Shinryaku! Ika Musume

Name: Shinryaku! Ika Musume
Genre: Comedy
Released: 2010-10-05T00:00:00+00:00
Rating: 7.41

The Squid Girl

侵略!イカ娘

7.41(95,150)

Rank#2503

#1298

TV12 ep.

Synopsis

Humans have been polluting the ocean for a long time, carelessly pouring their garbage and desecrating the waters that many creatures call home. The denizens of the sea have suffered at their poisoning hands. Finally, one certain squid has had enough and vows to punish the humans' selfish actions. Possessing all the fearsome abilities of a squid such as powerful hair-tentacles, the ability to spit ink, and even use bioluminescence at will, Ika Musume takes it upon herself to rise from the depths of the ocean and exact revenge upon humanity! She surfaces at a certain Lemon Beach House, a restaurant managed by the sisters Eiko and Chizuru Aizawa. Thinking them to be an easy first step toward world domination, she immediately declares war against them, only to find out that she is, quite literally, a fish out of water! To make things worse, she destroys a part of a wall of the beach house in an attempt to flaunt her squiddy superiority and is consequently forced into becoming a waitress to pay the repair costs. Beached for the time being after tasting a thorough defeat at the hands of the Aizawa sisters, Ika Musume is forced to put her plans for world domination on hold. Despite these setbacks, Ika Musume soon finds herself right at home in her unexpected position as Lemon Beach House's newest employee. Wacky and hilarious, Shinryaku! Ika Musume follows her brand new life on the surface as she makes precious memories and meet lots of new people. With her newfound acquaintances, Ika Musume is looking to take the world by storm, one squid ink spaghetti at a time! [Written by MAL Rewrite]

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Reviews(20)

