Five Star Stories

A fairly standard story. A young man must save his true love from a greedy merchant. Decent way to spend an hour. Pros: -- (Nice aesthetic) - Renaissance Italy combined with mecha and other classy tech -- (Specificness) - the story is a small piece of a larger tale, so instead of being another tale of The Ultimate Hero defeating The Ultimate Evil, it's a more personal journey of a man realizing that he loves a woman and should save her, even though they're not lawfully allowed to be together -- (Engagement) - the story is fairly absorbing and moves along well. We have sympathy for out hero androot for him to outwit his enemies Cons: -- (Overcomplicated) - This is a fragment of a larger universe, so not only is there an infodump at the beginning, but one needs to go to Wikipedia if one is to understand what exactly is going on. -- (Straightforward) - The actual plot is basic: hero vs. irredeemably greedy, lusty, and gluttonous old ruler. Guess who wins? -- (Deus-ex-machinas) - The story is so simple, you'd think this isn't needed; but apperently the plot must go in a certain direction, and several fortuitous coincidences conveniently steer it the right way.

This is one of those movies that is so gorgeous, you will immediately want to "plan to watch" everything made by every staff member involved. At this point I've watched almost only anime from before 1989, so I have to say I was a bit overwhelmed by the innovative and experimental art and animation. Some of you normal people, used to more recent stuff, might not share the same experience. I'm not saying it's a milestone of cel animation like Akira or any Studio Ghibli movie. This has more of a still frame style, but also terrific animation when it's needed. Anyway, it excels atboth. The character designs seem influenced by Leiji Matsumoto and shoujo manga. Which is an interesting choice for a mecha. In fact the whole movie seems to have a hard time figuring out whether it wants to be a mecha or a shoujo fantasy romance. It's even complete with an androgynous lead character, which is normal for shoujo manga, but a first in scifi/mecha. And I'll just let you know, in case you're still waiting for the mecha battle after 45 minutes. Don't worry: it pays off. You could add "difficulty to label genre" to a list of flaws, next to the essentially simple storyline. You could say it's just a hero, a helpless girl and a cliché villain. You could say the setting, background and big cast of characters are kind of an overkill without reading the manga. You could say they used too much deus ex machina to move the plot forward. You could say there was too much stuff like "Mirage Knights" and "Fatima" or that they randomly tossed the Renaissance, some Arabic stuff (credits go to Hagio Moto's Marginal) and the Crusades into a mixer and then gave you a plate of scifi, and your cat farted a rainbow and you're wondering why they went through all this effort just to make an hour-long love story. I don't really give a crap. It looks insanely good, the music is great, I liked every character, I enjoyed every character interaction, I was engaged the entire time, and I had at least five or six scifi/fantasy boners. I've only checked out one chapter of the manga, and it looks like the wordbuilding and characters will be more of use in a longer format. Maybe the movie serves a kind of a prequel or a simplified summary of the series? No idea. But I will definitely read the pants off of that manga that's for sure. OVA's and movies from the 80's range from cheap to innovative animation, and in general settle for an easy storyline to serve their actual purpose: experimenting with animation to make a feast for the eyes, whether it's tentacles, demons, showering women or duelling mecha's. So compared to it's contemporaries, Five Star Stories is at the top of the list, when it comes to story (better than most) and art (the best in it's style so far and pioneering new ideas). I'd place this as one of my favourite movies from the 80's next to Mamuro Oshii's Tenshi no Tamago. Coincidentally, Kazuo Yamazaki, who directed this, also directed the second half of Urusei Yatsura, following Oshii, who directed the first half, both of them raising the medium to a new level with that series and doing it again in their other work. Which goes to show you how URUSEI YATSURA is the MOTHER OF ALL ANIME cough geesh be cool.

