

The Dark History of the Reincarnated Villainess
転生悪女の黒歴史
Konoha Satou has a dark history. After all, she spent her teen years writing self-indulgent fantasy romance fics-like her Dark History. But since she's become its most despicable villainess, remembering every last detail is now a matter of life-and-death. Having avoided the first couple of death flags, Satou's suddenly left in the dark when a mysterious stranger returns from the Lily Kingdom-a character she doesn't recall writing in the original script. Although Yomi claims to be her ally, can Satou really trust a character she knows nothing about in such a dangerous world? (Source: Yen Press)
Konoha Satou has a dark history. After all, she spent her teen years writing self-indulgent fantasy romance fics-like her Dark History. But since she's become its most despicable villainess, remembering every last detail is now a matter of life-and-death. Having avoided the first couple of death flags, Satou's suddenly left in the dark when a mysterious stranger returns from the Lily Kingdom-a character she doesn't recall writing in the original script. Although Yomi claims to be her ally, can Satou really trust a character she knows nothing about in such a dangerous world? (Source: Yen Press)
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Marinate1016
December 24, 2025
“If it isn’t the consequences of my own actions” the anime. Ever created your own head canon/OC and wanted to escape to that world? Well, be careful what you wish for. As Iana discovers in this show, things don’t always turn out as rosey as we imagine them in our heads. Tenkuro isn’t a groundbreaking show, but it is an extremely fun Otome style story because it follows Iana dealing with the edgy universe she created back in school as an escape from her mundane life. While her real life was boring, this world she created in her story was anything but. It’s a worldof magic, hot guys, perfect female self inserts like her namesake Konoha and a villainess who is constantly trying to kill her sister and is hated by the entire kingdom. Iana being reincarnated as the villainess and having to deal with the fallout from the story she wrote is so fun to see play out. Yes, a lot of the things you see in this show are not original. We’ve seen them done in many other Otome shows. The thing that makes this show fun is that it’s aware of those tropes and is poking fun of how cringe they are through the lens of Iana who wrote this story. Seeing Iana fight to change the perception people have of her and ensure she gets a good ending, even though everything in this world is stacked against her was a blast. There’s a nice amount of romantic teasing, comedy, some action, this has everything I could want in a shojosei like this. We get 1000 male self insert isekai slop shows a year, so I see absolutely nothing wrong with the ladies getting a fun parody spirited show like this! Your enjoyment of this show will basically come down to how much you like Iana. If you find her antics funny, you’ll have a good time. If you take everything too seriously in this, you’ll won’t. Fortunately for me, all of Iana’s jokes and gags hit. Seeing her overcome one obstacle just for another death/bad end flag to pop up in its place was great. The absurdity of the story is what makes it to me. This show gets progressively more unhinged as we go on, but it’s also got a genuine charm to it. Iana begins to empathize with the character of Iana and feels bad for creating such a world where people had to endure such hardships. Obviously most of us are not going to be isekai’d into our own story worlds, but I do think it’s a nice little creative thought process to envision how YOU would feel being in the shoes of a character you created. It adds an authenticity to the story and will probably help you write a better one overall. The way things diverge from the original story she created as the show goes on keeps things unpredictable and engaging as well. Iana doesn’t know what’s coming next which means she needs to fully understand her characters and world. I’m a romance merchant so for me, after Iana herself, her interactions with the male leads, especially Sol, were awesome. In typical villainess fashion, Iana becomes the center of everyone’s attention and pulls all the hot guys. While some like Yomi are just plot conveniences, I actually really liked how things played out with she and Sol. It’s a gradual thawing that shifts to romance and it’s so sweet! I will definitely be reading more for them! The production values aren’t the best here, but they’re good enough for what the show is. Iana looks pretty, Konoha is cute, Sol, Yomi and Guinoford are hot. That’s all you need. Really enjoyed this show from start to finish. This has to be one of the most underrated shows of the season. If you go in with the understanding that it’s supposed to be campy comedy series that pokes fun at some traditional Otome tropes, you’ll really enjoy this. Iana is one of the most fun MCs this season and every moment she’s on screen is such a trip. I’ll miss this show Tenkuro gets 9 out of 10.
