

A Silent Voice
聲の形
As a wild youth, elementary school student Shouya Ishida sought to beat boredom in the cruelest ways. When the deaf Shouko Nishimiya transfers into his class, Shouya and the rest of his class thoughtlessly bully her for fun. However, when her mother notifies the school, he is singled out and blamed for everything done to her. With Shouko transferring out of the school, Shouya is left at the mercy of his classmates. He is heartlessly ostracized all throughout elementary and middle school, while teachers turn a blind eye. Now in his third year of high school, Shouya is still plagued by his wrongdoings as a young boy. Sincerely regretting his past actions, he sets out on a journey of redemption: to meet Shouko once more and make amends. Koe no Katachi tells the heartwarming tale of Shouya's reunion with Shouko and his honest attempts to redeem himself, all while being continually haunted by the shadows of his past. [Written by MAL Rewrite]
As a wild youth, elementary school student Shouya Ishida sought to beat boredom in the cruelest ways. When the deaf Shouko Nishimiya transfers into his class, Shouya and the rest of his class thoughtlessly bully her for fun. However, when her mother notifies the school, he is singled out and blamed for everything done to her. With Shouko transferring out of the school, Shouya is left at the mercy of his classmates. He is heartlessly ostracized all throughout elementary and middle school, while teachers turn a blind eye. Now in his third year of high school, Shouya is still plagued by his wrongdoings as a young boy. Sincerely regretting his past actions, he sets out on a journey of redemption: to meet Shouko once more and make amends. Koe no Katachi tells the heartwarming tale of Shouya's reunion with Shouko and his honest attempts to redeem himself, all while being continually haunted by the shadows of his past. [Written by MAL Rewrite]
Main
Main
Supporting
Supporting
Supporting
Supporting
Supporting
Supporting
Supporting
Supporting
Detective
May 26, 2017
Koe no Katachi is dangerous because it is exploitative. I'm not going to pretend to know anything about deaf people. I don't. This movie certainly does not allow any greater understanding into the mind of deaf people is the point I want to iterate. It uses a serious problem as a plot device constantly and reduces Nishimiya to one-dimension. She is the textbook definition of a mary-sue as well as a damsel in distress. This is clearly troublesome when trying to explain deafness to an able-bodied audience. Nishimiya's entire character is her illness. She is paper thin with her sole character trait being she likesto feed fish. She is so inhuman it is gross. Moe being used in this way is offensive. Including deafness or any other handicap into anime is an exciting idea, and I laud the attempt. Sadly, the execution is simply sickening. A personality-less self-insert male character who wants to repent for mistakes he made when he was a child falls in love with the object of his errs. It's inherently questionable to approach this topic from a romantic perspective because it's hard to sympathize with an object. And that is what Nishimiya is, an object. To be affected on, for us to pity, for us to see illness in a "new light," to justify against bullying, to see the indomitable human spirit. A show like Monster works this concept excellently because it uses the object of interest (Johan) as more of a symbol. This work tries to make Nishimiya a character as deeply developed as Shouya but they foist too many roles on an underdeveloped symbol, not even mentioning her role as a character. Shouya, Ueno, and Ishida are all flat. Their motives are drawn to plot points not to logic. Ueno shows up when things finally start moving in a direction the audience would be satisfied with in tacky KyoAni fashion. Drama in this work is so over-the-top and predictable it's borderline cringe-worthy. Even if you could swallow the unbelievable developments that lead to the saccharine mid-section of the film the way it dissolves is so inauthentic. Shouya shows no signs of development and no effort to change throughout the work and then magically obtains a group of friends. As for the abstract? The art? If you polish it up enough and use a voice technique the audience is unfamiliar with you have the safest ticket to visual and audio praise you can muster. Are there creative shots in this work? Impressive blocking of characters? Fresh setting or new takes on animation/style? No. This is a typical KyoAni work. They stuck with what sells. What the point is thematically I can't tell you. I can tell you that this film is successfully doing what it wanted to do. Capitalize on disease using moe with the highest budget in the industry. This work is not even average, it is bad. Please stop and think about why you feel the way you do when you watch this work. If you're crying is it because Nishimiya is a person you have become endeared by or are you crying because she's like an injured puppy? Affection for things like this a wonderful human trait, but this work is dubious.
