Muramasa

Muramasa is, in my opinion, an anime which is underrated and certainly requires reexamination. While it might not have stood out for some reason or the other, to me (a person who finds himself appreciating and has recommended this anime alongside Shigurui) it certainly holds strong and for some interesting reasons. As a story, its actually bare boned - the synopsis itself is a bit of a spoiler on its own, hence watch it without actually reading what the anime's story is (or blackout as soon as you start seeing it). In itself, the story was in my opinion, something which could be considered straight fromJapanese folklore and certainly from the samurai age. It has all the aspects covered in that respect. What makes this anime standout is its use of art, sound and character. Even if the art is very low-budget and lacks the fluidity expected of anime from the eighties (Akira, for instance), this anime delivers on the grounds that the characters - without having a single dialogue - represent their emotions and moods through well drawn features. Interestingly, there is no blood which is actually shown in this anime - and the way it handles the reason for why it doesn't show blood is unique and actually made sense to me. Combining the art with a slow, brooding, Japanese centric sound that is haunting, stirring and worthy of a cringe on the back, both the art and the sound bring out the character's dilemma as the story progresses. In fact, without one dialogue, we have all aspects of the tale - the beginning, the protagonist's struggle, the climax, and the conclusion - all covered, in record time, and with a conclusive resonance that lasts even after the anime has ended. And the art and sound give this a high rewatch value, for the reason that its art is quite good, if not well animated. Muramasa is an 80s classic short film which is underrated - especially to those who have a liking for Shigurui, this is certainly a phenomenal short film which carries itself really well.

Excuse me, I'm Spanish and I don't usually write in English. If you want you can read my review in Spanish. Like Phaedrus and Aesop, Osamu Tezuka likes to make fables. On this occasion, we will talk about Muramasa (1987), an eight-minute short film that tells the story of a man who one bad day obtains a demonic sword with a great capacity to cut anything, but which distorts the perception of its owner by point that for him all human beings are straw dolls that must be cut. The short film is a simple allegory about the madness of war. At first the cursed sword, asan instrument made to kill, is exhibited as a wonderful object. Everything in its path is easily cut off. In one way or another, the samurai notes that the spirit of his former owner, now an undead, emanates from the sword. A fact that serves, as with the samurai, to indicate the danger of the artifact. Yet the man is blinded by his power. Hence he ignores the monk's warning about discarding the sword. As a result, he ends up murdering a man by mistaking him for a straw doll that he cuts almost instinctively. Despite his understanding of his mistake, the process repeats itself over and over until a law enforcement officer dies. Persecuted and unable to get rid of her, he tries in vain to curb his urge to kill, the only exception being a small boy. However, the end of him is around the corner because he turns into a straw doll like the ones he saw. As can be guessed, the short film recounts the process of dehumanization of the samurai through violence carried out with the cursed sword. Swords, like other weapons, were created with the primary objective of taking someone's life. Therefore, it is to be expected that taking the life of someone implies undermining our humanity. And because violence begets more violence, this samurai is unable to stop his murderous impulse. A story that, by the way, does not end with the man's conversion into a straw doll and his death, but continues with the next one that takes hold of it just as our protagonist did. A circular ending that is new to Tezuka's filmography, who is more fond of the unpredictable and ironic. It also emerges from his usual humor, but not from the images as the main means of telling his story. The director combines still images and slightly animated images, achieving a narrative sequence effect that allows us to understand the story while appreciating the art. The set of images, on the other hand, is supported by traditional instrumentalization. It's clear that Tezuka intended to get out of his comfort zone to try something new and I think he succeeded. You can read my review here: https://elarmarioanimados.blogspot.com/2020/06/cortometrajes-de-osamu-tezuka-anos-80.html

Rate a 7 few subtitles in the beginning but none throughout the film Modern art film Story A life lesson based on reality without much in terms of fiction. Goes with the old saying with power comes responsibility. Anyone can buy a weapon. A gun or knife are most common. Question commonly asked is it more protection based or harmful? In the this anime they make a case for harmful you be the juror. Introduction and conclusion both had their strong points. In introduction they were blatant with the goal by showing it in quotation form. As for conclusion it related back to the introduction in a symbolic manneras well as literal. Sound A little high pitched but worked nicely with the art. With no vocals i find adding vocals would harm the film. Although, they could benefit slightly with animation sounds. Art A clever deception to demonstrate there message without blood and gore. Enjoyment a nice lesson most ages can benefit from.

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