

Ponyo
崖の上のポニョ
A goldfish sneaks away from home and floats off on the back of a jellyfish. After getting stuck in a glass jar, she drifts to the shore where she is freed by Sousuke, a five-year-old boy who lives with his mother Lisa in a house by the sea while his father Koichi works on a fishing boat. After healing a cut on Sousuke's finger by licking it, the goldfish is named Ponyo by her new friend. Unknown to Sousuke, Ponyo already has a name and a family. Her father Fujimoto, a sorcerer who forsook his humanity to live underwater, searches frantically for his daughter Brunhilde. When found and captured, Ponyo rejects her birth name and declares that she wants to become a human. Using the power received from Sousuke's blood, she grows arms and legs and escapes to the surface once more. But the magic released into the ocean causes an imbalance in nature, causing the Moon to start falling out of orbit and the tides to grow dangerously stronger. Reunited with Ponyo, Sousuke must pass an ancient test to restore order in the world and let his companion live on as a human. [Written by MAL Rewrite]
A goldfish sneaks away from home and floats off on the back of a jellyfish. After getting stuck in a glass jar, she drifts to the shore where she is freed by Sousuke, a five-year-old boy who lives with his mother Lisa in a house by the sea while his father Koichi works on a fishing boat. After healing a cut on Sousuke's finger by licking it, the goldfish is named Ponyo by her new friend. Unknown to Sousuke, Ponyo already has a name and a family. Her father Fujimoto, a sorcerer who forsook his humanity to live underwater, searches frantically for his daughter Brunhilde. When found and captured, Ponyo rejects her birth name and declares that she wants to become a human. Using the power received from Sousuke's blood, she grows arms and legs and escapes to the surface once more. But the magic released into the ocean causes an imbalance in nature, causing the Moon to start falling out of orbit and the tides to grow dangerously stronger. Reunited with Ponyo, Sousuke must pass an ancient test to restore order in the world and let his companion live on as a human. [Written by MAL Rewrite]
Главный
Главный
Второстепенный
Второстепенный
Второстепенный
Второстепенный
Второстепенный
Второстепенный
Второстепенный
Tsumayouji
August 16, 2009
May I just start by saying that I am a big time Miyazaki fan. I loved Totoro, Howl's Moving Castle, Spirited Away, Princess Mononoke, and Nausicaa of the Valley of the Wind (haven't as of yet seen his other ones). So, for someone who very much enjoys previous Miyazaki endeavors, Ponyo in a word is: disappointing. Yes, it's obviously for little kids (why Miyazaki couldn't make another family film that we could all enjoy is a bafflement to me), but even for children, it'd be boring. ~Story~ So a little fish girl endowed with magical powers wants to become human to stay with a little boy shemeets named Sosuke - a tale loosely based on the original telling of The Little Mermaid (there's even a reference to turning into sea foam). Seems straightforward, yes? Well, for the most part it is...expect at the climax when plot most matters. Like the original Little Mermaid, a major, life-altering decision must be made concerning Ponyo's future. Unfortunately, this decision and how it's reached is built-up, vaguely explored, and then reached with absolutely no pay off whatsoever. It's akin to asking someone if they would rather wear a red shirt or a blue shirt, they pick the red one, and balloons and rainbows! Everyone is saved! YAY! Miraculously and with no explanation as to how that red shirt helps avert major disaster. The main issue with the story is that it's very disjointed and wants so much for everyone to be happy and riding on unicorns that no real conflict or danger ever actually enters into the equation, even though dangerous scenarios that could be developed are constantly flirted with (ex: men being lost at sea, the deaths of thousands, the loss of land, the reversion of a person into sea foam etc...). These issues are mentioned with a melodramatic "GASP!" and then either ignored or solved in lightening fast speed a la the reasoning of a five-year-old. In short, it's patronizing, insulting both the intelligence of adults and children. Heck! Even Totoro had more depth and plot and didn't treat the possible loss of a child in such a "light-hearted" fashion. Totoro introduced actual calculated conflict or, at the least, intriguing events in a timely fashion so that the story progressed at a pace that kept things interesting. Ponyo lags on and on and on and thinks about introducing conflict and then skirts away from it to continue to drag on and on and on. ~Art~ Eh, the art is mediocre. I know, I'm horrible for saying that, but the cutesy "let's draw so it looks like children did it" style is only entertaining for so long. Granted some of the sea creatures were done very well and were very interesting to look at, but personally, I couldn't shake the impression the entire film that the backgrounds and environments were flat. Instead of drawing them in a manner that suggests that they extend beyond the scene into a real, 3D atmosphere, they just felt like "here's a flat backdrop in front of a car lot, pretend it's real." Spirited Away's environments didn't feel this way, and were full of detail and life. Even the individual characters were bright and multi-dimensional. Ponyo just didn't achieve that. However, I will also concede that Ponyo as a fish was incredibly well-done and believable. Her fish-like face and eyes really made her character the most intriguing. ~Sound~ I can't really comment because aside from the obnoxiously catchy ending credits music, I don't recall any of the music. The English voice actors (I did see this in theaters) did great jobs according to the script. ~Character~ Here's another huge issue with Ponyo. The characters were all poorly defined and again so geared toward butterflies and fuzzy kittens that they acted unrealistically and contradictorily. What mother leaves two five-year-old in a flood out of The Old Testament alone? What mother takes in this little girl from nowhere and doesn't try to find her parents? Why is the cranky and mean old woman suddenly nice at the end? Why does she urge Sosuke not to go with Ponyo's dad? Why is Ponyo's dad so people-hating, and then suddenly begging for humans not to think ill of him? Why is he okay with Ponyo's ultimate fate? What the heck is he even doing anyway? Why's he there? What purpose does he serve really? Other than to be an annoying and totally inefficient obstacle to Ponyo's happiness? ~Overall~ In conclusion, Ponyo might have been an entirely charming short had it only lasted about ten minutes. As it is, it has no business spanning hours and drags pitifully. It's like the creators had fifty different ideas and instead of narrowing them down to go in one direction or the other, they just decided to try to "incorporate" them all. Ponyo could have been great, it really could have, had they ironed out the plot and characters, treated the story in a non-intelligence insulting way, picked a direction, and stuck with it. Come on! Even classic fairytales aren't 100% fluff. I really hope that Miyazaki's next film isn't such a let-down.