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Peachgummies
January 10, 2026
I thought this was going to be a very mid villainess story but it's actually one of the best depictions of how weird and horny middle school girls are. And all without sexualizing the female protagonist. The main character is reincarnated into a story she wrote as a middle schooler, but she's in her 20s when it happens. It's not my favorite trope. The character animation is pretty low quality but I think it's because they decided to put more money into unique animations that convey emotion or vibe which worked well and really saved it imo from looking too cheap. I also think, given thatthe world was written by a middle schooler, the animation seems apt. We get so much empathetic anime about chunibyo boys and it's about time we got something equally empathic towards girls of the same age. And it's not just acknowledging it, but omg also growing from it? Commenting on her internalized middle schooler misogyny?! I feel undeserving of something so wonderful. It's legitimately funny and very obvious that the people who made it, cared. I think it's the first piece of media about teenage girls that actually made me feel seen.
Pumpkin_Season
February 28, 2026
This was an absolutely delightful play on the isekai trope that refuses to take itself seriously. The author is giving Osaka/Kansai coded humor, which was so much fun to watch. Even more so when you understand the fun little play on words going on throughout the show as well. Critique (possible spoiler): The only thing that threw me off guard was having the only blatantly queer character be a villain and an implied r*pist. As much as I enjoy seeing queer kisses on screen, this definitely left an odd taste in my mouth. Our FL does acknowledge that, in MS, she basically made all relevantfemale characters lesbians since "everyone needs to love the heroine." Her current self, on the other hand, sees past this 2D way of writing stories/characters. This then becomes a bit of a... depends on how you want to interpret it situation. 1) This villainization of a lesbian character is due to her middle school self needing every single person in her story to be obsessed with the Heroine. This is not actually a negative commentary on the queer community but rather a jab at her past self for making such a villainous female character. 2) The anime is just going along with the homophobic rhetoric of queer people being predatory. Aka, a mindset that can, unfortunately, still be found here in Japan.
ItzMira
December 28, 2025
I think this show did a great job of executing exactly what it promised us: a story written by a dumb, edgy teenager, and said teenager facing the consequences after growing up. The cringey and generic parts feel intentional, making it not painful to watch and instead just pretty funny. I would definitely recommend it if you enjoy villainess stories and dramatic main characters with wholesome intentions. The story isn’t very predictable, and, as one may expect from a story written by a young teen, slightly all over the place, but not in a bad way. The main character is a bit paranoid about deathflags, but this is mainly because she thinks in absolutes: she wrote her characters as stereotypes, with said things they would ‘absolutely’ do, such as protecting the heroine, her sister, and things they would ‘absolutely’ never do, like trusting her, the villainess. She believes this, while forgetting the human aspects the characters have gained after her story became her reality. Hoping for a second season :>
Chuy_diazz
December 30, 2025
The villainous isekai genre doesn't have stories that revolutionized fantasy, but damn, they're fun. Something I'll always say about the genre is that, being so limited, it always forces you to be creative in some aspect. Tensei Akujo was creative in the figure of its main villain or antagonist. It's already a classic for the protagonist to reincarnate in a story of her own creation. It's just that the protagonist's writing counterpart isn't usually given much focus. Something they do here, and in a very entertaining way. Since the story was written by her teenage self, she's constantly attacked for the embarrassment of her teenage fantasies.It's hilarious to see how every conflict that arises within the main story is simply because the girl was raging on a summer day. While there are characters who are the villains of the moment, they only serve to let us see an aspect of the protagonist's personality. Furthermore, the rest of the world is designed for the protagonist's convenience, who was created to be a self-insert. So, since she's reincarnated as the villain, everything she designed for her own satisfaction is now what puts her in danger. I'm telling you, these aren't stories that will revolutionize the genre, but you'll never be short of fun. On the downside, the comedy can sometimes be too annoying. There's a point where you enjoy the characters, but then it gets to the point where instead of being funny, they become irritating. The protagonist steals so much of the spotlight that the supporting characters are somewhat neglected. The story doesn't invest any time or resources in the secondary characters. They only exist to embellish the protagonist's story. All the stories revolve around the villain, so the other characters can't develop properly because they depend on the story giving them that moment with the main character. The production overuses chibi models. There are moments where seriousness is needed, but for some reason, the characters remain in their chibi form. It's not really annoying, but it does break the immersion a few times. It's an anime made for fun, nothing more, nothing less. If you give it a chance, at least a laugh is guaranteed.
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