Magi: The Labyrinth of Magic

So, you believe in magic? Whether that answer is a yes or no, Magi sets itself as an unique series of a classical adventure for anime fans. It's a wonderful experience and there are many ways in which Magi portrays its adventures with its cast of characters. Now, get ready because Magi might just be something to refresh your weekend with its old school themes and premise. Magi (also known as Magi: The Labyrinth of Magic as its full title) is a manga written by Shinobu Ohtaka. The series takes place in an universe that has has desert artwork scattered all around. As such, its themerelates to the classical One Thousand and One Nights and its collections. It feels like a classic honestly with its settings and atmosphere. From the beginning, we quickly meet all three of the main protagonists in the series. It doesn't take long for the action and drama to pick up its pace as in the first few episodes already explores some of the cruelty (such as slavery), the dungeons, and monstrosity that exists in the Magi universe. The series is packed with both a lighthearted and action style mood as the episodes progresses. One of the things that we see is the interesting and bro-like relationship between the two main characters – Aladdin and Alibaba. Although not related, they have a close bond and a brotherly relationship in which the two often looks out after one another. The two travels together in their quests and adventures . It's a fantasy adventure that gives off that old school like feeling as they explore the world of Magi. Although not one-hundred percent compatible, the duo has similar personalities. Both Aladdin and Alibaba shares a personality of wanting to explore the world as well as having an initiative to help others in need. They put others above themselves and always constantly looks after each others' well being. The relationship between the two is very fun to watch given their lighthearted interactions and how they conquer obstacles along the way. Additionally, the duo are very loyal and seeks ways to form bonds with others whether through words or their actions. However, this doesn't always last. For some reason, the series breaks off its trials for a bit later on. The two goes off of their directions and seemingly begins their own tales. From there on, the duo seems to become independent of their own journeys as they explore their own worlds. It seems to be more character focused rather than a story by this point and things start to slow down. Additionally, what continues on seems to have little influence on the duo's journey and adventures. That and the fact in which their adventures gets off its tracks with no intertwined effect on one another seems to make a few frown on some die hard fans' faces. Luckily, there's still another character that brings on entertainment to Magi. Her name is Morgania and she's one tough girl with an even tougher childhood. Joining the duo later on, Morgania (Mor) is a young 14 years old girl who always had a tough childhood. Forced into slavery and with little freedom, we see her struggles in the world of Magi. Prior to her liberation, her personality exists opposite of the dynamic duo that we are already familiar with. Her cold personality reflects on the cruelty of what she already been through. It makes us feel sorry for her as a child and how she came to be. Yet, later on, we do see more of her caring side. In fact, Morgania even begins risking her own life to protect others in need and putting herself above others. It's proven that Morgania has forged a strong friendship with Alibaba and Aladdin and they are possibly the most important people in her life. Other characters in the series also has a way of setting themselves from the others. Most of their names (including the main protagonists) are based off One Thousand and One Nights along with some of its settings and themes. There are the many tribes with their leaders and prominent members such as Sinbad and Judal. They play their roles and given their status and power are considered respected as well as feared throughout the Magi world. The magic part of the series also takes in every episode of course. The magic theme of the series involves the power of the djinns that comes along from the users' metal vessels. Other terms related to magic include rukh, magoi, dungeon capturer, and magi itself. It's hard to say that these themes all tie together well by they do go hand in hand. In fact, most of Magi has a desert like setting unlike our modern civilization with fancy cars, technology, and architecture. As a matter of fact, it's portrayed in that fantasy like setting with its old school like backgrounds. As magi is considered the title, it is also considered a respectful term known by its name. We clearly know and see that Aladdin is a magi with his powers of being able to summon Ugo, a blue muscular like familiar that fights on his behalf. Yet at the same time, it seems that Aladdin also lacks the precise knowledge of how to perfect his skills especially later on against an antagonist. It is by this time we know that there is so much mystery that meets the eye of being what a magi is all about. Yet, with