Archaeon

January 13, 2011

Recommended

The problem with the anime industry is the continuous failure to capitalise on titles that are actually good, and instead redirect time and resources to producing shows that leave you as empty as a tectonic bowel movement. Every genre has suffered this iniquity, but while most bounce back with other, much better offerings (comparatively speaking), comedy continues to prove the medium's "Achilles heel". Those of you who are fans of Gintama may disagree with that perception, but consider for a moment the number of anime released during the last year that have borne the "comedy" label. Now have a think about whether they made you laugh,or simply made you smile (or in the worst case scenario, made you want to punch the people who made it in alphabetical order). Based on the manga by Anbe Masahiro, Shinryaku! Ika Musume (Invasion! Squid Girl), tells the story of Ika Musume, who has come from the sea to exact revenge on humanity for polluting the waters of Earth, and she plans to do this by conquering the world. Unfortunately her first foray onto land doesn't go as planned ... The series is presented in the style of a sketch show rather than as a continuous narrative, with each episode split into three independent stories. Normally this approach would present several problems where plot and character development are concerned, but thankfully that isn't the case here as each tale is well crafted and paced, with little time wasted on pointless trivialities (which is ironic as there are people who would consider the whole show to be trivial). In addition to this, there is an autonomy to each chapter that allows for a variety of themes over the course of one episode, and this makes for some decent storytelling and visual gags. As an aside, one thing that should be pointed out is the rather obvious homage to the first ten minutes or so of Up! that occurs in episode five. The nice thing about this particular chapter is that there has been a conscious effort to follow Pixar's example and simply use music, sound effects and imagery to tell the story, and the result is something ... rare, especially in terms of audio/visual choreography. Which brings up an interesting point. On the surface Shinryaku! Ika Musume looks a lot like the common or garden moe based "comedies" that abound these days, but as everyone knows, one should never judge a book by it's cover. The design principle verges on the generic at times, and this rather simplistic approach to the characters is reflected in the backgrounds and settings as well. The animation is generally decent, with nice movements and some interesting ways to use tentacles (I never thought I would ever use that sentence in an anime review), but the initial perception may be that Diomedea simply didn't try hard enough to make the series look great. There is something that should be taken in to account though, and that's the fact that Ika Musume wasn't only made to make you smile. The main purpose of the series is to make you laugh, and that it does. The "generic" look of the show allows for a number of well executed visual gags and parodies, as well as some creative moments like the Mini Ika Musume chapter. In addition to that, the style of humour actually works better when the viewer is comfortable with the imagery, which may be the reason why Diomedea opted for a look that many people will already be familiar with. After all, it's reasonable to assume that the majority of viewers would find the slapstick comedy aspect out of place in a series series featured stunning scenery and beautiful characters, no matter how funny the show was. One thing that is slightly annoying about Ika Musume is the devilishly catchy opening theme (Let's Invade by ULTRA PRISM featuring Kanemoto Hisako), which may have been designed to loiter in the viewers head, waiting for the opportune moment to strike. That doesn't mean it's a great song though, as it's a very typical example of the "cute" J-Pop anime introduction - with everything that entails. On the other hand the ending theme, Metamerism by Ito Kanae, is a melodic ballad that's rather pleasant on the ears (even if it is a tad generic), but seems a little out of place in a comedy show. As for the incidental pieces, they range from slightly ditzy jazz styled jingles to the slow piano piece of the Mini Ika Musume chapter. Unlike many other shows though, the music is only pushed to the fore when the occasion demands, and one will generally hear it as a very subtle accompaniment to the on screen action (it should be pointed out though, that a good portion of the series features no music whatsoever). As with any comedy, delivery is everything, and it's here where the seiyuu really shine. While the voice acting may sometimes be a little on the bland side, the characters really come alive when there's something quirky or funny going on. Kanemoto Hisako's performance as the precocious invader from the sea is actually pretty good, especially as her only other main roles are in Sora no Woto and Kore wa Zombie Desu ka. Her coordination with the other voice actors, especially Fujimura Ayumi and Tanaka Rie (the Aizawa sisters, Eiko and Chizuru), allows for some nice comedy set pieces. Which brings up another point. By its very nature, comedy isn't the greatest tool for characterisation or development, especially as the usual methods can seem out of place amongst all the slapstick. Ika Musume neatly sidesteps the issue by inserting a few choice tales that highlight a particular bond or personality trait, but it does this by creating a metaphor which can sometimes change the whole tone of the series. That said, any growth is sporadic, and there are occasions where viewers may find themselves wondering what the point of a particular chapter was. There is a plus though, as the series creates comedy pairings between disparate, and sometimes unlikely, characters, which adds to the whimsical nature of the show. Eiko and Ika-Musume represent the primary straight and funny "men", but in truth there are multiple parings, trios and groups that form over the course of the series, all of which is only achievable because the characterisation is actually pretty decent for a comedy anime. Now I will be honest here, as I didn't expect to like this series as much as I did. That's not to say it's a classic, as there are definitely better purebred comedies out there, but when compared to many of the more recent offerings in that genre, the charm, quirkiness and feelgood atmosphere of Shinryaku! Ika Musume is definitely a step in the right direction. The series bears a few similarities in terms of style, content and layout to such comedy worthies as Potemayo and Jungle wa Itsumo Hale Nochi Guu (but without as much insanity), whilst Mini Ika-Musume didn't simply remind me of Pixar's Up!, but also of Binchou-tan. There is something to bear in mind if you decide to give this show a try though. Comedy is probably the most subjective genre in any medium as it requires far more investment from the viewer in order for it to work, and one of the things that we in the West often forget is that the vast majority of anime are made for the Japanese markets. Because of that it becomes difficult for Westerners to relate to certain aspects of the humour, but that doesn't automatically mean a series is bad just because we don't understand it. Besides, after some of the debacles that have been produced over the last few years by an industry that's trying a bit too hard, it's a welcome change to watch something a little bit silly.

