Journey: Taiko Arabia Hantou de no Kiseki to Tatakai no Monogatari
The Journey
ジャーニー 太古アラビア半島での奇跡と戦いの物語
From the south of the Arabian Peninsula, the great General Abraha and his mighty army trample their way north to the holy city of Mecca. Their demands are ruthless: Mecca's surrender, its people's enslavement, and the Kaaba's destruction. Despite advice to withdraw and save themselves, a few brave Meccan men remain to fight. Among them is Aws Ibn Jubair, a humble potter who abandoned a life of sin to dedicate himself to honor and faith. As the enemy troops approach in the dead of night, the vastly outnumbered Meccans work to raise morale. The night takes an unexpected shift with the reappearance of an atheist mercenary named Zurara—Aws' old accomplice who never went straight. Although Zurara joins only for food and pay, the intriguing tale of Aws' path to religion convinces him that Mecca is worth protecting. Bracing for the inevitable bloodbath, the two former friends reunite to defend the only land and faith that allow them to truly forgive themselves. [Written by MAL Rewrite]
Synopsis
From the south of the Arabian Peninsula, the great General Abraha and his mighty army trample their way north to the holy city of Mecca. Their demands are ruthless: Mecca's surrender, its people's enslavement, and the Kaaba's destruction. Despite advice to withdraw and save themselves, a few brave Meccan men remain to fight. Among them is Aws Ibn Jubair, a humble potter who abandoned a life of sin to dedicate himself to honor and faith. As the enemy troops approach in the dead of night, the vastly outnumbered Meccans work to raise morale. The night takes an unexpected shift with the reappearance of an atheist mercenary named Zurara—Aws' old accomplice who never went straight. Although Zurara joins only for food and pay, the intriguing tale of Aws' path to religion convinces him that Mecca is worth protecting. Bracing for the inevitable bloodbath, the two former friends reunite to defend the only land and faith that allow them to truly forgive themselves. [Written by MAL Rewrite]
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Trailer
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Reviews(11)
Yarub
July 8, 2021
As of the writing of the review, only two projects are attributed to Manga Productions (including this project) so keep that in mind for the rest of the review. Toei Animations does not need any introduction. I watched the original Arabic version. The Journey is an ambitious but flawed experience. It is ambitious because it gambles its reception over the audience's acceptance or interest in Arabic culture. There is very little to take from the film if you're already well acquainted with Arabic culture and the Quranic legends. As a person who lived through and heard all those stories multiple times in his life, I'd sayI felt conflicted while watching the movie; there is the joy in having a legendary story animated in Japanese style, and the boredom of knowing exactly how the story will pan out. Starting with the premise of the film, it's an ode to Surah Al-Fil taken directly from the Quran as source material. The film also utilizes several other short stories to give the film the illusion of depth, but we'll take more about that soon enough. The story itself is adequate, it stays true to the source material and provides sufficient information at all stages without taking too much off the experience. What disrupts the enjoyment, however, are the short stories that are included to give the viewer this false sense of depth; the stories themselves do not add anything to the story, in fact, the film would probably be better received removing them altogether. They really cheaped out on them, and the stories (3 of them, if I recall correctly) are essentially glorified slideshows with decent art. They are mainly used as ideas that characters use to extract wisdom, motivation, and stoical qualities for application. The detail in them is great and appreciated, but the length it took them to divulge that information results in extreme boredom, where the viewer wishes the segment to end as quickly as possible. The art, to me, resembles the western adaptations of anime (Netflix adaptations and originals) more than the traditional Japanese productions. It focuses more on aesthetics rather than quality of the animation. Much of the fight scenes were anti-climactic because they were extremely brief and have no momentum to deliver. Voice acting for the Arabic dubs was unexpectedly good. The script of the dialogues was fun to hear and dissect because the characters converse using Classical Arabic (unspoken Arabic that is present and known only in texts, it was replaced by the more modernized version: Standard Arabic), and expresses itself more like stanzas in an elegant poem rather than just plain statements. This is usually the product of well-written Arabic prose. There is not much to say about the characters themselves, they are bare-bones and much of the cast simply exists because, well, the directors shoved them in there. Quantity over quality. The designs were average, while some characters looked pretty good; nothing much to be said about them. However, it is important to note that several historically accurate characters weren't given the time they deserved, such as the main antagonist, Abraha, for example. I viewed this movie with a friend of mine in the pandemic—we were the only persons in the theatre hall. I believe this greatly enhanced the experience. The enjoyment that can be taken from this anime would be the strict historical and cultural qualities, other than that, it is your average run-of-the-mill moderate budget anime movie. To conclude, this anime is an okay watch. If you're interested in the legends it depicts, go for it. If you're wishing to watch the stories you read in text your whole life come to life in animation (and presentation, but I digress), then go for it. If you're looking for a unique experience that will leave you satisfied in virtue of the sheer quality of the product, then this is not for you.
