

アン・シャーリー
Eleven-year-old orphan Anne Shirley has spent her life moving from one family to another, always hoping to find a place where she truly belongs. When she is sent to live with elderly siblings Marilla and Matthew Cuthbert at Green Gables, a quiet farm in the town of Avonlea, it is quickly revealed that she is there by mistake. Having expected a boy able to help out with farm work, the Cuthberts are surprised to instead receive a young girl with a vivid imagination and a flair for the dramatic. Despite the Cuthberts' initial hesitation, Anne's energy, intelligence, and charm soon win them over. Anne settles into her new life, experiencing many things for the first time—such as attending school and making close friends—as she learns to navigate the joys and challenges of growing up. [Written by MAL Rewrite]
Eleven-year-old orphan Anne Shirley has spent her life moving from one family to another, always hoping to find a place where she truly belongs. When she is sent to live with elderly siblings Marilla and Matthew Cuthbert at Green Gables, a quiet farm in the town of Avonlea, it is quickly revealed that she is there by mistake. Having expected a boy able to help out with farm work, the Cuthberts are surprised to instead receive a young girl with a vivid imagination and a flair for the dramatic. Despite the Cuthberts' initial hesitation, Anne's energy, intelligence, and charm soon win them over. Anne settles into her new life, experiencing many things for the first time—such as attending school and making close friends—as she learns to navigate the joys and challenges of growing up. [Written by MAL Rewrite]
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Marinate1016
September 27, 2025
Anime adaptations of western novels are usually hit or miss. Most of the time the staff will have to make some compromises that result in the story not being nearly as impactful in anime format as it is in the book or live action. Totally not the case here with Anne Shirley. It’s hard to believe this is from the same studio that gave us the utter disaster that Tower of God season 2 was. Going from that to a masterclass in storytelling like this is insane. This was truly an amazing experience and one of the best anime of the year. It’s a shameit had to air at such a stacked time. Getting to follow Anne as she developed from a problematic little girl to a bold, educated, intelligent and strong young woman was so cool. The story taking place with this backdrop of feminism and a rapidly evolving Atlantic Canadian society where women are able to have more agency and take on roles outside of the home was really cool. I’m a sucker for epic stories that follow a character throughout their entire life and truly make you feel apart of it, all the ups and downs, the joy and sadness, Anne Shirley has all of it. While it didn’t cover Anne’s entire life(first 3 books out of 8), it covered such a crucial part of her and had so many emotional moments that left me in tears and introduced me to so many characters who feel like family. If you enjoy well written historical fiction and great side characters, Anne Shirley’s a must watch for you. This is easily one of the best anime adaptations of a western classic ever. Anne’s journey is without a doubt the best part of this series. While some parts are condensed to make it more suitable for an anime viewing experience, I generally felt like we got to see Anne grow up right before our eyes and it’s paced in such a way that the passage of time elicits an emotional response from you. Think of it like how you’d feel watching your child grow up before your very eyes. There’s this feeling of pride and happiness, but also sadness knowing they’re getting older and going off to start their own life. Anne’s development is so well done and just like anyone in real life, it’s full of challenges and obstacles, seeing her overcome these difficulties and come out stronger on the other side is so satisfying. The writing in this adaptation is so good that my mood became intrinsically linked to these episodes. If Anne went through a rough time and lost someone close to her, I’d be torn up all weekend. Conversely, when Anne has her big milestones, I was over the moon. The biggest achievement of this adaptation is making you feel like you’re in the story, right there with Anne and the other characters as they go through their lives. In many ways, it has that soap opera feel, that sort of pull to keep audiences engaged and watching for decades as the cast evolves. To me, Anne is so amazing because she’s committed to doing things her way. This story takes place in the late 19th century when women didn’t have the same rights and expectations that men have, yet Anne is determined to make something of herself besides being a housewife. As someone who finds nothing more attractive than an intelligent and driven woman, Anne is an extremely endearing character to me and I admire her dedication and perseverance. The fact she gets rejected at numerous points and doesn’t let it discourage her, but uses that to fuel her and remains committed to achieving her academic and career goals is so admirable! As someone who’s dealt with rejection a lot throughout my own life, I related to her a lot. My only complaint with Anne is that she’s so slow on the uptick with romance, but she does start coming around by the end, so I’ll give her that. If anything, I suppose that’s an example of how well written she is. Romance isn’t the end all be all to her character in an era where being married defined a woman’s status and worth. Anne defines her own value and tells her own story. I mentioned the supporting cast earlier and man, they really bring a lot to this story. Anne’s development simply wouldn’t have happened without