rabbitpoets
August 18, 2009
Note: This review is based on a fansub and not the Disney dubbed version. Although I do want to check out the Disney dub, because Disney’s Ghibli adaptations are the rare movies where I think the voice dubs are really well done. The story: Ponyo is a simple love story at it’s heart. And I say "love" in its purest sense, because it’s not quite familial love, but it’s not quite romantic love as well. The relationship between the two kids is unique and full of life. If Sosuke is a bit disturbed by Ponyo’s fish roots, or her tendency to look like a chicken when she’sdrawing upon her magical powers, he doesn’t let on at all. Conversely, Ponyo’s love is pure dedication as she literally transforms from a fish into a human and travels across the oceans to get back to Sosuke. The love story is cute, sweet and free from all the typical angsty drama. Unfortunately, there’s also a more supernatural and dramatic element to the story which is woefully underdeveloped. There’s no backstory to why Ponyo’s father cast aside his humanity to retreat to the seas. There’s also no backstory on what Ponyo’s mother is and what she does. But more egregiously, we’re told at the end that Sosuke’s true love for Ponyo saved the world from annihilation. Why or what that annihilation was is a complete mystery. I think it had to do with the moon getting too close to Earth, but I have no clue, and it’s a curious missing piece from the story. The Animation: It’s beautiful. Stunningly beautiful. Maybe not as steampunk detailed like Howl’s Moving Castle, or as bizarre and otherworldly as Spirited Away, but the attention to detail is amazing. You’ll notice an interesting detail, or a flourish of movement in every scene. It’s mind-boggling to me that all this was done without CGI. The character designs are interesting, but typical Miyazaki. But I did like Ponyo in goldfish form actually. She was just so adorably cute. The Sound: If the story was somewhat lacking, the animation and sound more than make up for it. The opening sequence reminded me of Fantasia, with the orchestral background and the myriad of sea creatures on screen. From there, it’s just orchestral bliss throughout. It feels like there’s never a moment where there’s not at least a woodwind or a violin playing quietly in the background. You definitely notice it every step of the way, but not because it’s distracting, but because of how good it sounds, and how it always seems to complement the mood so fittingly. I didn’t recognize any of the voice actors, but the VA work is solid, and I especially liked Ponyo’s seiyuu, especially when she’s saying "I want ham!" The Characters: Ponyo is a movie for kids, so there’s not a whole lot of character development. Ponyo is a headstrong, high-energy, heart on her sleeve goldfish. Sosuke is the naive but bright-eyed and good natured kid. Risa is the strong backbone of her family and community. While Ponyo’s parents balance out the eccentricity scale. They are what they are, and they don’t change too much during the movie. But the chemistry between all the characters feels so natural, that the characters don’t feel like cardboard cutouts, and instead everything feels natural – even when you’re literally a fish out of water. Final Thoughts: It’s not really fair to compare Ponyo to Miyazaki's recent works like Howl's Moving Castle, Spirited Away or Princess Mononoke, because they’re intended for different audiences. Ponyo is a much more straightforward, "what you see is what you get" story. And like I mentioned, even some of the deeper stuff under the surface isn’t developed enough to bother thinking too deeply about. But if you level-set your expectations and you watch it for what it is – a kids story about love – I think it’d be hard to deny the feel-good, cuteness of the movie.