the help of his dear friends, Aladdin may unlock those mysteries. The series' action is portrayed as being part of the shounen style. It involves the characters powering up, making speeches in the middle of fights, and trying to show off what they can do. To be honest, it is quite generic and some of the same cliched action scenes are forced in many ways. For example, the battle between Aladdin and another fellow magi later on starts one-sided. Yet later on, it turns around the tide and has our main protagonist Aladdin do “what is right and stop him”. The action also seems to be forced as well such as the powering up and dynamic entrances from some of the characters. Whether entering in or exiting out, it seems to be forced and lacks true action. The artwork design of the series is natural and sophisticated. Because it is based off One Thousand and One Nights and some of its themes, we can expect the desert like settings and their sequences employed further with the usage of magic. Most if not all of the characters are dressed in ways that are old fashioned and suited to the Sahara like backgrounds. The forest, desert, and architecture adapts an old school style that is natural and straight to the point. It doesn't try to stand out above the others in the artwork development. In fact, its visuals are focused and fluid that fits with each other. In terms of soundtrack, Hiromi Kikuta (Black Rock Shooter, Scrapped Princess) employs his skills in orchestrating the OST. Some of the soundtracks has that classic Arabian rhythms while other times pulls its course together with its full throttle pacing. This is especially true during scenes involving based chased at night time or when there are crucial moments of conflict. Shiro Sagisu does a similar job with his music as well with its appealing scores. The opening song, “V.I.P” by SID catches the viewers' attention with the way it is orchestrated by presenting the montage of its characters as well as some of the action going on. Oh and let's not forget about the all-star cast coming together. Although generic, it is appealing and classic. All in all, Magi is a classic. It is a fantasy adventure that brings back the old school feeling with its cast of characters, its themes, style, story telling, and visual artworks. The division of the duo in later episodes may catch viewers off balance but it can still be appealing when we see more of the character backgrounds of our heroes. The trio in fact becomes a pivotal point in the series as they explore the world they never thought would come across. With magic, they can do almost anything but with friends and what they believe in, they become the next big thing. Whether Magi is the next big thing is hard to say but the adventure of Alibaba, Aladdin, and Morgania has come a long way.

I´ll start this review by saying that i haven´t read the manga yet, im saying this because many people say that the anime isn´t on the same level of the manga and that it is a bad adaptation missing out chapters and giving bad explanations about how things work. So keep in mind that i´m doing this review having only the knowledge given by the anime. Story/Setting/Combat depth - Ok, so i´m not only reviewing the story and world here but the combat depth too, because i think that it´s an important part on any battle anime. SETTING The story is set in an alternate recreation of theancient Old World with several regions and nations having some resemblances with real-life counterparts from that time. In this world, all living beings possess an essence known as Rukh and when they die, this essence returns to the huge flow (also known as "guidance") of Rukh that gives life to all subsequent beings in an eternal cycle of rebirth called "Fate". Once a person is overcome with sadness, anger and hopelessness, their Rukh turns into a corrupted, unstable, black-colored Rukh that deviates from the main guidance in a process known as "Fall into Depravity". There are also several magic castles full of treasures and traps known as "Dungeons" and each of them is the lair of a powerful magic being, a Djinn. Individuals that manage to overcome the trials of a Dungeon and earn the allegiance of its Djinn are known as Dungeon Capturers, gaining the ability to use its powers infused in a personal item of them known as "Metal Vessel" and create less potent "Household Vessels" for their companions as well. People can use the Rukh in their bodies to create an energy known as Magoi ( kinda like chakra in naruto ) to power their magical weapons and abilities. This energy must be used with care, as despite the fact that an individual's magoi can be restored with feeding and rest, once fully exhausted it provokes their death. Among those that can perform magic with their own Magoi there is a rare class of magicians known as Magi, that can also use Magoi from the Rukh around them, greatly increasing their capabilities. A Magi usually chooses Dungeon Capturers to offer guidance and protection making of them their King Vessels. There are several nations in history that were founded or improved by the rule of such individuals. PLOT So the story of magi starts out really simple but as the anime progresses