the contributions of important people she meets along the way. Whether it’s her adopted parents Matthew and Marilla moulding her into a proper young lady, her best friend and totally not yuri bait lover, Diana, encouraging her to pursue her dreams, her rival and totally not the guy of her dreams that she should’ve been with from the start, Gilbert pushing her to be a better student or any of the numerous side characters in the story, they all play a very important role in the story and Anne’s life. They also all became apart of MY life as this show went on, especially Diana and Anne. Their relationship was genuinely beautiful. I think if you get ONE friend in life as real as Diana, you’ve been extremely blessed. Yes, it had the yuri bait undertones, but even without that, I loved every interaction they had and seeing that become less frequent as she and Anne got older made me really sad. That’s something that unfortunately does happen as you get older and pursue your dreams while your friends pursue theirs. This story really nails the feeling of the passage of time and how you can feel sad about certain parts of your life coming to an end, but happy about other parts starting. The constant introduction of new characters at the various phases in Anne’s growth help to establish that sort of feeling. Can’t talk about this show without going into the romance. Now, Anne might be a romance author on the side, but when it comes to the real thing, this girl is blind as a bat. She can’t see the forest for the trees and appreciate what’s right in front of her. I won’t spoil all the twists and turns on this subject, but suffice to say the Gilbert x Anne ship was one of my favorite haters to lovers ships ever. I appreciate that things develop with them so slowly and Gilbert is nothing but patient and respectful to Anne. He refuses to make her uncomfortable or be overbearing. There’s the old adage about love not being selfish and Gilbert personifies it, even when he gets done dirty by Anne, he stays an outstanding young man and I really appreciate how the author wrote him. Easily one of my fave characters of the year because of his support and friendship for Anne. This was my 2nd favorite part of the story overall after Anne’s individual growth. It’s really hard to believe this was the same studio that gave us that PowerPoint presentation in tower of God 2. This generally looks amazing, it’s an historical series so you don’t need great animation, but it’s still very solid. The art style is gorgeous and I love the character designs. The direction is underrated in this series, like the whole anime. I think this show had some of the best directed episodes of the entire year, leaving me in tears on multiple occasions. Clearly they put all the staff’s energy and the budget into this show. Anne Shirley is one of the best shows of the year and it’s unfortunate more people haven’t checked it out. I really could not have asked for a better historical drama story. The characters, writing and production values are just incredible and Anne is easily one of the most loveable leads you’ll ever see. I know this probably wasn’t that popular in Japan, but I hope we get to see the rest of her story animated because she’s become such a big part of my life over these last 6 months. Thank you to everyone involved in this adaptation. Amazing job. Anne Shirley gets 9 out of 10.
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Chuy_diazz
September 27, 2025
A literary classic that couldn't be found in anime format. Anne Shirley is a classic from the 1900s. It's an extremely emotional story about the entire life of a red-haired girl. It's a coming-of-age story. Initially, this anime had everything it needed to shine. An extremely charismatic protagonist, capable of holding the viewer's attention. Honoka Inoue did a spectacular job with her performance; she carries most of the series. She knew how to adapt to the character's eloquence and was able to connect with her. The animation, while not fluid and beautiful, did have its own essence and charisma. They opted to use static backgrounds sothat the characters would stand out. The backgrounds were in a very beautiful oil painting style. The story, while lacking a fixed direction, was entertaining enough to watch a pair of siblings raise a girl they adopted due to a mistake made by the orphanage administrator. Up until the first three episodes, everything looked like it would be an anime full of beauty and learning. The problem arose when they started making abrupt time jumps. Suddenly, a school year passed in 10 minutes, or in two episodes, Anne went from 10 to 14 years old. Due to the lack of continuity, you couldn't connect with the secondary characters because you couldn't appreciate the impact they had on the protagonist's life. You can understand everything about the protagonist because she's the only one who matters to the story. When it comes to secondary characters, even if they're important, like the Cuthberth siblings, it's very difficult to empathize with them because we don't interact with them much. Anne Shirley isn't an anime designed to tell a linear story. It's very noticeable when they focus on episodic stories. When you watch episodic stories, you understand that Anne's life wasn't meant to be told in a linear fashion. They should have always told a story in each chapter and captured 24 key moments in Anne's life to reflect them in 24 episodes. Feelings like romantic love or filial love are handled very superficially. They want you to understand such a complex feeling in one or two chapters. These kinds of stories need more careful handling to reach the audience. It's not a bad anime, it's not a bad story. It's just that many times you won't be able to connect with it.