Yamadarin
September 18, 2016
[Story] 7 - Plot holes and cut sub-plots, excluded from the original script/manga. [Art] 10 - Characters true to their manga designs, high quality animation. [Sound] 7 - Creative use of sound/music. Nothing too special and memorable besides theme song. [Character] 7 - Side characters had their story severely cut. Leaving some with empty character. [Enjoyment] 10 - Tears, sadness, anger, happiness and laughs, the whole package. [Overall] 8 - Definitely would watch again. For those wondering how and where I watched this film, I watched in Japan. At Keisei Rosa10 in Chiba on September 17th. Having read the manga 4 times over and crying every time, I went into the theaternot expecting much tears as I have pretty much dried up my emotional experience with this manga. However, much to my surprise, it has been a very, very long time since I have cried that much while watching a movie. Even comparing to a similar anime film Anthem of the Heart, which surprisingly lacked the ability to really give me a tearful moment. Not to say it wasn't a bad movie, but if you liked that one, you will certainly like this. Be prepared for a emotional roller coaster as the movie plays with your ever so weakening heart as the movie progresses. That being said, this is no perfect movie. The story falls short, very short in terms of character/plot progression outside of the two main characters. Perhaps it was because of the limit of having to cram the story into a 2 hour film that the writers had to cut corners. However, story/character development of Shoya was spot on. The movie clearly delivered his character and it was very easy to sympathize and relate to the character. Same with Shoko, though the film did leave out some specifics, the repercussions of Shoko's existence could be felt where one may even agree with Ueno who despised her. Unfortunately, the remaining characters were pretty much left out. And the overall story was ultimately incomplete because of this. With audiences who hasn't read the manga asking why some characters were even there. Character development with the side characters were very lacking and a lot of important details were stripped apart leaving a big hole in the story. The only character who avoided this cut was Yuzuru who retained a lot of her details and character development. This meant that people who haven't read the manga can be very confused by the end of the movie. As I had heard people talking about while leaving the theater. Many details were left out, but the film retained a lot of the core elements from the manga in puzzle pieces, allowing those who read the manga to fill in the gaps to understand what it means. But that also meant those who haven't were left scratching their heads. Besides the emotional road trip of your lifetime, Nagatsuka's moments in the film are very comedic and actually funny in a lot of ways. Often when the audience was laughing, it was usually when Nagatsuka was at his antics. As for the art, no complaints here. Besides having some overally familiar Kyoani characters faces, Kyoto Animation has done a excellent job in representing the characters true to the manga. It's no Makoto Shinkai film, but the quality is nothing to scoff at. The high quality is retained throughout the entire film and no lazy production was visible. Voice acting was top notch and sounded very familiar to daily Japanese life. Though overall sound was okay. The creative use of music in the film is a bonus. Besides that, not much to write home about. The movie tried to stay true to the manga as best as it could and in the core elements in delivering the original message that the manga had, it succeeded. But unfortunately while following the path, they dropped a lot of it's side content. The movie was able to deliver the core plot of the manga. Overall, it was a very enjoyable film and I can't wait for the disc release.
