

Higurashi: When They Cry – SOTSU
ひぐらしのなく頃に卒
Rika Furude and Satoko Houjou are best friends who have lived in the small village of Hinamizawa for their entire lives. Alongside their other friends, they spend every day together, and every moment is filled with fun and laughter. However, as Rika and Satoko begin to grow older, a life-changing opportunity presents itself to both of them. Rika is determined to follow her dreams and wants Satoko by her side. Although Satoko is hesitant, she decides to walk this path with Rika. However, the realization of her dream forms a rift between them. This leaves the girls living in completely different worlds, with Rika enjoying her new life and making new friends while Satoko grows more and more isolated. Longing to return to the nostalgic days in Hinamizawa, Satoko despairs and wishes things could be changed. Just when she is at wits' end, an encounter with a supernatural entity changes Satoko's perception and imparts new revelations about her best friend Rika. This begins her journey to get the future she desires—by any means necessary. [Written by MAL Rewrite]
Rika Furude and Satoko Houjou are best friends who have lived in the small village of Hinamizawa for their entire lives. Alongside their other friends, they spend every day together, and every moment is filled with fun and laughter. However, as Rika and Satoko begin to grow older, a life-changing opportunity presents itself to both of them. Rika is determined to follow her dreams and wants Satoko by her side. Although Satoko is hesitant, she decides to walk this path with Rika. However, the realization of her dream forms a rift between them. This leaves the girls living in completely different worlds, with Rika enjoying her new life and making new friends while Satoko grows more and more isolated. Longing to return to the nostalgic days in Hinamizawa, Satoko despairs and wishes things could be changed. Just when she is at wits' end, an encounter with a supernatural entity changes Satoko's perception and imparts new revelations about her best friend Rika. This begins her journey to get the future she desires—by any means necessary. [Written by MAL Rewrite]
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Dunslax
October 2, 2021
This anime was just recaps from the previous season... which was already recycled material from the original higurashi. The plot is downright nonsensical and all the characters you loved in the original Higurashi are either irrelevant or have butchered characterization (remember Rika caring about her friends? the writers sure don't, she'd kill them all if it meant being with her gay lover Satoko). Oh, but it has an umineko reference at the end, wow! I guess ruining higurashi was worth it then. Jesus christ. Do not ever watch this. It's up there with Mayoiga as one of the worst anime I've ever watched. I pity the poorunaware souls that picked up Higurashi with this entry, because it also spoils the original, making that one too, unwatchable.
Chargecoulomb
September 30, 2021
Supporting
Full Sotsu Review from the perspective of a longtime When they cry fan. Where do I start? *Warning* Heavy spoilers ahead! Story 1/10 The biggest disappointment to my parents since me. Everything was handled poorly and with sub par quality.Higurashi is a story about friendship. Cringy as it may be that's what Higurashi always has been. I will go into methodical and surgical detail dissecting why Higurashi SotsuGou is the worst iteration of its series, a horrible sequel and a horrible stand alone. The first Arc of Sotsu is Onikaashi. Focusing on our favourite girl Rena Ryuugu. You know what else focuses on Rena? That's right, Tsumiboroshi. Onikaashi is nothing but a poor man's Recap of Tsumiboroshi, without any of the good stuff included. We already know who Rena is, we already know how she works, Onikaashi adds nothing to the character. These 3 episodes can be skipped without any consequence. Let's not forget to mention the fact that most of this is made out of recaps. The experienced WTC fan gets no information of any worth from this. Second Arc is Watakashi. Focusing on Mion. This is a poor man's version of Meakashi. Hands down. None of Mions character is expounded on. It just makes her a another version of Shion. The possibilities for L5 Mion were endless, none of that was made use of. What we did get was Rika getting shoved down a toilet (the funniest scene of this show NGL) and more recaps. It's also worth noting the inconsistent nature of L5 in Sotsu here, because in the Original Series the drug Takano had, would drive you into a L5 induced death in a few hours, not days. It's a weird retcon, that I'm not sure should exist within the series, since it causes contradictions in previous arcs. Food for thought. Tatarikashi, More Recaps baby! You get a recap, and you get a recap! Everybody take this recap and shove it up your - alright alright, I'll calm down. Honestly though, you should have some questions when the show redeems a child abuser (and a possible rapist) and then goes one step further and has a child faking abuse for the lols. Satoko manipulates Keichii hard in this ep. She has zero empathy for her friends. Funnily enough, Satoko