

I'm Standing on a Million Lives
100万の命の上に俺は立っている
Yuusuke Yotsuya has always disliked Tokyo, but he especially hates the people who live in it. He would rather thrive in a virtual world than try to get along with those around him. At the end of one school day, he sees the popular athlete Iu Shindou talking to Kusue Hakozaki, who spends less time in school due to illness. But when he looks away from the two and back again, they have seemingly disappeared. Mere moments later, Yotsuya enters a state of free-fall, and the world begins to change around him. Dropping into a large pool of water, the first thing he sees when he comes to his senses is an assortment of enormous monsters. He soon finds out that he has been brought into a game world by Shindou and Hakozaki and that he must complete a quest within 14 days. There is one thing that separates this world from the real world: anyone who dies will be brought back to life in 30 seconds as long as one party member is alive. Tasked with numerous quests that increase in difficulty over time, Yotsuya, Shindou, and Hakozaki attempt to discover the mystery behind the perplexing game world. [Written by MAL Rewrite]
Yuusuke Yotsuya has always disliked Tokyo, but he especially hates the people who live in it. He would rather thrive in a virtual world than try to get along with those around him. At the end of one school day, he sees the popular athlete Iu Shindou talking to Kusue Hakozaki, who spends less time in school due to illness. But when he looks away from the two and back again, they have seemingly disappeared. Mere moments later, Yotsuya enters a state of free-fall, and the world begins to change around him. Dropping into a large pool of water, the first thing he sees when he comes to his senses is an assortment of enormous monsters. He soon finds out that he has been brought into a game world by Shindou and Hakozaki and that he must complete a quest within 14 days. There is one thing that separates this world from the real world: anyone who dies will be brought back to life in 30 seconds as long as one party member is alive. Tasked with numerous quests that increase in difficulty over time, Yotsuya, Shindou, and Hakozaki attempt to discover the mystery behind the perplexing game world. [Written by MAL Rewrite]
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CBMiura
June 26, 2024
It's an ok anime to pass the time. 100-man no Inochi no Ue ni Ore wa Tatteiru is a "pseudo-isekai", that suits well when you don't have anything better to watch. The anime don't bring anything new, but if you enjoy this genre like I do, you can watch it to kill some time. I DO NOT recommend this anime to someone who wants something new or a good/great anime. The story it's ok, the characters are generic and the animation it's barely an ok. If you need something to enjoy while you don't have anything better to do, this anime it's a good call.
Yemi_Hikari
May 25, 2023
This particular series certainly is a mixed bag of narrative elements. I'll start off by saying the series does have some unique features in that the premise for this particular isekai - a story where someone falls into another world - are certainly unique. Rounds three and four which our main character is introduced, are also well thought out regarding what the game master is asking for, and I really can't find any fault in those two rounds. In fact, I'd argue those two rounds and how they work out are definitely what draws the audience in There is also an attempt to utilize unique character typeswithin this series, but this is also where the series starts falling apart. Effectively, one can summarize the issue as the creator of this series decided what character archetype they wanted to work with, only not to work out the small details. These small details, in turn, are important to the narrative. That's, of course, the short story, with the longest being that some might pick up on a bit of an ableist attitude towards individuals who are socially inept, with the narrative effectively putting forth this idea that those with social issues can be fixed if they simply find some way to contribute to society ignoring the fact it is possible for someone who is socially inept at contributing to society while still remaining socially inept. This particular issue shows the most in the main character, who the creator of the series attempts to present in a negative light from the very start, treating him and his social ineptitude as some sign of being a psychopath rather than simply being a pragmatic person regarding the way the world works. His hatred for the world ends up feeling like an extreme, something left completely unexplained, almost as if the person who created the series didn't actually understand those with social issues and instead looked at them through a biased lens of how they felt they could confirm. Of course, here is where I do admit that something may have gotten lost in the translation of the series in the adaption process and that the fault may not lie with the actual original creator but those taking their characters to the Manga. The issue with not thinking through the details when it comes to the character types shows up the second most in the second character to be dragged into the quest in that we're informed she has an illness, which effectively is her entire conflict in the series with its own set of complications because the small details weren't thought out as well as they should. But effectively, with this character, we have a character with a mysterious illness that leaves her physically weak in the real world. What is the illness? Well, we never find out beyond the fact it is hereditary. This can be brushed off as something writers do a lot in stories they create because it's just easier not to have an illness that is named, and readers can go, "That's not accurate," but in this particular case, it informs her entire identity. Her worldview, like the main protagonist, is treated as wrong and in need of being fixed despite her reason for having the social issues she does is justified by her health issues. Or perhaps it's not so much her worldview that is being challenged here. Still, the idea that someone with extreme health issues isn't justified for having the social issues they do because of their illness, and by that merit alone, the fact they have social issues is enough to deem them not to be a proper contributor to a functioning society simply which is its own can of worms and much more problematic than simply questioning this characters world view. Speaking of questioning world views, the first character with social issues who can be described as socially functioning effectively has coping mechanisms that help her function, treated as if it is garbage because there is nothing wrong with depending on friends and no indicator at all that she'd ever been too co-dependent. This, in turn, begs to question what her purpose within this series is because, as another character states, she is effectively perfect only for the narrative to find ways to try and make her come across as flawed, which is problematic because the flaws end up being flaws within the game mechanics, not with the character. As for the fourth character, she is more fleshed out than the others. In her particular case, her social issues aren't a problem with self but instead an issue with society, in particular a school system that allows such social issues to occur within their system. The first problem arises when - well, she's effectively a character we've seen before, the bullied character. Still, in this particular scenario, the whole bullying thing is downplayed, although how I won't go into it to avoid spoilers. She's also a character we've seen before who fulfills the role of the perverted geek, which seems more there because of the obligatory perverted geek than as a real narrative point, although it does try. From here, some of this won't be a problem with viewers, but for others, it can be. For me, it definitely left me questioning if the person who created this is someone who actually understands people who have social issues or if they're working with certain talking points regarding certain beliefs regarding those with social issues. The latter is honestly problematic and something to be wary of going into the sequel series.