DangoSadge

December 26, 2010

Recommended

I would never imagine, in my lifetime, to see a squid this adorable! Im telling ya, after years experiencing Squidward from SpongeBob Squarepants, I started to give up hope for all squids in the world... That is until I met little Ika-Chan... So what's so special about another failure invader anime? Don't we already have a frog for that? How can you say that! Squid>Frog anytime! Anyways, the story isn't very deep and there's no much of a plot buildup however the comedy and cuteness is enjoyable nevertheless. You'll have a drama episode, a horror episode (Oh damn that doll was scaaaaary) and also a tearjerker moment (Ilove you Chibi Ika!) The artwork was exceptional. It was able to portray the scenery of a beach perfectly to go along with little Ika's antics. The characters are well drawn especially in the expressions department. Sound? Who doesn't like the sound of the beach! Great choice of background music to enhance the surrounding. I especially liked the squeeky sound you get when the tentacle rubbed against each other. (Reminds me of rubbing two pickles with each other) Ika's character is developed nicely (Even though it's mostly appealing to lolicons). However she's still a kid at heart. But thats just the way we all like it. Coupled along with a "geso" at the end of every sentence, and WHAM! Try to resist that awesome cuteness! Other characters support her well (both her and her mischiefs) This anime definitely has a considerable amount of re-watch value. The comedy doesn't get old easily. And I guess people would of course want to see my Chibi Ika! (But not those puppets.. That thing gave me nightmares!) Overall, it's a must watch for all you who adores cute and lovable things! If you dont? Then the comedy would still entertain you nicely. Personally, my favorite part about this anime is Ika's assimilation into the human world. It's nice when an invader understand how not all humans like us are bad. What? You think you're good too? Heck no... If you're watching this anime, chances are you're a sick pervert like me who was expecting tentacle rape.. Nah.. Im just kidding.. Haremu Kingu, Signing out!

GonzyChan

June 7, 2013

Mixed Feelings

I’m not going to lie, this show is a weird one to talk about. Not because of the actual premise, although it does add a little to it, but on the way it’s structured. It reminded me of my childhood shows with three separate story arcs that had a basic theme. With an anime plot involving a cute squid girl trying to invade the entire planet by herself only to be undermined by many people who own a food court near a beach, you’d think that would speak of random hijinks that will only appeal to prepubescent girls. Fortunately, there can be some merits herethat could appeal to any age group. Squid Girl has a plot that is hardly focused or has any substance to the original goal that the squid character, Ike, intended to do. It mainly involves her trying to learn about humanity and the culture of Japan that she is settling in. It’s essentially a show based on culture shock and how foreigners try to adapt to a different country that they have no idea about. The tone of the series is light-hearted and comedic; they handle it pretty well without hampering the basic premise conflicting with the comedy. It’s pretty entertaining to watch and, at times, funny to see Ike acting very holier than thou upon the people she meets when she has no power over the others whatsoever. With a show like Squid Girl, you need to supply great characters that are both funny and memorable to watch. While some garner a lot of entertainment, others are not fully realized and don’t add much depth to the comedy. The best ones that I liked the most were Ike, Eiko, and Chizuru. They all have so much great chemistry together and make many great gags work perfectly. Chizuru provides some of the best scenes involving her having a friendly personality. Still, once something terrible happens to her or the workplace, she turns menacing to the person doing the trouble-making. Ike herself, voiced by the always charming Hisako Kanemoto, gives the show a great sense of passion towards making this Slice of life atmosphere into an entertaining comedy with her constant alluring presence in every scene. Unfortunately, not all of the cast hits the level of greatness and our three main characters. Sanae, Takeru, and Goro all don’t have the same great chemistry with Ike as she does with Eiko and Chizuru. That’s not to say they’re terrible, they do have some funny moments, but it’s essentially just them acting very googly-eyed over Ike’s presence in the world that quickly doesn’t have much to go for in the grand scheme of things. For example, Sanae’s only gag for existing in the show is to be all lovey-dovey over Ike and nothing else. Sure it does get a few laughs, but after a while, the joke falls flat and gets old quickly. If it weren’t for Kanae Itou’s sweet voice playing Sanae, I would probably think lesser of Sanae, to be honest. Another problem with the show was how each plot arc ended so abruptly. There are times when a plot arc would end, and it didn’t feel like that particular scene felt any closure for it. It ends relatively quickly, and we’re brought up in a different scene. The problem is that they interlude between a different arc by showing a cut of arrows that are supposed to tell us that we’re doing a different arc. Still, it happens so fast that you barely notice it because the arc beforehand hardly had an ending. In turn, some of the arcs felt rushed or weren’t finished in the writing process during production. In short, I thought there wasn’t anything special to be found in Squid Girl. It might be something that you might show to your younger daughter to have some fun with, but on the other hand, there is some decent humor for adults. It might be a stretch to say that this is Japan’s answer to Spongebob. The only difference is that Spongebob had a lot of great memorable characters while Squid Girl only had three that are even worth discussing over. It’s a harmless show for what it is, a decently entertaining show for older kids. Even with some of the adult innuendo thrown in, that’s at least that's something that most kids' shows are hardly about these days. Grade: B-