starts feeling regret when she kills Teppei, why she didn't feel any guilt when she injects her friends is beyond me, so don't ask me. Either way she bashes K1. Then it reveals that the Teppei Hallucination thing we saw in Gou never happened (This was the only part we couldn't answer after Gou) I STRONGLY believe that this scene only exists to throw people off and make people think that a deeper mystery exists where it doesn't. It actively comes off as an underhanded and manipulative. Then everything goes to hell. Alright alright get this. Rika remembers that Satoko was the big bad BECAUSE - She has someone else's memories! How? WHY? Who knows, it never happens before and it doesn't happen since. Its a Deus ex machina. The plot literally came to Rika. If this is not bad enough. The big suspenseful moment from the end of Gou - the Gun scene. Ends with Satoko shooting Rika - it sucks. The major buildup from Gou, the perrenial Cliffhanger ended just like that, once again this feels like underhanded storytelling. Cue the next ep. Rika and Satoko go supah Seiyan! (This is not a witch Battle btw, to read Umineko if you want to see how that really looks like.) PS - It's nothing like this. Mainly because Witches don't ever fight up close. Never. Not even Lambda and Bern. They fight some more across different Fragments. Then finally Rika and Satoko end up in a bridge. With the McGuffin Sword in Rikas hands. Rika throws it into the river. Hanyuu gets it. Cracks Eua's horns, turns her into a Loli, sends her back to whence she came (a black cloud, probably Lambdadelta) Rika and Satoko come to an agreement. Rika leaves to St Lucia. Everybody is happy. Satoshi wakes up. They play dear you just to give you the middle finger one last time before you go and it's over. Don't wonder how Satoshi got up when he was in a medically induced coma, the series doesn't respect its own rules anymore. This is pathetic storytelling. Much of the story revolved around a McGuffin Sword that literally turned into a Deus ex Machina at the end. Let's not forget that Satoko gets her neck cut with the McGuffin Shard and nothing happens! The story doesn't respect its own rules, why should we? If we can't trust the story to pay respect to the rules that it itself laid down, how can someone trust the story to be consistent. The 5 loop until death proclamation that Rika did, and Satoko ending up in a world without Rika, were unfortunately badly planned attempts by Passione to up the stakes. To create tension and excitement. The mirror world references Passione put in are the same, poor attempts to create excitement within a shallow story. If that wasnt enough insults, Higurashi Mei, Higuashis Gacha game, explains some of the finer details in the Gacha game of all things. Hopefully by now you can understand how bad SotsuGou's story is . However I only scratched the tip of the iceberg. The sins of SotsuGou's story are so terrible that I can write a book about it, and still have a lot left to say. However for our sanity, it's best we move on. Artstyle 6/10 Whether you prefer the rounded Artstyle that this shares with Mei is fully up to you. I won't go into detail here because this is based on taste and nothing else. Although personally I would have preferred Alchemist's Character designs to appear. Since they maintain a good balance between Ryuukishis original designs and traditional anime character standards. Music 3/10 The DEEN Higurashi Anime is well known for its stellar use of music. Using a combination of VIsual Novel and Original tracks, it handles this perfectly. Sotsu on the other hand, has no good music to call it's own. Much of the OST becomes background noise. I can't name one price of the OST that I like. It's really unfortunate. Dear You is a song that is supposed to represent the bonds between the cast, in the context of SotsuGou however it comes off an insult when its the send off to a story that featured little of Mion, Keichii and Rena, along with the fact that Satoko actively kills and harms them. Dear You ~ SotsuGou ~ is the last sad moans of this Anime. Doing it's best to hang in to relevance. Animation 4/10 This is another place where SotsuGou struggles in. DEEN used dynamic camera angles, positioning to deliver a more fluid animation experience. Sotsu on the other hand mostly used shot -reverse shots which get boring. The actual character animation also leaves a lot to be desired. Character Animation was something DEEN struggled with sometimes as well, but unlike what DEEN, Sotsu can not fall back on its dark backgrounds as a clutch. For their credit Passione used some of the budget for the big DBZ and Naruto crossover scenes at the end. So that's commendable at least. Good job Passione, give yourself a pat on the back. Characters 1/10 Rika Furude You know that this is bad when Rikas VA is confused about what's going on. In the original VN. Rika was the one who was emotionally dependant on Satoko. Not here however, because in SotsuGou 'le tables have turned on ye'. Satoko for some reason can't live without Rika. Why? How did this happen? Who knows? Don't get me wrong, Rika and Satoko were always close but Rika is the one who has a panic attack when she doesn't get Satoko, not