GohanwaOkazu
September 19, 2016
Note: I watched it at the Toho Cinema Complex in Ario Nishiarai (*I had thought I could have been the only person on this review list who had really watched it at a cinema in Japan after reading a particularly harsh review, but I was wrong). A quick overview: Koe no Katachi is a very well done film, although not without shortcomings, and which has dealt with (a) complex issue(s), and which leaves the viewer with questions but no easy conclusions. It is a powerful enough film to remember and ponder over, and people may draw different lessons, or perhaps none. Pros: The sound and vision (KnKis top-notch Japanimation. I dare say that in some aspects, it is better than a Ghibli film). The ambient piano background music really matches with parts of the film, and the use of marimbas and even silence at the dramatic climax worked out well. Shoko Nishimiya is adorable when she has that half-proud and half-shy face when she does ponytail. Cute, but elegantly done and not unpleasant. However, was this better than Tamako Loves Story - I cannot tell. There were recognizably magical rooftop sequences in Yamada's K-On! and at the classroom and school ground with Midori in Tamako Love Story. I am not sure whether KnK had such "magic" moment despite its very fluid art. Voice actors have all done a great job. Saori Hayami, Yuki Aoi, Miyu Irino were expectedly good, and Kaneko Yuki (who played Midori in Tamako) was a great pick for Ueno, another difficult character. Con: I feel that the original manga's theme was very challenging for a very young manga artist to deal with; I also felt that some themes weren't fully explored or developed properly. Besides the bullying/redemption theme, there is an attachment/detachment in relationship theme, and on top of that, a male-female friendship and romance theme. Those themes coexisted and had resonated against each other for sure, but it's not done in a well-calculated and clear-cut way. That was the main issue of the serial manga, and to explore those themes, the manga author had to involve the characters to comes to terms with each other in a slightly forced situation (like the movie club and the event of going to a theme park). Although the story line of the movie club was completely cut and altered, the theme park sequence was saved for the film- which still felt forced. However, I felt that Reiko Yoshida has done a nearly perfect job with script-writing and editing the story to be able to fit in for a two hours film. My only grievance is that the reason behind Nishimiya's decision at the climax was not convincingly told (which was as in the manga- but the Manga fully told Shoko's mother's sufferings of being divorced because of her child's disabilities and sis Yuzuru's side story of being bullied because of the same reason- so there was a more natural reason why Shoko should have cumulative feeling of guilt that she was making other people involved with her unhappy [and not just that sense of guilt towards breaking up Shoya's relationship with others]). Viewers might be puzzled then why Shoko had to make that decision in the climax (as it was already not exactly written convincingly to start with in the original manga). Final verdict: Having written down the cons, this is a very challenging work of art (yes, "art", which is not simple "entertainment"), and it did choke my heart at several moments. This won't be everyone's favorite, as it deals with a serious and dark issue, and as it's not all straightforward (as in Tamako Love Story) - but it leaves viewers questioning about their own relationship with other people in the past and present.
SuMm
September 29, 2016
MAY CONTAIN SLIGHT SPOILERS! Watched it two days ago at TOHO Cinema in Tokyo. I remember that I was reading manga, but at that time it wasn't coming out frequently and scanlating wasn't going good either, that's why I read about 9 chapters, so I barely remember any events expect the beginning of the story and main characters. But I was waiting for anime adaptation since that time. Even though kinda hoped for series, not just a movie. I must say that I was a little worried about it airing at the same time with Kimi no Na wa, but it still seems alright, box office going good,even though it is three times less than Kimi no Na wa (but don't compare original movie made by Makoto Shinkai with manga adaptation, even from KyoAni). But for the first half an hour (or maybe more) I was sitting quietly, being afraid to move even, cause it grasped me completely. I was feeling anger, pity, shame, a whole parade of emotions. Story felt good and dramatic, as Japanese like to do. Never ending and always sharp problems of bullying in school, attitude to people with disabilities who are trying to fit in the society. Animation was great. This is what you should expect from Kyoto Animation. And don't try to compare it to Kimi no Na wa, it is really just on different level from the very beginning. And camera work! It was really incredible, I loved tons of shots, how they tried to accent on legs and lower parts of the body (I mean shots excluding characters' heads :D). But as for characters and their development, movie had some problems. Both two main characters were shown great. But such a large amount of, probably, interesting supporting characters weren't developed good enough, even though the movie is more than 2 hours. Like Mashiba (red-haired guy in anime), for instance, he said just few phrases and felt really left out. And two ex-friends of Ishida from elementary school seem to have been forgotten at all, even though there were at least two scenes with them. And there were some shots that I didn't quite understand, like, for example, why Shouya's mom was bleeding and looked really beaten up, after she gave money to Shouko's mom? She beat her, really? In general, I enjoyed it a lot, and can say that it's the second best movie by KyoAni (after Haruhi, obviously) and it is definitely worth watching. And I probably should finally read manga completely.