DraconisMarch

March 12, 2012

Recommended

That's right de geso! I have come to tie you in my tentacles and make you my undersquid de geso! Don't even THINK of trying to escape from my wrath DE GESO! Shinryaku! Ika Musume is quite a refreshing retake of the slice-of-life comedy scene. It was really nice to finally get one that didn't cop out and take the way-too-overused (high) school setting. The premise is actually quite creative and leads for some equally creative little stories and jokes as well. (Who knew the idea of a squid girl could be so interesting?) The series is really the only thing I'veheard of to use tentacles so innocently. When most people think of tentacles, they obviously think of hentai, and all the various disturbing images that stirs up to go along with it. Well, this show is definitely PG-safe. Tentacles are used for USEFUL things--like serving half a dozen tables at once, or playing beach volleyball, or swatting your stalker away from you like a fly, or... ...Wait, what? Oh yeah. Slap stick. =D On the note of PG-safeness, I'm happy to inform you that there is zero fan service, so you pedophiles lurking around looking for pervy loli-fests or mindless moeblobs should GTFO. Right now. Hell, if it weren't for a few instances of light profanity ("damn"), the show probably could garner a G rating. (I don't see what the point of even including any profanity at all was.) When writers decide to incorporate moe into their works, they always have to be careful to observe the line between moe and moeblob--that is, if you overdo the moe, they lack any other definable traits--physically or character-wise. They become defined strictly as MOE. (Oh gawd K-On!) Well, I'm pleased to report that Ika Musume does not cross that line (although there are a few precarious instances when that line is flirted with far too intimately). Ika is moe, yes, but moe mostly in terms of her personality. She is laughably curious about everyday things we don't think much of, like umbrellas, birthdays, and fireworks. She's afraid of inflatable killer whales and sharks, but thinks nothing of walking through cemetaries at night, nor is she even scared of ghosts. She came to "invade" the surface world, but her good nature keeps getting the better of her and pushing her goal farther away. She acts menacing, but it's obviously a bluff, as she obviously cares about the well-being of those around her. She even has a couple funny speech naunces to top it all off. The show really IS all about Ika. She is, by far, the character with the most colorful personality, range of emotion, and variety of facial expression. The supporting cast isn't bad, though; some of them actually have some depth and undergo development, but equally as many are just flat in terms of personality. (This isn't to say they don't add anything or aren't entertaining, though; quite the contrary.) Animation and art are quite crisp, clean, and clear: the show is quite pleasing to look at. Bright and vibrant colors make up the vast majority of the spectrum utilized, and scenes are mostly sunny and light-hearted. Animation is pretty well-done as well, with no real problems or corner-cutting I could see. Facial expressions--particularly those of Ika--are great. All in all, quite effective and above average. The OP is alright, sung by Hisako Kanemoto (Ika's seiyuu) although it begins by chanting "Shinryaku!" over and over again, in the most annoying pitch possible, at a volume twice as loud as the rest of the show. (Don't get me wrong; I have no problem with her voice; that part is just really annoying.) And it starts as soon as the episode begins, so you'll have to be really fast to avoid getting your ears blasted. The ED is actually a pretty touching piece that I would call Ika's theme song, since the lyrics fit her so well. The voice acting is pretty great, but Kanemoto definitely steals the show: she acts the squidding INK out of her role. ;) Shinryaku! Ika Musume is quite the enjoyable break from the hum drum stereotypical school comedy scene. It deserves a chance just for daring to be different and breaking from the mold. It even incorporates some pretty emotionally touching moments in there as well. Now, I'm off to conquer the rest of this thing you humans call MAL de geso!