it keeps evolving and adding important and nice stuff. This is the story about a young boy by the name of Aladdin and his adventures around the world of magi. Like many other series he becomes friends with many people, 2 of them are Alibaba and Morgiana, and so the 3 of them become the main characters. The story is mostly about war between empires/countries. Where Aladdin enters in all this is that he is a magi, a beeing that acording to legends chooses his king to control the world. Throughout the story we learn that there is more than 1 magi and that they are not on the same side so that only means 1 thing, war. There is a dark organization too called the Al Thamen that are trying to screw up the world and that side up with the empire aladdin and his friends are fighting. COMBAT DEPTH Easily the thing i like the most about magi, there is enough depth here to the point you have to google some definitions. Most of the fodders use normal weapons without any special abilities, but the main weapon of all people here is Magoi, it works out like chakra from naruto, each person has their own reserve and only magi can use the magoi from the rukh around them. There is the dungeon capturers too, people that successfully pass a dungeon can keep in their control the djinn of that dungeon. The djinn enters into a metal and the capturer can use that djinn´s power. For example, if a djinn´s ability is fire, that person can attack with fire. But that´s not only it, thats the basic. As time passes and you became better with your metal vessal you can use an ability called Djinn Equip, by using that your metal vessal turns into the djinn´s weapon and your ability ( fire in this case ) becomes even better. Djinn equip has diferent levels, at first you can only use the djinn´s weapon but later on you can even cover your whole body with armours and stuff. You can only maintain this ability as long as your magoi reserves let you. Oh and one more thing, if the Djinn capturer is a magi he can summon the djinn in battle ( this is exclusive of magis ). Household Vessels are objects (weapons, jewelry, accessories, etc) that hold importance to the Household Members of a Dungeon Capturer. Like for example, if my djinn type is fire my household member will have an ability connected with fire. ( Household vessels are not as strong as the djinn equip ( exclusive to dungeon capturers)). There is magicians too that can manipulate their rukh and create a type of magic ( healing, heat, water, gravity etc ), with that they can create many abilities. Im only 25 episodes in ( 1st season ) and there is a ton of combat depth, im sure there is many many more things :) ART Very colourful, there isn´t much to be said here. Go to youtube and see for yourself. SOUND Not good enough to deserve a better score, like always the japanese voices are great but there is a lack of better osts. CHARACTERS Aladdin - Like i said above, a young magi boy that is traveling the world and making many friends ( sorta like luffy ) he is your typical shounen protagonist which in my opinion is a bit to mainstream but whatever. Alibaba - Aladdin´s friend and main character, he is a really great character and his personality develops really well and you learn about his backstory. Morgiana - Aladdin´s friend and main character, she, like alibaba in terms of personality develops a lot too. She belongs to a tribe called Fanalis, Fanalis are a really strong type of tribe with power that can crush rocks. All the other characters are really good in design but as not very much developed ( maybe because its only 25 episodes, i dont know ). I can´t really say much more without spoiling it, it´s better if you watch.

Magi: The Labyrinth of Magic is a tale of friendship triumphing over all odds. Perhaps you have heard this kind of story told elsewhere. If so, you've probably heard it told better, too. Magi is all over the place in terms of pacing and tone. Even the morals of the story seem quite in conflict with the methods used to tell it. Above all, it's just dumb and boring, which are two death sentences for an anime from this viewer's perspective. Magi is about two boys. Aladdin is an impressionable, airheaded young Magi, or wandering mage. He comes across a golden-haired and golden-hearted street urchin namedAlibaba, and they go on an adventure through a massive labyrinth called a "dungeon", becoming fast friends. Along the way, they encounter a mysterious and strong-legged slave girl named Morgiana, which completes their trio as they endeavor to right the world's wrongs with the phat lewts they obtained by raiding and "capturing" the dungeon. It's right here that I should make it clear that Alibaba is perhaps the worst shounen hero I've ever seen. His character shifts between whining interminably about the state of the world, declaring it impossible to change, and attempting to change the world through perhaps the most idiotic and sure-fail ways he could come up with. He is perpetually gullible, all-too-willing to put his trust in other people with blatantly obvious "hidden" agendas. Say what you will about how stupid Naruto is, at least he didn't turn a blind eye to Sasuke's gradual descent into