the other way around. Let's not forget that Rika ignores everything that happened in Matsuri. Her lesson there was; 'Waiting for things to go her was pointless. If she wanted to win, she had to roll up her sleeves and actually work for the future she wanted' In SotsuGou she proceeds to ignore everything going on and gives random cryptic advice to K1. What happened to Rika? Eua must have taken some of her brain cells because nothing else can explain this. HECK, the idiot waits until Nekodamashi to check on Takano, ON TAKANO, the person that's supposedly gonna kill her and everybody she loves. In the original one of Rikas goals was a world with EVERYONE she cared about all her friends and didn't want a world without them. Rika here decides to screw everybody else and stay with Satoko. This is peak character butchering. Rika was only passive when she had given up, however in SotsuGou she's like that from the very beginning. Satoko Houjou The biggest tragedy (or comedy) of Sotsu. Satoko is a character with a fairly good understanding of others and someone who is capable of empathizing with even the worst of people. Here however she's turned into a one note evil girl with zero redemption (they didn't even try) Let's look at what SotsuGou tells us about Satoko; - Has no problem with killing her friends, not only Rika. - Can forgive Teppei for abusing and hurting her and Satoshi but cant forgive Rika for some reason. - Knows about all of Rikas loops but cant sympathise with why Rika might want to leave Hinamaizawa. - Only felt Regret qhen killing Teppei (lol) but not her friends. - Has no qualms about injecting innoncents like Akasaka and old man Kimiyoshi. - Tricks K1 and screws him over in Tatari. - Injects Mion, the most neutral and stable person in the group. For no reason than the lols. - Rolls around in the ground laughing like an idiot. - Falls victim to Euas goading. - Kills her own regrets in Tatarikashi. - Dodges sword strikes with the speed of a ninja? how? Who knows? - Has no trauma for Teppei or Takano but somehow is traumatised by a BOX. Bloody hell if a box punch is all it takes, why is she not kneeling over for Rena. Who packs a meaner punch? - Undergoes zero redemption or development. - Gets forgiven by Rika with zero consequences. The Eagled eyed reader might have noticed something interesting. "Hey Coulomb, why doesn't Satoko or Rika have any character development?" Because they don't. The show didn't give them any. What's really tragic is, that Miotsukushi, an alternative ending arc did more for Satoko in two screens than Sotsu did in two seasons! Hopefully overall you can realise how bad Satoko's characterisation is. The WORST part about Satoko and and Rika is that they never resolved their conflict by themselves, the club basically stepped into force them back together. It's poor writing. Overall 3/10 Not worth your time. Read the Manga for a better experience, but avoid the anime. If you are a new fan watch the 2007 Original + Kai, I gurantee my life, that it will be magnitudes more satisfying than this. That is all. In Retrospect ...... "When they cry, I laugh." - The Messiah, Ryuukishi 07. (I'm not sure if he actually said this I just think it's relevant) Higurashi and even Umineko had a theme of protecting children. Preserving childhood. However SotsuGou completely turned this message on its head , and gave us something else. Doesn't this entire thing make Ryuukishi 07 a bit of a hypocrite? I can accept many things - but when you start redeeming child abusers and rapists that's where I draw the line. In many ways I think death of the author is applicable here. BT, bless his soul. He was more important than you would think. Higurashi originally was planned to have Irie as the villain, however BT felt that it was a bad idea so he made Ryuukishi change it. BT is no longer with us, and I wonder if anyone at 07th expansion atleast try to keep Ryuukishis ideas in check. Ryuukishi is a man of many ideas, and by his own admission is someone who gets influenced a lot ( he wanted to make Keichii fight aliens in Tsumiboroshi because he had watched an alien movie) so why he doesn't have anyone to 'filter' his ideas I beyond me. Higurashi Mei still exists, and ironically has a better story than Sotsu. There's also Ciconia. However since it's reception has been poor even among WTc fans, I wonder where thing will go next. Higurashi is 07th expansions most popular series. Umineko only has a faction of it's popularity, and Ciconia is virtually unknown. Was it worth harming your most well regarded series for no reason other than money? It's honestly best if each WTC remains separate. Connected universes may be cool, but in regards to WTC it just causes more issues than it's worth, and probably will hamper Ryuukishis creativity. They should never be connected. Have a good day, and don't forget to rate SotsuGou with your respective rating. Edit : What REALLY screws with me about Sotsu is the simple fact that Satoko didnt even TRY asking Eua to heal Satoshi. She didnt even CONSIDER it. If your ever needed proof to show that Satoko is a one note caraceture of a half assed Yandere whose entire universe revolves around Rika and ONLY Rika this is it.