8thSin

January 9, 2011

Recommended

I was eating instant ramen while watching the first episode... I never thought I'd start a review with that sentence, but it leads to a point. I almost threw up when Ika Musume did you-know-what to the pasta, but then I was choking from laughter by the time the episode ended. The entire series left me a similar impression, from disgust and rejection to appreciation and attachment. 'Shinryaku! Ika Musume (Invasion! Squid Girl)' is an anime series that appears to be flawed in almost every way imaginable, but somehow... somehow, I found this series to be extremely enjoyable and memorable. Ika Musume has invaded my mind. Case1: Premise. Incompetent invader from another world appears, and gets her butt kicked in the very first encounter with human beings. After that, the "invader" joins the family, but still plans for world invasion while easily getting distracted by all the unfamiliar things on Earth. It's baffling how similar the premise of this series is to 'Keroro Gunsou'. In fact, if they toned down Sanae and violence by a bit, it would totally pass for a children's show. While nothing can excuse the show's lack of originality and the fact that nothing makes sense with the premise, 'Ika Musume' has a lot going for it that makes it different from an average show. Case 2: Lack of Direction. One would expect a simple friendship comedy from such a premise. Ika Musume bonds with family members and others in town, then gets inspired by their kindness, right? While that's one of the themes of 'Ika Musume', there are also a lot of other things going on. A lot of actual battle scenes with Ika Musume's tentacles, a lot of slapstick comedy, a lot of depth in some episodes (Mankind's triumph over nature? Bonding with the mini-Ika Musume? The umbrella episode?), a lot of romance, and slice of life? Loli moe-blob? Other than comedy, it's hard to say what this series is, as it's packed with themes despite the triple episodic chapter format. Ironically, the lack of direction (central theme) in the story was offset by the direction (presentation by the director). It didn't exactly feel like this series went all over the place and got nowhere, it felt like I got to see many sides of Ika Musume's story. Case 3: Characters At first, Ika Musume seems like nothing more than a moe-blob dewa naika? A deliberate attempt for cuteness de geso. The squid hat, the dress, and over-sized eyes seem like obvious moe ploys de geso. However, her appearance is actually a part of the story ja naika? Her character really grows on you dewa naika? Other characters were also stereotypical cardboard cutouts de geso. Especially the way they random appear in different episode limits their character development ja naika? Still, they somehow manage to leave an impression, and their personalities are very distinct ja naika? What all characters possessed, was inherent charm that makes you care about them de geso. Despite how incompetent she is at invasion, you would find yourself rooting for her dewa naika? Case 4: Buildup Yes, every one of Ika Musume's sentence ends with "jana/dewana-Ika(Squid)?", homophone of "Isn't it? / Don't you think?", or "de-geso(tentacle)", a cuter(?) version of "desu". It was kind of cute at first, but gets annoying very quickly... and this persists for almost the entire duration of the show. However, she stops just when you're totally sick of it, and just like the supporting cast in this show, I felt like it's not her without her quirky speech. I actually missed it. That chapter would've never worked unless you're certain the audience would be emotionally attached by then, and I was attached despite finding her speech to be very annoying. The director has done an excellent job in building up for moments like this, also mixing in a couple of slow and emotional chapters with fast-paced slapstick chapters. Case 5: Retro The physical and pun-heavy comedy in this series is really old fashioned, but I found myself laughing through the stupid and predictable jokes nonetheless. The character design other than Ika Musume, and the atmosphere also had a really retro anime feel to it. The way Ika Musume, the Invader From the Bottom of the Sea, and the action/scary scenes stood out from the rest of the show was really wonderful. This is my first series with Diomedea as main animation studio, and I have to say I'm really impressed. Color specification and consistency of drawings were particularly stunning. Case 6: OP The OP 'Shinryaku no Susume (Advance the Invasion)' is SUCH a bad otagei song with strained anime voice, but the way it starts and the beat is just so addictive. I found myself skipping it after the second episode, but drawn back and listening to the whole thing by second half of the season. ED was a poignant song that makes you reflect back on the story, and had a nice simple touch with an object variation added to each episode. BGM was rather ordinary , and didn't play a big part in the show. Ika Musume's voice by Kanemoto Hisako was absolutely perfect, which made her character all the more adorable. Everyone else also sounded like they should. I was very skeptical about this series, but I've been captured by the tentacles of Ika Musume. Dream and magic is what traditional anime is supposed to be all about, and this series takes it back to the roots. I can't guarantee you would like it, but 'Shinryaku! Ikamusume' is definitely worth a shot if you haven't seen it already.

Shinryaku! Ika Musume

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