darkness. In contrast, Alibaba's childhood friend from the first arc might as well hold a giant flashing neon sign over his head that says "I will die and/or turn evil" for how unsubtly the series depicts him, but Alibaba never once takes the hint. In this first arc, we are also introduced to Sinbad, a character that has already become a legendary king and dungeon-capturer by his own hand. He pledges his aid to helping Alibaba liberate Balbadd from the clutches of its fat, stupid king. It is at this point that the series starts undermining its own tension, because Sinbad is ludicrously overpowered compared to literally everyone else, and has eight underlings of various shapes and sizes that are also exponentially stronger than our main characters. There is no quicker way to undermine a character's personal arc than by introducing another character who could snap his fingers and solve everything for them. The second arc takes place in Sinbad's kingdom of Sindria, where our trio have decided to take the demigod-level king up on an offer to train and hone their abilities. Never mind that Alibaba's country was teetering on the brink of collapse when they finished the first arc! That's not important now! There's adventure afoot! This series undermines itself so often that at this point I stopped caring and just kinda tuned out any of the dialogue. I became totally disengaged from the subject matter, and was just resigned to seeing this to its conclusion. I didn't miss much. Sinbad continued to faff about and allow the villains in the series to openly taunt him to his face, kill hundreds of innocents, and splash him with some kind of curse mark that turned half his face black, only for him to reverse the curse instantly in the season climax. So why did he let himself get cursed? As he put it, "to make Alibaba more motivated to clear the next dungeon". Never mind that Alibaba himself has been afflicted by this same curse, which is actually a very real threat to his life or at least his sanity. Sinbad decides to fake sick so he can do nothing and shift the onus of "saving him" onto a blonde idiot, a blue-haired idiot, a traumatized former slave who does all the figurative and literal "heavy lifting" of the group, and a cowardly prince whose only real use is as a literal meat-shield. So if the characters and story are disappointing every time you turn around, is the action any good? Well, there are quite a lot of fight scenes in Magi, and they're universally bland shounen-style nonsense, where whoever has the most plot-induced immortality will win. A lot of time is spent developing this complex and verbally dense system of magic, but it all boils down to brightly colored energy blasts and sword swings crashing into each other, with the good guys winning through the power of friendship (read: powers pulled straight out of their asses at the last possible second). What makes this more insulting is toward the end when abilities are plagiarized wholesale from Naruto and Fate Stay/Night. And thus we get to my next big issue with this series: the word "subtlety" is completely lost on the writers and animators. You can easily tell by a character's dress and method of speech whether they are good or evil. (Protip: good characters are attractive and smile a lot!) I couldn't tell if this series was aimed at children or adults. It pairs simplistic, heavy-handed morals that would fit on a poster in a kindergarten classroom with buckets of gore, complicated palace intrigue, and ecchi fanservice obviously intended for a more mature audience. In trying to appeal to both kids and adults, it makes itself inappropriate for the former and insults the intelligence of the latter. This is not how you do this. I had the misfortune of watching this dubbed, in which I got to hear a lot of high-profile English voice actors I had a lot of respect for embarrass themselves. The only bright spot in this is Cristina Vee as Morgiana, which also matches the fact that she's the only character I found myself able to care about. The sound design is perfunctory. There's nothing special in the sound effects or music to get you interested in what's going on, and the OPs and EDs are such forgettable tripe that I skipped them routinely. There are some bright spots. Visually, the show is very bright and colorful, further selling me on the idea that this is trying to ingratiate itself to a wide audience. The character designs are unique and definitely inspired by Arabian folklore, which is definitely special as far as anime goes. The cityscapes are largely gorgeous when shown in wide-panning shots, although everything looks remarkably samey when the characters are wandering the streets. But the greatest sin that Magi commits, more than anything that I've listed above, is just that it's a big long snore. There's no weight to the fighting scenes, and no real reason to care about the political stuff going on in the shadows. It is trite and unoriginal in every way except the setting. You can predict the events of every episode almost down to exact detail five minutes in. Please avoid this series if you value your time. Until next time, Ko Empire bills are not accepted at this establishment.