xm0123
November 4, 2021
When no one expected it, 07Ryukishi returned to Hinamizawa for a new anime storyline. Everyone thought he was over and done with, considering the original Higurashi spanned 8 visual novels, nearly 40 manga volumes and 50 anime episodes, and that’s before you factor in the spinoffs. Running at 39 episodes long, the new anime is more substantial than a typical 1 to 2 cour series. For the purpose of this review, my thoughts refer to both Gou and Sotsu. Unlike the earlier anime adaptations, this one was co-written by Ryukishi himself. Character designs were by Akio Watanabe, best known for his work on the Monogatari animefranchise. And returning composer Kenji Kawai has once again come to lend his talents to the music score. The music is not the best, but it’s not the worse either, especially at the end. The visuals are not the best ever, but at the very least, this new anime from Passione looks better than the Deen anime productions of old. Speaking of technical aspects, the Japanese voice cast is still ace after all these years. Rika is still my favorite Yukari Tamura performance after all this time. Also of note is that Funimation did an English dub. Uncontroversial opinion: the English dub is as good as the original Japanese. How ironic. The first Higurashi anime’s English dub is quite possibly the worst dub that’s not by 4Kids or Sentai Filmworks in existence. Higurashi Rei and Sotsu? Everyone, even the moe girls, sound just as good as their originals. Michelle Rojas sounds EXACTLY like how Mion sounds in my head when I read the manga, for example. This is a show I can watch in either format and enjoy. As such, if you’ve seen the score I’ve given, you’ve no doubt formed some thoughts about me. Conversely, I have some thoughts on how the one time an anime sequel is good, everyone shits all over it. Sure, it has 4.5/5 stars on Funimation, but all I hear, from both casual viewers and longtime fans alike, is that Gou and Sotsu sure did suck alright. They just plain sucked! People have seen anime that sucked before, but they were the suckiest bunch of sucks that ever sucked! Before I continue this apologetic, let me quality myself. Since my last review here was way back in December of 2015, Higurashi has gone up in my personal ranking. It is equal to Ryukishi’s own Umineko in my eyes now. I should also mention the following: Higurashi and Umineko changed my life. They are only two of three works of fiction to have ever changed me on a fundamental level. (The third being that Star Wars had a huge impact on me as a child.) Ryukishi is also my favorite living author of narrative fiction. And let it be known that Higurashi and Umineko are my favorite works of fiction. (If you thought my review of Castle in the Sky was glowing, well, I’ve seen The Sun shine.) I say all of this now because if any of you think I’m too biased to properly review Gou and Sotsu, you may leave. If you think my merely liking Gou and Sotsu makes you want to PM me and call me a million variations of The R Word, that is your right. My purpose is to convince those who love Higurashi but avoided this new anime project because of the constant complaints from Real Fans™ about it that they should reconsider. Think of this review as a spoiler free reason to return to Hinamizawa. It's hard to talk about the plot of Gou and Sotsu without spoiling anything. Suffice to say, a new mystery has arisen, and bloodied bodies are piling up once more. Things seem to be the same as before, yet they’re not. How could this be? Why must tragedy play out once more? Here is the one flaw I found: Gou and Sotsu did not change my life. This could just be that I’m at a point in my life where I can no longer learn anything significant from a work of narrative fiction, but Gou and Sotsu didn’t have the life-altering messages that Tsumihoroboshi-hen, Minagoroshi-hen, and Matsuribayashi-hen did. Gou and Sotsu are “only” as good as Meakashi-hen was for me, which, by any measurable standard, is phenomenal. Still, if failing to live up to an impossibly high standard makes Gou and Sotsu the shittiest shit that was ever shat out of a butt, then fine, the constant criticisms make sense in that regard. However, let me print a quote from Ryukishi’s own Umineko, “Without love, it cannot be seen.” Many of the Real Fans™ I see bashing Gou and Sotsu are, like me, familiar with Umineko. I wonder if we even saw the same show. I saw an intense character study, one full of pathos, a story where people grow older and move on to new things. Sometimes, that creates friction, even amongst those with the strongest of bonds. Sometimes, people drift apart not because of things like politics or a change of careers, but just…time. People you knew as kids might not be good friends of yours anymore. People you respect as an adult probably would’ve gotten on your nerves as a kid. People you idolize might have selfish desires, desires that go against your own wishes. This is life. This is reality. Sure, Higurashi presents this in the form of a story where little girls with huge eyes get massacred in brutal fashion, but Higurashi does something