Gunnm
Battle Angel Alita
銃夢 GUNNM
Doc Ido, a doctor and mechanic who lives and works in the hellish, postapocalyptic "Scrapyard," finds the—miraculously preserved—remains of a female cyborg in a junk heap. After he revives and rebuilds her, the preternaturally strong, amnesiac "Gally" begins to forge a life for herself in a world where every day can bring a fight for life. The 1993 Gunnm anime adapts the first two volumes of the Gunnm manga.
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Doc Ido, a doctor and mechanic who lives and works in the hellish, postapocalyptic "Scrapyard," finds the—miraculously preserved—remains of a female cyborg in a junk heap. After he revives and rebuilds her, the preternaturally strong, amnesiac "Gally" begins to forge a life for herself in a world where every day can bring a fight for life. The 1993 Gunnm anime adapts the first two volumes of the Gunnm manga.
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Отзывы(20)
Archaeon
September 16, 2009
Every so often an anime is released that receives mixed reviews, not because it's good or bad, but simply because the context is ambiguous. Battle Angel Alita is one such example of this. The series began as a manga by Kishiro Yukito in 1990, and after a short time the OVA was produced and released to Japanese and Western markets in 1993. This is where the ambiguity comes in. To many who have read the manga, the story appears to be incomplete at first glance, especially given the numerous changes that have been made in the OVA. To those who haven't read the manga, there seemsto be nothing too wrong with the plot, aside from the odd inconsistency that is. Where the ambiguity occurs is in the consideration of the plot - is it good or not? If you've read the manga then you can readily pick faults with the OVA, however there is one important point that is missed from this perspective. Likewise, if you have only seen the OVA, then you may be under the impression that the story doesn't really go anywhere. I should mention before continuing that another source of ambiguity is the fact that the OVA has been released by both ADV and Viz Media (only in the UK, Europe and Australia though), and that both releases feature different nomenclature for certain characters and places. Now here's the important bit. The Battle Angel Alita OVA was never intended to be a standalone tale. It's only purpose was to serve as an introduction to the manga, much like 3x3 Eyes or, more recently, Ga Rei: Zero. The OVA is simply a compressed (and altered), form of the first tow volumes of the manga after all, and when one considers that the whole thing was simply one big marketing tool, then the question becomes "Did it make me want to read the manga?" (which I'll answer in a bit). The OVA is split into two episodes, the first being Rusty Angel, followed by Tears Sign. As stated, these episodes are nothing more than compressed and altered version of the first two volumes of the manga, however, I found that they worked rather well in their own right. The changes that were made actually served to hold the plot together, and whilst purists may argue that it should have stuck firmly to the manga, it's surprising how often playing fast and loose with the original can actually improve the new version. Battle Angel Alita is one of those titles that, whilst having it's own plot problems, is able to hold it's own against the manga. The artwork for the OVA is very good indeed, especially as this is an early 90s anime. There is a penchant for pointy chins, however this can be overlooked given the atmospheric nature of the scrapyard city. Animation is also a big plus for the OVA. The action sequences are very smooth, and character movements are surprisingly well executed on the whole. The character designs tend to stay close to the manga, something which allowed the creators to concentrate on other areas of production. The sound is also good for its time. The music is generally very good throughout the OVA, however there are moments when the action and the music don't mix too well, giving the scenes in question an incomplete feel. The sound effects are well used, but can be a little on the "clunky" side. The voice actors in both the Japanese and English dubs are pretty good on the whole, although I have to say that I prefer the Japanese version nowadays, although this is simply a matter of choice rather than any comment on the quality of the english dub. The characters are well done on the whole, but are also another source of ambiguity. There are characters whose roles have been upscaled or downplayed, who have been removed altogether, combined into one, or who have been brought in as completely new. This is the main reason why I feel the OVA should not be judged on the basis of the manga. Rather, I prefer to view the OVA as an alternate beginning to the manga. The main character, Alita, was originally called Gally in the manga. She is an amnesiac cyborg who whose head and upper torso was found in stasis on a scrap heap by her surrogate "father" Ido Daisuke. Because of her amnesia, her character appears innocent, almost angelic at times, one of the reasons for the title. The other "main" character in the OVA is Yugo, a local boy who is acquainted with Ido. The most interesting aspect of the OVA, and one which was successfully transposed from the manga, was the development and deterioration of both Alita and Yugo respectively. The OVA is effectively a baptism of fire for Alita, however it is quite the opposite for Yugo. It's nice to see that the producers decided to keep the core of the story whole, something which helps to develop both Alita and Yugo during the course of the anime. The other characters only really receive minimal development, however given that this is only a two part OVA, and is nothing more than an introduction to the manga, this can be excused. I found that I enjoyed this immensely. The action was very good, and whilst some of the drama was clearly hammed up,the characters were rather refreshing, especially as I was unfamiliar with the manga when I first viewed the OVA. This is a good effort on the whole. It does have its issues, however given that it is simply an advert for the manga (something which should be kept firmly in mind when judging this show), these are understandable. That said, the producers have made the effort to ensure that the OVA can stand on its own, and what they have produced is a rather charming, quirky, and somewhat violent piece of work. The dystopian future envisioned by Kishiro Yukito has transposed well to anime, and the fact that the producers have decided to be creative rather than staid has helped to produce something which is more than an advert. My hope now is that this OVA, along with 3x3 Eyes, will go the way of Tetsuwan Birdy. Altogether now........... REMAKE!