literaturenerd
April 23, 2018
Overview: A Silent Voice is a VERY popular anime and I can see its appeal. This is an anime that is beautifully animated by the much beloved Studio Kyoto. It has a soundtrack featuring The Who! It promised to actually address the issue of bullying far better than previous anime and give it the serious look it deserves. It promised to be a beautiful redemption tale and love story all in one. This anime SHOULD have been amazing. Sadly, I was really not a fan of this film and was badly disappointed to say the least. I'm not trolling. I'm not being contrarian for the lulz.I'm quite serious and I'll explain why. Warning! There will be some spoilers! Bullying and its portrayal in anime: Before discussing the technical things like art and music, I really need to cover this topic. Bullying is a real world issue that effects millions of people around the world and contributes to suicide, depression, eating disorders, etc. Unfortunately, anime has a long and generally horrendous history in terms of tackling this topic. Bullies in anime tend to be like bullies in a Stephen King novel. They tend to be 1 dimensional bastards that exist solely to torment our heroes and eventually get their grisly comeuppance. When I heard about an anime that would finally give this topic the respect it deserved, I was thrilled! Finally an anime could help redeem over 40 years of the medium doing it wrong. Here are some reasons I feel this film fell short. A deaf girl named Shouko transfers into a 6th grade class and immediately the whole class start tormenting her and treating her like shit. Our MC Shouya repeatedly yanks out her hearing aids and destroys them in front of everyone. He does this EIGHT TIMES in 5 months and even makes her bleed out of her ears. The teacher just ignores this abuse until Shouko's mother complains. The teacher then singles out Shouya and only Shouya to be the fall guy. Does he get expelled? Suspended? Detention? Nope. His mother is told and she scolds him. Shouya doesn't take his loving mother's lesson to heart and physically assaults Shouko. The school STILL doesn't do anything against Shouya. Kid doesn't even get detention. I know Japan is a different culture than America, but WTF?! This all seems absurdly contrived. Firstly, this would be far more believable if it was a Kindergarten class and not fucking 6th graders. Kindergarten kids have no established morals and really will bully kids in overt ways for being different. I still remember when a little Asian girl transferred into my all White kindergarten in Indiana. We all did "Asian Eyes". We all called her names. One kid started doing monkey chants, so we all started doing monkey chants. It was fucked up and I STILL feel bad about it now that I'm 30. By the the 6th grade, kids are FAR less likely to universally bully a kid for being a little different and the ways in which they bully are different. By the 6th grade, kids will bully by not talking to an unpopular kid, shunning them, and maybe attacking them on social media. A whole 6th grade class being supportive of physically beating up a little deaf girl and making her bleed from the ears is pretty damn unlikely to say the least. Secondly, a character needs to do horrible things in order to set up a redemption tale. However, we are typically given a REASON why the character begins the story that way. This reason doesn't justify their actions, but it makes the audience understand the hero and what is going through their mind. Let's take a break from anime and look at another popular redemption movie, American History X. So why did Derek become a Neo-Nazi? He was raised by a father who was pretty racist and instilled a bit of that in him at a young age. Derek's father was murdered in a high crime Black neighborhood. Derek angrily blamed minorities for his father's murder and looked for groups to channel his anger. He ended up finding one of the many racist groups that exist in America both online and off, which reinforced his beliefs and helped mold him into the character we see at the beginning. Shouya on the other hand, is an absolute monster towards the handicapped for no reason. He comes from a loving, middle class family. He isn't a natural born sociopath. He isn't the least popular kid in school and desperate to make 1 person beneath him on the totem pole. He isn't being persuaded by some warped ideology that encourages bullying the handicapped in order to transcend traditional morality and prove himself an Ubermensch. He goes way farther than anyone else in his class and at no point are we EVER given a modicum of why or what he's