Shows like Magi: The Labyrinth of Magic really catch me off guard. It's so rare nowadays to see a battle shonen that delivers a feeling of exploration without getting too caught up in itself. Is it perfect? Of course not, but if there's one thing it gets right is its sense of adventure. Magi takes place in a vast fantasy world with a ton of tie-ins to 1001 Arabian Nights. The setting is huge, spanning across many diverse countries, which presents an enthrallingly enormous scope. Aladdin is a young boy who some call a Magi, and the story follows his journey for self-discovery alongside hisfriends Alibaba Saluja and Morgiana of the Fanalis, who each have responsibilities and dark pasts of their own. Dungeons have been rising around the world, and the conquerors of said dungeons gain the power of a Djinn, which is basically an elemental genie. They are risen by those called Magi, who are said to be the ones to shape the world. Only three are supposed to be around in one era, but Aladdin, for some reason or another, is seen as the fourth. Along their journey, they encounter people of many kinds, ranging from the Kou dynasty which is essentially Magi's take on China, to even such figures like Sinbad of the Seven Seas. Yes, the allusions to that old desert fairy tale book, no, not the bible, are many, but seeing such a setting in an anime is extremely refreshing and gives way for some awesome locales and set pieces. The art, albeit mildly inconsistent, if nicely detailed, and the character designs are fitting, memorable, colourful and just generally well crafted. The palette really captures the scorching desert heat as well as the cool city nights, making for a very immersive experience. Sadly, the same cannot be said about the fight choreography. There's a very clunky feeling to a lot of the battles due to awkward shot composition and somewhat lazy animation. The only times the fights actually impress me are when Morgiana gets involved, which may be because the animators are forced to work with punches and kicks rather than actual weapons. A1 Pictures has a bad habit of using cuts to avoid animating motion, which can get quite jarring when used frequently. If you're looking for a big budget action show, then Magi may not be for you, although the aesthetics do a fantastic job of sucking you into the world. Furthermore, many fights become very anticlimactic thanks to the overly fast pacing. Many of the villains get demolished only minutes after making their debut. This lack of tension becomes especially apparent during the final battle. Some are just downright silly, with the villains getting as laughable as an old man on a floating wheelchair, and some very out of place fanservice. There are a lot of cliches to be found in general. Despite this however, the show isn't completely generic, and this is mainly true in the surprisingly well founded cast. On the surface, Aladdin is your typical naïve shota, but he has an exceptionally mature mentality in regards to society, and knows when to let others act rather than himself, showing a lot of wisdom. There's a lot of strong personalities in Magi, the highlights being the charismatic Sinbad, and the feeble yet lovable Hakuryuu. Judal is just the right level of crazy, and is a good contrast to Aladdin's light-hearted nature. Most of the humour will be hit or miss, relying on a lot of boob jokes, but there's a lot of heart to be found. A big theme of Magi is fate, and what it means to accept one's destiny. While there could've been a lot more done with it, the show does a very good job of showing how one's destiny can doom them into despair, or as the show calls it, depravity. Alibaba's relationship with Cassim is not only engaging to watch, but both grow a lot over the course of the show, as does Morgiana as she works through her past as a slave. For a shonen, Magi delves into a lot of dark themes, but they're handled in a very black and white way, making it difficult to really take something away from them. Every villain bar one is just evil for the sake of being evil, and it's hard to get behind some of the messages when they could only help out in a fairy tale. I wish that more effort was put into making things seem more realistic, but in a way, that's a part of Magi's charm. It's not trying to be a social commentary, but rather a fun adventure, with some darker overtones to appeal to an older audience. The second opening really makes this apparent with it's sense of wonder. Overall, the soundtrack is quite good, and it brings forth a distinctive Arabic flare while utilizing a lot of modern instruments, the electric guitar in particular. A lot of battle tracks are quite memorable as well, my favourites being Valse Hot and Enfin Apparu. In the end, Magi season one is a solid watch if you're a fan of a massive setting and well founded characters, as long as you're not looking for the most mature story ever told. There are a few plotholes here and there, but compared to others in its genre, it holds up substantially well. I give Magi: The Labyrinth of Magic, a 7/10.

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