GravenER
June 12, 2024
There was an attempt. An attempt at being deep and nuanced, and doing something new, but while the intention is commendable, the execution is shabby and boring. Almost clumsy. I don't care about the surprise twist by the end, so I shall judge it based on what the show presented through the 12 episodes, and, honestly, what was presented was an aggressively mid, low production value product with immemorable music, mediocre animation + character designs, skin-deep dialogues, and 'moral challenges' (like that in episode 6) that a middle schooler at their first creative writing assignment could come up with. A series of poor ideas poorlyexecuted. To reinforce the point, this anime is sometimes the personification of the "I'm 14 and this is deep" meme - an immature kid pretending to be a thoughtful grown-up. They try to touch on some delicate topics like bullying, illness, or religious tolerance (lol), but they do so in such a dismissive, childish, and shallow way that it feels like reading a Twitter thread by some California schoolgirl talking about capitalism. And no, the fact the MCs are kids themselves doesn't justify the shallowness of the dialogues in the slightest - anime oftentimes portray super smart kids coming up with extremely complex thoughts children their age typically don't have, as per the Most Writers Are Adults trope, but even if we assume the show tried being 'dumb' on purpose to portray the kind of thoughts a kid could realistically have, it STILL fails at that. It simply looks and is half-baked. Now, a quick summary. The plot... the plot is whatever. Boring. The characters. The character arcs are filled with the usual uninteresting cliches, and while they do manage somewhat to avoid the pitfall of the personality stereotypes, that doesn't do the show any favor, really. For the aforementioned reasons, I doubt anyone with an actual chronic condition is going to see themselves in Kasue, or a victim of bullying is going to empathize with Yuka, etc. - their motivations and sad backstoriesTM are, again, just too shallow and cliche to be taken seriously. That said, it's a mediocre fantasy anime. Worth watching it to kill time, but don't expect much.
Ma1evolent
December 19, 2020
Yotsuya Yuusuke is a boy that started to hate everyone after an event that happened to him in his childhood (nothing special), so now he is a gamer who prefer to play solo and doesn't care about anyone but himself (generic). Here coms the perverted gamemaster and forces him to play with others in a game were there life is on the line (heard this a thousand time). The first ep starts somewhat good but nothing really interesting happens through out the whole anime. The only good ep is the last in my opinion but from what I saw about the secondseason its not that exiting. If you want to watch it just because you like the iskia genre go for it, but don't get expect anything good
KANLen09
December 18, 2020
To be honest, I really want to commend this show for doing something different in the oversaturated space of the overly generic Isekai medium, but as it stands, it fell short of expectations when things were only starting to get better. But then again, it's one of those "go read the source material" shitty settings that I'm honestly very tired of and lament in the usual practice of marketing, but in this case, it's for a VERY GOOD reason. Why and how is that so? Let's take it from the top. As far as Isekai standards go, 100-man does showcase the usual tropes and clichés, butfurther down the road, it becomes something that takes the same concept and flips it around on its own shell, making for a boring world somewhat unique on its own. It starts off as the stereotypical Isekai type of show that goes on and on with a large class of few characters that are nothing special to rave about, even with their "wheel of luck" skills chosen by the GM (whoever he, or "it" is) that tells them: "Whatever skills and techniques that are given to you, please utilize them to your advantage, no matter how strong or weak your class will be. Any quests that follow, please complete them like you would in a bog-standard RPG. Questions-wise, the quest finisher may ask me only 1 question and I would answer your assumptions." Pretty conventional and shallow stuff (except the "class setting" anyways), but the world-building gradates at a snail's pace to the point of excruciating-ness (due to the many fillers that was placed in the anime for time-padding, that took off valuable screentime for the adaptation, sad but I kinda understand after finishing the anime). I know this because all of this is not what it seems deep down the rabbit hole in the manga, but to be clear, all of what the anime has showcased, ALL OF IT, IS JUST A PROLOGUE. Ever thought what will it be like if the Isekai world is in parallel with the real world? We're only just getting started! And yeap, there's a Season 2 coming soon in the Summer season next year to expand this story. What's unassuming at first is the cast of characters, with the