the most part the anime is bright and colourful, whereas the mood is dark. Sound: This is one of the first anime that I've seen where I was activally paying attention to the background music. It was all perfect, it was all fast and just amazing. I'm a firm believer in that music in anime does not make or break it, it either makes a good anime better, or worse; or a bad anime better or worse. In Tekkon Kinkreet, the music makes an already excellent anime even better. Character: Every character is incredibly, and sometimes painfully, human. With the exception of the alien assassins of course. The relationships between the characters, especially between Black and White are so beliveable and so incredibly real. I found myself caring so much about all of these characters, which is not something that I regularly do. It's amazing because every character changes and every relationship changes as well, it's rare to see how realistically each character's change is portrayed. Enjoyment: If you haven't noticed already, I love this anime, it's completely and utterly perfect. There is not a boring or meaningless scene. There are no pointless characters, every character is unique and human. Kinkreet is very original and it really does an amazing job of everything that it does. I cannot express how enjoyable this anime is, you really need to watch it for yourself. If this isn't at the top of your list, put it there. I believe that in order to appreciate anime you have to see both terrible and amazing anime. To me there are very, very few perfect anime, I would have a hard time listing them on my hands. However, this anime is so close to perfection that I would myself, call it perfect. Watching this anime reconfirms the reasons why I started watching anime in the first place.

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