thinking. Shouya begins the story a complete monster for no other reason than to set up a redemption tale. Ok, so they fucked up a little. At least Silent Voice still tackles bullying WAY better than other anime...right? Honestly, no it doesn't. Let's set the bar really low and see how A Silent Voice compared to Elfen Lied, an anime that is widely agreed to have done a poor job tackling the issue. The main bully in Elfen Lied is a little brat named Tomoo. This kid is a 10 year old orphan being raised at a chronically underfunded and neglectful orphanage. Nobody is showing kindness to him, so he torments others in order raise himself up. At least we can understand Tomoo and his motivations, so point 1 goes to EL. Now let's look at their targets. Shouko is hard of hearing, but is otherwise an ordinary little girl. She is extremely cheerful and extroverted. No matter how much she is bullied, she forgives with saintlike compassion and tries to befriend Shouya, who just laughs at her and beats her up more. Lucy has red eyes and demonic horns. She objectively looks like a freak within her own anime. Prior to snapping, Lucy responds to bullying with the same cold, disdainful glare. Lucy doesn't try to befriend Tomoo. Her defiant attitude, difficulty showing emotions, and introverted personality all end up contributing to further bullying, which is accurate to real life. Point 2 goes to EL. Now lets look at how over the top the bullying was. The worst thing Tomoo did was beat Lucy's dog to death. Now in America, we value dogs at almost the level we value humans. Killing a dog is an unforgivable act of villainy. In most of the world, constantly ripping out the hearing aids of a little deaf girl, destroying them, and beating her up over a period of 5 months for no reason is far worse than killing 1 dog. Shouya's unbelievable, over the top cruelty exceeds any action taken by Tomoo. Point 3 goes to Elfen Lied. Congratulations Silent Voice! You just got owned by fucking Elfen Lied. You overrated piece of horse shit! Plot and characters: After 30 minutes of our MC being the biggest douche in anime that is NOT Dio Brando, we flash forward to high school. The entire class immediately switched from bullying Shouko to bullying Shouya. I guess they have exactly 1 target at a time. Now Shouya is a good guy and wants to make things up to Shouko. We of course already know Shouko is the most forgiving character that isn't supposed to be a Christ character or represent the very best of humanity, so our only real obstacle is another girl from their 6th grade class named Naoka. We see that Naoka still HATES Shouko and is an absurdly evil bitch because she blames Shouko for Shouya being bullied...even though she herself helped bully Shouya. In the manga, Naoka has her own redemption arc in parallel to Shouya's and ends up really developing as a character. In the movie, they had to cut that out and she's just an evil bitch that adds NOTHING to this story. She isn't even the antagonist of this tale. An antagonist actually ADDS something to the plot! I'm not going to spoil the whole ending, but I found its sentimentality to be utterly ineffectual. We also can't have an effective romance because that requires TWO likeable characters. The only character with any development and depth deeper than a rain puddle is Shouya. It's like the film writer honestly didn't give a shit about anyone else. Art: Yes, the art is pretty and cute and Studio Kyoto is awesome. The X's over characters' faces when they are rejecting Shouya was a cool touch. I don't have anything to criticize here. It was good, but not good enough to save this from being a mess. Music: Well...at least we got 1 song by the Who. That's more than most anime. Overall: I really wanted to love this anime like everyone else apparently does. This was honestly one of the more disappointing anime experiences I've had in a long time. The characters besides 1 are badly underdeveloped. The plot is a contrived mess that utterly fails at tackling bullying better than past anime. The romance is lackluster and I got very few genuine feels out of this one. The art and production values are spectacular. The premise on paper is great. Then it all seems to fall apart. Kind of like Joker Game in that regard, which I won't bother reviewing because I just basically did. I'm not going to warn people away and scream to "Not buy the hype". Maybe someone else will have a different experience and really enjoy this film. This was just my experience and my own thoughts. I hope Your Name ends up being better than this!
#20
Popularity
#19
Members
2,588,010
Favorites
95,523
Episodes
1