misanthrope of an MC and diverse personalities of the girls (because harem, yes, but not in the way you'd expect): Yotsuya Yuusuke is your typical braggart kind of character, the lonesome loner and a vehement hater of humanity. All he desires for is a world that twists logic and explanation that favours his way of thinking, and be the protagonist of his own "idealistic heroism" villain hero tactics, while at the cusp of people far more popular than him. Case in point: Shindou Iu, a multi-faceted girl that's the "school idol" for everything, from studies to athletics. Beyond all that however, she's the opposite of Yotsuya in "another world", and that she's a confident but nervous wreck that needs assistance, because of societal implications that could affect her popularity in the real world of trying to ask Yotsuya, would brand her as a normie. Yeap, very stereotypical. Kusue Hakozaki, think of her like Bofuri's Maple, but average in every way. Like Shindou, she is someone that relies on people to get things moving while acting as normal as they could be. Oh, did I not mention that these 3 are classmates who can get Isekai-ed back and forth to their original and "another" worlds? Well, that's a first (and a very important plot device later in the story). Yuka Tokitake, she's the messiest of the group. A girl who's constantly being bullied (until Yotsuya saved her), and an otaku, not to mention their version of PreCure's. If anything, she is one obnoxious girl that many of us will feel like she has no place in this story plot, but I'd guess feeding her ideals DID at least move the story forward in a crucial episode of the 'heroes' group's lives. Kahabell (or Kahvel as the anime applies), a fierce "knight in shining armor" of a girl fighting for her justice. And oh look, another NPC girl to "fall in love" from! Like seriously, can't this show relax its "romance" aspect one too often? Luckily, Yotsuya is anything but a typical MC, sincerely rejecting her appeals and going in for the cause instead of just pandering around (like so many MCs do). An interesting team of characters, and while I would say that none of them really stand out on their own, you could easily guess that their selling point is indeed, their individualistic "realisms" and how every step of the way expands on the story and world-building. Though small efforts, but big ones as the story setting and plot progresses from form to function, pacing the main cast together with every struggle along the way, and for good measure. On a side note, never mind my sadness, because where the anime lacked, the manga made it up by a ton. And the animation, oh golly god. For a small and inexperienced new studio like Maho Film to work on 2 simultaneous adaptations in the same season (this "action-heavy" one and Kami-tachi, the slime "Iyashikei" SoL one), that's really stretching their miniscule "number of (40) employees" to the limit (to which I'd put a pun to say: Limited Budget Works). Remember, their very first animation work of Uchi no Musume (the "For my daughter, defeat Demon Lord" show because I'm too lazy for super-long LN titles), that was released to moderate fanfare in Summer last year, it was just okay and really nothing special. So to work on 2 shows within the span of a year, that's quite the crunch I would expect the anime industry to imitate suit from. All I can say for 100-man, is that if you're expecting some decent action, don't hold hopes for this one as it'll only feed you just enough at the very bare minimum to keep things going. Interestingly enough, the cartoonish art style at Episode 1 is also not just for show, it's just an extra in aesthetics, so props to experimentation? The music however, may just be the star of the show itself. More than the standard OST that was given of songs that fit the series well, another experimentation of that one episode of the annoying otaku Yuka's dreams, they actually made an opening sequence just for cringe-fest and laughs, but it's real (it's even on YouTube so you can check that out if you're so inclined). Honestly, the OP/ED range from decent to fairly good, and that's as much about it that I can say in the music department. If I have to recommend which is the better one, after some ranting in-between (of which whether you caught or not), you don't need me to infer that the manga is the way to go if you want to experience 100-man at its best. As much as the anime adaptation did somewhat a loose job at recreating the "series of unfortunate events" of heroes with good intentions gone wrong, I can tell you to binge the first few chapters, and the estimated reading time will be faster or on par with a single episode's runtime (compared to how the anime took 3 months just to reach to the plot twist). Good try Maho Film, but this is a disappointment, and the 1st fail out of 2 concurrently airing shows. Go read the manga instead if you feel so inclined to know what's beyond the surface for now, and wait upon Season 2 coming soon in July.
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