Jet_Suzuyaki
September 29, 2025
I've seen people give this anime a 10/10 rating, and it's not hard to see why. The characters are simple but endearing, the story is relatively gripping, and the anime conveys a truly pleasant positivity that makes you feel good. My concern is the pace. From the beginning to the end of the series, I felt like the anime was rushing to fit the entire story into its 24 episodes, even if it meant never letting the situations and characters breathe, which poses two major concerns in my opinion. First of all, it lessens the impact of situations. Whether it's a trivial problem at school orthe death of a loved one, the series glosses over it so quickly (often in half an episode) that it's hard to feel the gravity and importance of the event on Anne and/or the other characters, so it seems less important to us, which leads to the second problem: we feel less connected to the characters, in the sense that we don't feel what they are going through as much as they do, and so we are less affected by what happens to them, which is quite ironic for a series that relies on this. I know that this pacing issue didn't bother everyone, but even without having seen the original (which I recently started watching and which is much better in this regard), I felt that it was moving too fast, causing me to become increasingly detached from the story and its characters. But don't get me wrong, the series is very good and has some excellent episodes, such as the last one, which sums up the appeal of the series quite well. In short, it's a very enjoyable series, but it lacks the pace to make it to the next level.
joemaamah
October 21, 2025
If this series doesn't warm your heart, have someone close the lid, and chuck you in the ground already. The artwork is beautiful and lush for the most part. Characters are portrayed quite lovingly. The background work is formidable. The animation in the first cour is wonderful. I'll be nice and call the second cour a bit choppy. Too many instances of panning still frames, and the slide show of Diana's wedding was very disappointing. Still, overall the animation is better than most SoL titles. This series is all about the great characters and their development. If I mentioned them all it would read likean encyclopedia. It never felt too hard to keep track of them, though. Anne's portryal is masterful. It's almost impossible not to love her, freckles and all. Diana is the bestest best friend ever. Anne's adoptive parents are so believable. It's wonderful to see how Anne's presence transforms Marilla. As Anne grows and becomes an amazing adult young lady of brilliance and talent, her circle expands, and more great characters are added. They are all lovable but I particularly fell for Phillipa. She is the perfect foil and mirror to Anne. The narrative kind of scared me at first. Anime has tried adapting Western literature, and usually fails miserably, when they try to shoehorn it into Japanese culture. This tale is fairly simple and straight forward, and at it's very essence, totally human. It follows Anne's life, starting as an orphan being mistakenly adopted by the Cuthbert siblings, through her becoming a college graduate, and finding her own true love had been right under her nose all the time. The story is funny and courageous, but there is pathos and angst. Anne has much to overcome in life, but she's so irrepressible. You just know she's going to come out right from the tough and painful parts. The VA work is stupendous. Even the most minor characters are done with aplomb. Anne's actress deserves an award. One of the main reasons I like Phillpa so much was her VA was brilliant as well. Credit the directors for providing a fine lead. I know the animation shortcomings may have been a function of finances, since the early work was so fine, so all can be forgiven. The soundtrack throughout the season was excellent. I especially loved the OP, and never skipped a one. I was chair dancing with Anne every episode! So cheery and upbeat. Anne Shirley might not be the best anime of all times, but it certainly is a masterpiece, and an example of what anime can be at its best. If I were the school marm, I'd be cracking open my gradebook, and marking this one down as a 97/100. A full blown A and a well deserved one, at that. This is a redhead you got to get into your life.
Sakura131
January 25, 2026
Anne Shirley as an anime is at its most compelling when it interrogates adult authority- not as wisdom, but as contradiction. Through Anne, the series quietly but persistently exposes the hypocrisy of the adults around her, especially those who claim moral superiority through Christianity and “proper” child-rearing. Again and again, Anne is punished not for wrongdoing, but for failing to conform. She is pressured into a false confession over the missing brooch. She is made to apologize when no apology is warranted. She is chastised for defending herself, while cruelty toward her is excused as discipline. Even her interests are policed: she is told that thethings she enjoys or the way she behaves are “boyish,” improper, or unbecoming. The punishments feel futile because they are disconnected from justice - they exist to enforce obedience, not understanding. What makes Anne such an effective lens for this critique is her tabula rasa. Having not been raised within conventional family or religious structures, she arrives in Avonlea without the ingrained reflex to submit. She doesn’t instinctively accept that adults are right simply because they are adults. This makes her a canvas onto which the community projects its values- and, in doing so, reveals their flaws. The anime suggests that rearing children strictly according to Christian values often prioritizes appearances, guilt, and compliance over empathy or truth. Anne’s uniqueness functions as a foil for the entire community. She feels no inherent need to conform and is unapologetically herself, which in turn exposes the quirks, vanities, and unspoken cruelties of those around her. Even vanity itself is handled thoughtfully: Anne cares deeply about her appearance, but the series makes a point that one of her earliest interactions with others is to have her looks evaluated and mocked. Her fixation on beauty feels less like shallow self-absorption and more like a response to being taught - immediately - that her worth will be measured externally. Despite her love of books and learning, Anne also fails to fit neatly into traditional school structures, further highlighting how rigid systems struggle with children who don’t learn or behave “correctly.” The tragedy, and the critique, is that Anne’s imagination and sincerity are treated as flaws rather than gifts. In the end, Anne Shirley isn’t just a coming-of-age story. It’s a quiet indictment of moral systems that value conformity over compassion - and a reminder that a child who refuses to bend can reveal more truth than a whole town that never questions itself.
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