FiFirechick12012
May 12, 2019
Recommended
Let me ask you: Have you ever heard of an old manga called Haikara-san ga Tooru? Yeah, me either. Not until this, at least. Anyway, the original manga by Waki Yamato, which ran from 1975 to 1977, actually had a bit of a rough history with animation. It was adapted into a TV series from 1978 to 1979 and received 42 episodes. It was apparently supposed to be longer, but from what I've heard, it got cancelled due to low ratings, and as a result, the anime had to end in a different way than the manga. Ever since then, it just sort of fadedinto obscurity, as nobody ever really talked about it. The manga and the anime series were never licensed in the US, likely due to their old age and old school artstyle. Considering all of these things going against it, it seemed that Haikara-san ga Tooru would be left into the darkness forever, never to be seen again.
OR WAS IT?!
Apparently, someone decided this story deserved a second chance, rightfully so, and decided to make a bold move: Revive the series! But instead of making it into another TV series, they decided to adapt it into two movies. Not only that, they completely changed the art style to make it appeal to modern anime audiences, with a new look and coat of paint. Having seen the first movie myself now that I have the first Blu-Ray, I can wholeheartedly say that whoever decided this anime deserved a second chance did an awesome job of bringing it back to life, even with its flaws. Because this movie is awesome and I absolutely can't wait for the second movie to come out!
The story takes place in the 1910s-1920s, during the Taisho era, focusing on Benio Hanamura, a happy-go-lucky, ambitious young woman and the daughter of a high ranking military officer in the Japanese Army. She lost her mother when she was young, and as a result, has become quite the stubborn, individualistic tomboy, in stark contrast to the strict idea of the "good wife, wise mother" ideal of womanhood. She studies kendo, drinks sake, dresses in Western clothes, and ardently believes that a woman should be free to choose who they themselves want to marry instead of being forced to accept arranged marriages. When she finds she's been betrothed to a man she knows nothing about, a handsome, sweet natured man named Shinobu Ijuuin, Benio tries everything she can to get out of it, from deliberately messing up her chores and housework (Which isn't hard, since she sucks at housework anyway) to trying to set him up with her best friend, who actually likes him. But things don't always go the way she wants them to, and circumstances might just make her realize that things might be better than she thinks.
Now, the original manga is eight volumes long, so it can be hard to try and cram so much material into two movies, much less one. Many movies have tried this and failed miserably. As of this writing, I haven't seen the second movie yet (Though I do want to, and I'm definitely getting the Blu-Ray once it comes out!), so the review will focus solely on the first one for now. But even with the movie's overly condensed, compressed nature, there's a lot of things that it manages to do really well. One of those things is the animation and the character designs. As you can see, both the original manga and the anime from the 70s have VERY dated designs, with washed out colors, exaggerated sparkly eyes, huge lips, and some weird-looking, gonky faces sometimes. The producers for the new movies radically updated the character designs, making them sharper, cleaner, and more modern but still keeping it true to the shoujo aesthestic, with huge doe eyes, large eyelashes, and the men having some feminized features. The animation is beautiful, with smooth movement, lovely backgrounds and backdrops that really enhance the mood of various scenes, and it even has the characters make comedic, goofy faces like in the original Sailor Moon anime, and it works really well here.
I'm kind of biased when it comes to the soundtrack, as it's done by one of my favorite anime composers, Michiru Oshima, who's worked on a lot of my favorite anime such as Nabari no Ou, My Sister Momoko, Fancy Lala, Snow White with the Red Hair, the live-action Sailor Moon series, and many others. But you probably know her for her work on the original Fullmetal Alchemist, Little Witch Academia, Tatami Galaxy, and more recently, Bloom Into You. Yet again, she hits a home run with the soundtrack here, with oboes and violins that perfectly fit the quaint, romantic feel of the movie, but never to the point of getting obnoxious or overbearing, something that few soundtracks can boast.
I do have some mixed feelings about the characters, which is inevitable considering this manga tries to cram several volumes of manga into one/two movies. I will say that Benio is a relatively good lead character: She has a lot of character flaws, such as being a little too stubborn and argumentative, which can make her come across as bratty at first, but the movie never takes these traits too far to the point of making her come off as obnoxious or a bitch. Plus, while she does eventually fall in love with Shinobu, she still keeps her self-sufficient, independent personality, taking charge of her own fate. She's an intriguing, three-dimensional character with plenty of strengths, weaknesses, and perfectly carries the movie, something which is sorely needed in the anime industry as of right now. The other characters, on the other hand, aren't as lucky in this department. They're all decent enough, and I love the whole ensemble, but because the movie rushes through everything, they don't get fleshed out like Benio does, so every scene they're in lacks emotional impact. Shinobu in particular comes off as way too perfect. His patience for Benio is saintly, he's always nice and kind, never pressures Benio into doing anything she doesn't want to, supports her in everything, and there isn't a bad bone in his body. Now, don't get me wrong, normally I love these kinds of characters, and considering that most shoujo manga/anime tend to give those kinds of characters the shaft in favor of portraying people who IRL would be considered domestic abusers in a romantic, sympathetic light, we need more characters like Shinobu. But the problem with him here is that he doesn't have any flaws. You can't make a character that audiences will like if you don't give him any flaws or traits that he needs to deal with or overcome, and the only time we see him have to deal with a character flaw is at the very end, so it winds up coming way too late. Eh, maybe the next movie will rectify this. I hope it does, because as much as I like Shinobu, you can't deny that he's rather vanilla and too perfect for his own good.
But none of these things detract from my enjoyment of the movie as a whole. Many scenes had me on the floor laughing a lot of the time, and in a really good way. The animation is luscious, the music is great, I love all the characters despite the movie being unable to develop them and flesh them out, and I'm really excited to see the next movie. I guess all of the movie's problems can be attributed to its format: Movies are typically better suited for standalone stories, and trying to cram 10 volumes of manga into two movies won't yield very good results if you want to tell a whole story. Scenes have to be cut out and you have to compress other parts in order to tell the story you want to tell. As far as Haikara-san is concerned, despite its initial missteps, I think the producers did extremely well with what they had and did the best they could to do what they needed to do here. It's a sweet, heartwarming romantic comedy that's sure to get a laugh out of you and take you to a time long past.
All in all, while made missteps in its presentation, Haikara-san part one is definitely one of the better romances I've seen this year, and I normally tend to dislike romance. Now to (impatiently)eagerly wait for the next movie to come out on Blu-Ray!