ProfessorGinkgo
June 2, 2011
This movie was not exactly my favorite to watch, especially considering it was directed by Hayao Miyazaki. Ponyo had his artistic style, but my reaction was not at all similar to that of other works of his. I expected a story that had me thinking about anything ranging from questioning humanity or questioning what it means to love another. Ponyo's themes were more family-oriented, but it did not capture the same emotions and mindsets that previous Hayao Miyazaki films had. Nonetheless, it's a good family film; but if you're a Hayao Miyazaki fan, it's not my favorite pick.
Naiika
August 29, 2009
Hayao Miyazaki's work is and always will be outstanding. Although some may complain because Ponyo wasn't up to par with some of his more serious work, we do have to keep in mind that Ponyo is geared to small children. With this knowledge on hand, it's a heart warming movie that is meant to showcase the innocence and purity of a child's heart. At least that's what I gathered from it. I've seen the Japanese version and not the Disney dub. These are my own opinions after all, sorry if they disagree with anyone's. Enjoy! Story: The story itself is kind of like a loose interpretation ofthe little mermaid, sans evil octopus witch. There is no clear "villain" to the story, as with many of Miyazaki's other works. The closest thing I'd have to say is Ponyo's father, a sorcerer who believes humans are vile creatures who destroy the ocean. It's really a lighthearted story about a fish and a boy who share a really pure and innocent love for each other. These days everything is tainted and complicated and blah blah, so it was a nice break to see Ponyo, which really showcases how beautiful a child's heart and emotions can be. The movie wasn't really in-depth and complex, but I think that's part of it's charm. Not everything has to be super complex, full of plot-twists and deep, revealing moments for it to be a good and enjoyable story. Ponyo tells it's story in a simplistic manner, calling for an emotional response rather than a rational one. If you're expecting Matrix level depth, look elsewhere... Art: As always, Miyazaki's works are visually dazzling. From the very first scene to the last, you'll be amazed at all of that hand-drawn magic. From the calm scene of thousands of detailed sea creatures to the action-packed, awe-inspiring waves of giant fish clashing against the roads and mountains, you wont be able to believe how beautiful the world that was created in Ponyo truly is. The characters are lovable and endearing in the way they were drawn, especially fish-form Ponyo and her little sisters (you'll certainly be screaming "KAWAII!" more than a few times). As always, Miyazaki's work is an animation masterpiece. Sound: Unfortunately, I don't pay attention to sound as often as I should! Ponyo's sound went along fine with each of the scenes as a complement rather than a distraction. The end song was pretty cute also! Character: Ponyo and Sousuke as the main characters certainly achieved a heartwarming sensation on me and the rest of the viewers. They're lovable characters you instantly take a liking to and as far as Ponyo goes, you cheer for her all the way. Even Fujimoto is a likable character, and as stated before, he's as close to a villain as you'll get in this movie. You are introduced to a few other characters, each with their own amount of appeal. I don't believe that the movie achieved any super in-depth look into the characters but I also think that because of the audience it was aimed to and the story itself, it was best this way. Enjoyment: Simply fantastic. It's a fun movie that everyone in the family can watch and enjoy. It's not something that will cause you to have an epiphany or that will reveal some sort of universal truth, but it'll definitely show you something about what we all once had and unfortunately lost along the way.... and kids will certainly love it!
dbaranyi
May 22, 2009
I usually don't care for stories that have pre-school protagonists, but Hayao Miyazaki easily made me forget that as he wove his magic once again in "Ponyo on the Cliff by the Sea". This is a beautifully simple story that wonderfully demonstrates all of Miyazaki's strengths as a director and writer. It also demonstrates some of Miyazaki's weaknesses as a director and writer, but those only add to the overwhelming charm of the movie. What we have here is a thoroughly modern movie that at the same time captures all the timelessness of great story telling. Ponyo is a dauntless heroine and Sousuke is her perfectknight. Never-the-less, the screen is stolen every time Ponyo's father Fujimoto or Sousuke's mother Risa are on the screen. But the real "heros" of the movie are the animation and the way that Miyazaki's imagination is let loose. The scenes of the "living sea" during Ponyo's storm are absolutely breathtaking, as are the scenes after the storm, which are reminiscent of the post-storm scenes in "Spirited Away". But at the same time, Miyazaki's penchant for bringing in visually disconnected concepts also shows up in the post-storm scenes. The idea of having prehistoric fish and sea creatures appear is initially entertaining, but after a while their constant presence blunts their original surprise effect. As with many Miyazaki films, "Ponyo" has periods of almost no dialog, particularly at the beginning. Never-the-less, the dialog that does show up is often quite entertaining, such as Ponyo's line when she asks Sousuke if his father is a "bad sorcerer" (implying of course that is what Ponyo thinks of her father). All-in-all, the film is full of wonderful surprises about the characters, the situations, and the world where they live. This is a great film and definitely deserves to be on the collection shelf of all Miyazaki fans. I won't wait for the R1 to come out; I've already ordered the R2 release. When you eventually get a chance to watch "Ponyo on the Cliff by the Sea", don't miss the opportunity either.
#775
Популярность
#375
Участники
648,374
В избранном
5,048
Эпизоды
1