very, VERY few works of Japanese popular culture do: reflect reality. This is humanity. It’s not always pleasant. Many victims of abuse grow up to become abusers themselves. Those cute girls you look up to might not stay that way forever because that’s life. And, if I’ve learned anything from talking to people on the internet, it’s that whenever anything reminds people of something that makes them uncomfortable, their first instinct is to attack it. That, too, is reality. Viewers these days are too literal. There is a difference between what a person literally says versus the actual meaning of what is being said. Much like with the ending of the Umineko visual novel, viewers are once again mis-interpreting Ryukishi’s message. There are no plot holes. No one is out-of-character. The mystery is not the point. If you focused on the actual message of Gou and Sotsu as opposed to your immediate reaction to something occurring that you didn’t theorize would happen when news first dropped of a new Higurashi anime, you would know this. I publish this knowing full well that my reputation could permanently tank in this community. That’s fine. I already left behind the anime/manga community, so to speak, years ago. I only came back here because I’m trying to create a miracle. I hope this text, however unlikely, convinces fellow Higurashi fans who skipped Gou and Sotsu to give it a chance. While Gou and Sotsu didn’t have the same impact on me like Tsumihoroboshi-hen did, maybe it will for someone else. For me, that is enough. Good tidings to all of you. Excel. Be kind to each other and yourselves. Bask in the miracle that is your existence. Thank you for reading. Have a pleasant day.
miblan
September 30, 2021
Welcome to Higurashi Ball Sotsuper! I'm highly dissapointed by this season. It started out good, altough a little repetitive since it was mostly scenes from Gou from another perspective, but the ending was nonsensical and I couldn't care less. Art: 7/10 The art is great, but just not scary. A big reason why I like the original 2 2006-seasons of Higurashi so much is because of the creepyness the art & animation gives. While the art in the original series were grim & uncanny, Gou & Sotsu's art is vivid & colorful. It feels more like a seasonal harem-romcom than a horror/mystery show. But it all looks good. Theanimation is nice and everything looks clean, just a shame the creepy vibes are gone. Sound: 10/10 Great opening (altough I had to get used to it), great music, great ambience and great voice acting. Stabbing sounds feel like a sharp blade is getting forced into juicy meat repeatidly, screams are bone-chilling and Satoko's laugh is still as annoying as we remember. Couldn't be better! Character: 6/10 This was initially an 8, but the final episode made me drop it by 2 points. Higurashi is a hard show to give personalities a score, since... you know... every loop introduces big impactful personality changes. The reason I dropped it by two points is by how the season ended. Some things happen relationshipwise that doesn't make any sense knowing the circumstances. Enjoyment: 6.5/10 I had too much fun with the gore but was too bored with the repetitiveness that I'm juggling between a 6 or a 7 for this. This season is brutal with some kills, and I loved it. But due to the biggest part of the season being scenes and happenings from previous season, it feels a bit like a waste of time. We've already seen the protest against Teppei twice now, no need to show it a third time. This is not how you do an answers arc. The very first season did this much better (looking at you, Yandere-Shion-arc. It was the same timeline in different arcs but 95% of those arcs were different scenes). Overall: 5/10 My first review complained about how unnecessary this season is. We already know the answer to previous season's mystery: Satoko is behind everything. We got told about that in the very last episode of Gou. This season just breaks down everything Satoko did in a very non-interesting way. Some big-brain moments give you this "Aha!"-feeling, but it's not mind-blowingly "WTF??!!"-like the original seasons gave. What really annoyed me these last 2 episodes were the introduction of these out-of-nowhere Dragon Ball Z-fights. What the actual fuck?! This is supposed to be a horror-mystery.
Mega_Mega
October 1, 2021
Higurashi Sotsu is a miserable experience. It's a huge troll of an anime in the worst of ways. It respects neither the intelligence nor the time of its viewers. The first 13 episodes of this 15 episode series are glorified recaps. Recaps which add little to no new relevant plot information that couldn't be assumed by having watched the end of Higurashi Gou. To those unfortunate enough to want to know then end of the story after watching Gou, it's best to just skip to episode 14 of Sotsu. This show is has the genre labels horror and mystery, but the only horror to be found isin the viewer's slow realization that the massive amounts of time spent watching Gou and Sotsu were entirely pointless, and the biggest mystery is how anyone could ever enjoy this.
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