Every now and again, I take it upon myself to look through my list of "Plan to Watch" titles to see if anything looks good enough to finally get around to watching. Many of the entries on that list are films, and among them I recently found Five Star Stories. I said, "What the hey? It's only 65 minutes long, I have access to the Blu-ray rendition of it, and it was a landmark project for Nobuteru Yuuki, a character designer and animator whose work I generally enjoy, so it's bound to at the very least look amazing. Let's give it a shot." While Iwas dead-on about the film's art and animation quality, those are about the only things this film has going for it aside from its merciful brevity. The story has all the tried and true beats of a by-the-numbers origin arc for a by-the-numbers epic in the vain of works like "The Odyssey", but it is also EXTREMELY boring. It is itself an achievement that this film makes 65 minutes feel far, far longer. Nothing of even remote interest happens in this film: minimal suspense/tension and only very weak emotional investment and connection with the characters who themselves are so inactive, so passive with zero explanation for why. Five Star Stories is also rife with dramatic flashbacks, exposition dumps, and uninteresting dialogue that do nothing to make the plot, characters, or world more interesting, all at the expense of ACTION SCENES, NO LESS. For a MAL entry that has the "Action" tag, it's surprisingly dull. Even when the giant robots finally show themselves (and only in the last 6 minutes, mind you), the actual fight shown is totally boring and devoid of tension because the hero is blatantly overpowered against enemies that pose absolutely no threat. Of course, the robots' design and movements all look great, but it's what they are actually doing that is totally lame. I've thought up more interesting action set pieces playing with 1/144 scale Gunpla and Transformers toys when I was seven. Don't try and say that the staff didn't have enough people, time, or money, either; if they could make the other 60 minutes look as good as they do, then they had the time to give us a better action sequence. On the other hand, the ending frame is this pretty spectacular still with super hopeful, triumphant music playing now that the male and female "leads" are reunited ... only to tell us in narration, WHILE THE MUSIC AND IMAGE ARE UNCHANGED, that their reunion, the entire goal of this film, will spell doom for the entire universe. I'm sorry, but... what? If that was the end goal, then, both literally and figuratively, paint it differently. I get that the manga is still ongoing even to this day, but just... come on. There was no excuse for this ending, even back during the initial release. It explicitly tells the audience that they are wrong to feel happy (or at least totally indifferent because I had completely checked out by that point) at the film's resolution in spite of the fact that the director literally could not have done more to bring about the furthest thing from negative emotions. This isn't just absolutely asinine; it's downright insulting. Amazingly enough, however, the ending of this film isn't even close to its most insulting aspect. This is where I point out the overt racism and misogyny. Basically every antagonistic character in this film has dark skin, except for the antagonists' leader who is, of course in stories like this, light-skinned, you know, to point out that he's the leader and clearly superior to them. Additionally, the heroes of the story are the absolute whitest people you could imagine. I'm not going to hold this against the film's staff, either; I blame the manga's creator, Mamoru Nagano, for the blatant offense on display here. I can also blame him for the Middle Ages-level gender politics shown in Five Star Stories. Men are the only characters with any sense of agency, which is itself a generous concession considering how passive everyone is. Women may as well be body pillows for all the personality and effect they have. The only things women are good for in this film are 1) being put up for auction and sold to pilots of giant robots, 2) co-piloting giant robots, 3) being sexually assaulted (the intention was there, even if it didn't happen), 4) getting hitched, and 5) being a body double for a very effeminate-looking man, who, in a callback to item 3, is himself at one point nearly assaulted by a drunken man (who gets off scot-free and without even an apology, obviously). As I said in the introduction, the only redeeming quality to this film is its visuals. While I don't find the character designs particularly interesting, the sheer polish, line work, and consistent detail across numerous, and I mean numerous frames, for both character models and backgrounds, is nothing at which to scoff and both demands and absolutely deserves respect. The animation is incredibly fluid, and stills are only very rarely used, the most notable instance being the ending shot. As you can guess I am about to say, it just sucks balls that such high production value and attention to detail was squandered on a story this insulting. Again, the plot may be boring, but that alone would have only garnered a mediocre score. What makes this film BAD is how purely offensive it is. I didn't find the music nor the voice acting very impressive. If you really want to experience this film, the best way would be to search it up on sakugabooru and look for the prettiest, most fluid clips. You won't have to look for long, I imagine. I think the best light in which I can paint this film is that it proved to be a nice tech-demo for some animators, and you may want to check out those cuts. Other than that, stay away from this film if you value 65 minutes of your time and don't care for racist and sexist views. Happy Watching! - LC

It's a beautiful show, with distinctive character designs and richly drawn backgrounds. And the prettiest of pretty-boy main characters to boot. And yet... The thing is, Five Star Stories is a very long-running and popular manga series. In fact, so long running is that it started in 1986, and is still coming out three decades later. It's a massive exercise in world building (or, rather in this case, multi-solar-system building), with a back-story that stretches past a thousand years, far too many characters to count, and intertwining machinations that would take hours to explain. Think Dune. ThinkLegend of Galactic Heroes. It's a massive amount of material. And here, you have a single, one-hour OVA, to cover it all. Or, to be more succinct, to introduce it all. An almost impossible task, and unfortunately it shows. There's a ton of exposition that has to take place, all sorts of explaining of concepts and people, and it's a whole lot to take in at once. You spend half the time just trying to suss out who is doing what and why, and it never really sinks in. I guess if this whets your appetite, this is to entice you to check out the manga. Which, was probably half the intention of this one-shot OVA in the first place.

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